Two
tramps sat by the roadside. One was tall and thin, and in the ash coloured
twilight one might have seen that he had a long face with a drooping
moustache. The other was a small man who looked fat; but that was only
because he was swathed in coats, one more ragged than the next. He must
have been wearing four or five in all. He had a rugged black beard that
jutted out all over his face. His black hat was pasted perfectly flat over
his scattered black locks that streamed about his shoulders, inside and
outside the coats. Even in daylight all you could see of his person would
be two beady black eyes, very bright, a stub of a nose no bigger than the
butt of a cigar, and, when he moved his hands, the tips of his dirty
fingers which were otherwise lost to view.
'Man,' he was saying in a high sing-song voice, 'is an animal. An animal
must live. Therefore man must live. That's a syllogism; if you don't agree
with it you must contradict the major or the minor or say the conclusion
doesn't follow. But a man is made in the image of God and he must try and
live decent. Only you, Horgan, you son of a bitch, you're worse than an
animal. An animal bites because 'tis his nature to, but you bite because
you likes it. Horgan,' he said, spitting, 'you're neither a man nor an
animal. Why do you hang around me?'
"May
Night", The Cornet Player Who Betrayed Ireland Dublin: Poolbeg
1981
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