Lawnmower Man
by Paul Fischer
After being sacked from the studio movie, G.I. Jane, Sam
Rockwell won the Best Actor prize at the Montreal Film
Festival for his performance in Australian director John
Duigan's Lawn Dogs, one of three films featuring Rockwell
at the 1998 Sundance Film Festival. It was there that
Rockwell talked to PAUL FISCHER for this, his only
Australian interview.
Sam Rockwell may not be a huge name, but there's a
buzz about this extraordinary actor who seems to fit in
any role he assumes. But then, Rockwell's passion
remains with the theatre.
"Stage is where it really
happens for an actor because it makes full use of
whatever you have to give," Rockwell explains in the
noisy bar adjoining the Sundance Film Festival's
Hospitality Suite.
But at the moment, the 30-year old
actor is receiving considerable attention for his
deeply moving performance on screen in the critically
acclaimed Lawn Dogs, directed by John Duigan.
"Let me tell you, that was pretty
heavy-duty" on learning to ride a lawn mower
Set in the heart of class-conscious Kentucky,
Rockwell is Trent Burns, who makes ends meet by
mowing lawns in the rich Louisville suburb of Camelot
Gardens. But, his reception in the community is less
than cordial.
He is the victim of verbal abuse from
Sean (Eric Mabius) and Bret (David Barry Gray), two
college boys with nothing to do than cause him
trouble. Trent is also under the close scrutiny of the
neighbourhood security man, Nash (Bruce McGill),
who is quick to blame him for acts of petty vandalism
and theft in the area.
Ten-year-old Devon Stockard
(Mischa Barton) is new to Camelot Gardens. She has
no friends, and busies herself with tales of the evil
witch Baba Yaga. She is sent by her parents to sell
cookies for the Young Rangers.
Although they tell her
"not to go beyond the wall" and to sell more cookies
than any other Ranger so she will get her photo in the
newspaper, Devon promptly leaves the subdivision,
intentionally dropping bags of cookies from her red
wagon, and heads towards the forest.
There she discovers a mobile home that’s no longer
mobile, and decides that this is the house of Baba
Yaga. It turns out to be Trent's home, however, and he
catches her exploring. Devon takes a liking to him
and, despite his protests, becomes a frequent visitor.
The film explores the complex relationship between
the pair, a relationship that is ultimately
misunderstood.
"He's incredible, and one of the
most nurturing and encouraging
directors I've ever worked with," on
director John Duigan
Rockwell felt that Trent was an easy character to
relate to. "I think everybody can identify with the
loneliness of this guy, the feeling that you have when
you're in a fancy restaurant, you're not dressed right
and they treat you like an insect, is what Trent goes
through every day."
That feeling of being treated as
someone inferior was something Rockwell drew from
his own life. "I was a bus boy and had pretty negative
feelings towards yuppies for a long time. People in
perceived positions of power can be very cruel." To
prepare for the part of this working-class Southern
character, Rockwell did some intense reserach.
"Firstly, I had one of the best dialect coaches in the
country, who got my ear attuned to the dialect. In
addition to that, I had this truck driver, a teamster from
Kentucky, tape all my lines, in between mouthfuls of
beer. I hung out with the teamsters a lot, who are all
these local Kentucky boys."
And finally, Rockwell had
to learn how to ride a lawn mower "which involved a
two-week course. Let me tell you, that was pretty
heavy-duty."
One of the most remarkable aspects of Lawn Dogs is
the performance of 10-year old Mischa Barton who
plays the tough and complex Devon. Rockwell first
met the youngster when they were undergoing final
call-back auditions, and he has nothing but praise for
his young co-star.
"She's a consummate professional
and could find her marks even faster than I could, and
I've done 20 movies. While I was so busy trying to
muster up some horrible self-deprecation for my
character, spending a lot of time alone, SHE was on
the money; she just came in, and did her job." But they
never hung out together. "We'd get together, do our
scene, then she'd go off and do her thing, while I did
mine. I mean we dug each other, but we didn't spend
THAT much time together."
Rockwell has equal
praise for his director, Australia's John Duigan. "He's
incredible, and one of the most nurturing and
encouraging directors I've ever worked with," he says
with genuine enthusiasm. "He's such a great guy and
so talented. I made a point of watching his early stuff,
and I just LOVED Year My Voice Broke and Flirting."
He admits to some parallels between Lawn Dogs and
those early classics. "Duigan was the perfect director
for this movie, the way it dealt with young people and
the theme of outsiders." He says after this
experience, and given his clear passion for Australian
cinema, that he’d like to work with some more
Australian directors.
"I just see myself as a character
actor"
Though set in America's suburban south, it's clear that
Lawn Dogs has a degree of universality. Rockwell
defines the film "as being one about friendship and
trust. And the ending of this movie still blows me
away."
As for G.I. Jane, he had to quit after refusing to
participate in key scuba diving scenes "which were
never part of my contract. It's a pity, because I was
looking forward to working with Ridley Scott."
Rockwell remains coy about the hype beginning to
build around him. "I just see myself as a character
actor. I'd like to be a star in the same way as Gary
Oldman or John Malkovich are famous, who get to do
character pieces and not act like movie stars."
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