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Arthur Miller has come to be considered one of the greatest dramatists in the history of the American Theater, and his plays, a fusion of naturalistic and expressionistic techniques, continue to be widely produced (imagi-nation.com). Arthur’s first success came about in 1947 with the playwright All My Sons, which won him the New York Drama Critics Circle award. This play was a family drama that told the story of a factory worker who caused the death of several American pilots by selling defective parts to the government. His next and one of his most popular playwrights was Death of a Salesman, which won him the Pulitzer Prize in 1949. Willy Loman, the main character, “was willing to sacrifice his life … to secure one thing – his sense of personal dignity.” Miller received a lot of criticism from critics who were against his “infusing” of pity towards the commonplace salesman. “They insisted that Willy was a "little man" and therefore not worthy of the pathos reserved for such tragic heroes as Oedipus and Medea” (imagi-nation.com). Throughout Miller’s life he has written 20 playwrights, which included the previously mentioned Death of a Salesman and All My Sons as well as other famous plays like The Crucible, and Everybody Wins – which was turned into a screenplay. Everybody Wins is Millers first screenplay to be filmed since The Misfits. Everybody Wins takes its’ starting point from Miller’s short play, Some kind of Love Story. In this screenplay a private investigator seeks for the evidence that will enable him to redress a wrongful conviction for murder (methuen.co.uk). Information obtained from: http://www.imagi-nation.com/moonstruck/clsc10.htm http://www.methuen.co.uk/everybodywins.html
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