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ROBOCOP is a movie about a not-so-distant future where it is a nasty time filled with ultra-violence and betrayal. Amazingly, the score excels at paralleling these particular traits. Poledouris is a composer that is quite skilled at creating melodic, emotional themes without having them become overbearing or monotonous. Another first-rate example here is his own score to the 1982 film CONAN the BARBARIAN. The emotional moments in ROBOCOP emanate a feeling of helplessness and utter dispair. The track entitled "Home" nails this emotion when Officer Murphy (as Robocop) discovers his gruesome murder and returns to his former home only to find it to be empty and his family gone. I don't believe it could've been scored any better than it was.
The main theme, which I call "The Robo March," is both heroic and immensely unforgettable. It always manages to charge me up whenever the orchestra begins to play it. This theme is most prominently showcased in the final action track "Showdown."
I believe, as do most other soundtrack listeners, that the material on a score release is best experienced when the tracks are placed in chronological order. This effectively guides the listener through a transitional journey of emotion. The arrangement of ROBOCOP begins and ends correctly, but the tracks in between are quite an unorderly mess. No true overall feeling can be elicited when the music is so jumbled. I bring this up only because I have watched the film and have gotten accustomed to the score's actual placement. This is the solitary reason why this release (not the score itself) does not get a top rating. At any rate, ROBOCOP was honestly one of the landmark scores of the 1980s.