Let me tell you, John Williams seems to create his greatest works when a slow point in his career comes around. His score for FAR and AWAY fits this description precisely. The years of 1991 and 1992 were not the busiest of times for Mr. Williams, but that doesn't mean they weren't productive. This score and his music for the film HOOK were made during this period and they are two of his best. As for FAR and AWAY, Williams was asked by director Ron Howard for an ethnic Irish score, and boy did he get it. Williams's magical ability for a sweeping, epic score is present throughout, however, with a superb Irish twist.

Perhaps the best thing about this score, other than its Irish flavor, is its unabashed personality. This is key. What I mean is, you can have an excellently written score, but it could be completely devoid of any outstanding characteristics. All of John Williams's scores burst at the seems with greatness and individuality.

FAR and AWAY starts off really quite dramatically in its opening thirty seconds, but this subsides and a lush theme begins to play. This is the scores central theme. Not only is it complex in its structure, it is also intensely memorable as well. Thankfully, Williams continues it all the way through. Some of the tracks that are the most fun are the fighting cues. One can't help getting excited during these because they're so fun. These tracks eminate a pure perpetual energy that is quite infectious. You might even find your toes tapping. The most exemplary track of this kind is the one entitled "Fighting for Dough."

Don't get me wrong, FAR and AWAY isn't all rough and tumble fighting music. There are plenty of tender moments as well. All of these are equally as enjoyable as the more energetic tracks; maybe even more so. These softly melodic cues underscore the scenes where Joseph and Shannon are beginning to discover their mutual love for each other. "The Reunion" resounds with a genuine feeling of recovery with an underflowing sense of despair. After their reunion, the fun starts up again. The finest track on the album comes during "The Land Race." Heroic and rollicking; this reminds me of the finest moments of heroism in HOOK. Eventually the score winds down into a satisfying conclusion. "End Credits" does a fine job of recapping all of the excellent themes.

To finish up, I can honestly say that this is my top pick out of all of John Williams's many scores. It is very difficult to choose a favorite due to his impressive list of credits, but with its powerful themes and undeniable charm, FAR and AWAY comes off with the blue ribbon. Also a strong point on the album is Enya's terrific song "Book of Days." Surprisingly, its presence doesn't intrude at all. It is a very welcome treat. FAR and AWAY is a must have for any soundtrack collector.

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Running Time: approx. 67 min.

1. County Galway, June 1892
2. The Fighting Donnely's
3. Joe Sr.'s Passing/The Duel Scene
4. Leaving Home
5. Burning the Manor House
6. Blowing Off Steam
7. Fighting for Dough
8. Am I Beautiful
9. The Big Match
10. Inside the Mansion
11. Shannon is Shot
12. Joseph's Dream
13. The Reunion
14. Oklahoma Territory
15. The Land Race
16. Settling with Steven/The Race to the River
17. Joseph and Shannon
18. "Book of Days" - (performed by Enya)
19. End Credits