Due to Logos, who units the cosmos with the earth in the vibration of the sound FA, creating thus the equilibrium which is the seizing point of "The Creation of The Free Will", sound unites with the Idea and it is and it creates and  thus the Encounters express themselves that way in an understandable future.

This is the ownness of the whole work of art.

The Universidad as Ilici monument in the three dimensionality and as Ilii-monument in the four-dimensionality,  reaches the ownness of the Universidad in the location of LOGOS, by means of sound, the Idea travelling on this length wave.

The first octave

This octave, produced by the instrument,  is  created by pre-atomic particles that manifest themselves as an evolutive, ascending, light yellow light wave that vibrates at a speed of 16.000 to 32.000 vibrations per second
(s/s)
In an ordinary instrument, the octave does not manifest itself in a straight line, but with intervals  of intensity at the height of the tunes MI and SI,  i. e.:
- from DO to RE: +3
- from RE to MI: +3
- from MI to FA: +2 = interval
- from FA to SOL: + 4
- from SOL to LA: + 4
- from LA to SI: + 5 = interval
- from SI to DO: + 3
 

The Instrument

By replacing the wooden lip by a lif of an adequate material, and by the friction on this material, generated by the air that is being blown  through the canal, we get a greater acceleration and intensity on the particles of the meta point or seizing point, so that these concentrate,  together with the center of gravity (outside the mass) in  its  energetic identity (topaz) where they move in the form of creative forming power in a moment of inertia and that the tones vibrate on the major axis with great intensity.
 

El resultado es un instrumento que se toca con la mayor facilidad.
Thus the existing intervals in this octave are being annulled, the intensity of the particles increases, the sound produced by this istrument gets an equilibrium without precedents, a volume of intense sound without any intervals and the fulness and harmony of the sound spectrum.

The second octave

In the second octave it concerns particles that manifest themselves just like  a creative, descendent, semi-light wave, as a cosmo-telluric axis They that move at a speed of 500 thousand millions of vibrations per second (v/s) and they have their major interval at the height of the sound DO and SI. 
A second interval manifest itself in the tune FA and converts itself in electricity at a speed of 100 millions of vibrations per second and with a lenght of 1/20.000 cm

The third octave

When the intensity of the ascending particles of the first octave accelerates at the height of MI and SI, where normally the intervals occur,  so that this evolutive ascending line or its particles begin to move until they  vibrate at a speed up to 547.450.563 s/s and when they touch the creative desending line, (the cosmo-teluric axis) 
1 - the particles of the evolutive ascending octave lengthen, they transform themselves up to SI, disperse themselves and manifest in the inicial DO of the descending octave, focussed towards Mercurius.
2 - Thus the particles of the descending octave in Fa manifest themselves with the acending octave as a noticeable energy, i.d. as sound. Thus arises a new octave from the first two, and thus arises  an own identity order, that vibrates in rhytmic movements.
 

This fenomen manifests  itself and realises itself in the creation called "Universidad Libre Las Colinas", in a continuous ryhtm and motion of contious altering in a proper  identity order, that vibrates in rhytmic movements of a contiuous energy current with great frequence and diversity.
In this continuous movement, the sound of the ascending octave unites in the FA of the descending creative octave in an energy  figure, in direct figures and alsmost inperceivable figures of sound of this identity.

This new octave has "I-U" , of the cosmo-telluric sound "E" as major sound, it is focussed on Mercurius and the particles, in the form of figures and sound, move as particles of silver with the identity of topaz.
The cosmo-telluric axis finds in this place its organic, creative power in millet and wheat.
In relation to man, it can be said that the nervous system is stimulated.

Due to the unique and specific knowledge of the author, this monumental work called "Universidad Libre Las Clinas" characterises itself as a total and transparant concept of harmony.
 

                            Las Colinas. Drawing by Tsutomu Shigemura.
 
 

Sound created in "Universidad Libre Las Colinas
1 - Ilici
2 - Ilii

In the monumental work "Universidad Libre Las Colinas" sound is created in the first monument Ilici by means of a flute that has been designed by the author. The particular of this flute is that the sounds produced by it are not subject to the normal intervals.
The place where the flute is played has also been designed by the author. The monumental work "Universidad Libre Las Colinas", situated in Sucina, Murcia. The flute player is sitting in the centre of the Agora, that is part of the monumental work.
 

The immediate aim of the first monument Ilici is:  the dialogue, the investigation and the formulation through the opposites and the similars, reckognizing in the word, poetry and sound.

Ilii-Ilici. The identity

The sound in the second and third dimension (Ilici) goes towards the fourth dimension in Las Colinas (Ilii) and towards a multi-dimensionality in the identity that moves.

The Agora, a round platform built in natural stone and covered with marmol, has a diameter of 6 meter and is 60 cm high. This platform is surrounded  by the Campus, a natural terrain closed by a rising wall . On the back of this wall, there is a serpent (coloured in dark red ) that moves over the totallity of the length of the wall.

On this platform arises the sound, searching, opposite in the dialogue, in the third dimension. The sound is created by means of the flute designed by the author, called "the interactive flute".
We start from three octaves:
the flute plays in two octaves. We call these two octaves the first octave. 

This is creating in the first octave of the third dimensionality. The second octave is that of the descending axis or cosmic axis. It concerns the field of the cosmic particles of the ionosphere. The third octave is when the cosmic descending axis is played in the note FA of the second octave and when  one is capable of directing it and playing it. This is produced by playing the notes FA, SOl, LA, SI in the lower octave, in the lowest register, in various tones, intensities and dynamics.

In the third octave we obtain the third dimension, the creation  in the form of forms and spaces. The identity of the place is being guided and awakened from its latent state by the artist so that it is possible to catch  the cosmic octave easier. The cosmic energy is being attracted towards this place. In this cosmic octave there exist also light waves. It is the point to catch the cosmic octave in the exact point, i,e, in FA. 

The creation of sound occurs  on a well detemined spot, which is not the starting point and it makes subtil, vibrating  forms. The birds, for instance, react on it in a well determined way. They collide with the air as with an unvisible screen and change their flight. Sometimes they fly towards the flute player, they go and sit on his shoulder or jump at his feets

LAS COLINAS (site) - ILII

The catching of the cosmic octave is even stronger in Las Colinas, situated in Sucina. Here the flute player plays the tunes FA-SOL-LA in the higher register (first octave of the fourth dimension). This is creating, changing in tonalities, intensities and dynamics, by which the tune FA is reached of the descending octave, which is explicitly  present here and one creates the third dimension: the creation in the form of  TIME. 
When the FA  of the cosmic octave is reached, this can be clearly perceived by the flute player, but it can only be heard on a specific spot, which is not the spot on which is sitting the flute player. The sound searches its way and keeps repeating. This is only possible when playing the interactive flute and only in the two named places.