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Page | Title |
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2 | Editorial |
3 | Preface Giriraj Kumar (India) and Osaga Odak (Kenya) |
Rock Art as a Discipline | |
11 | Promotion of rock art studies as an independent discipline Giriraj Kumar (India) and Osaga Odak (Kenya) |
13 | A new name for Rock Art Discipline |
13 | I-Pefology or Purkala Vigyan Giriraj Kumar (India) and Osaga Odak (Kenya) |
15 | II-Epipentology Ekkehart Malotki (U.S.A.) |
16 | Debate G. Kumar, O. Odak, E. Malotki |
Rock Art as a Curriculum of Teaching and its Strategies | |
21 | Diversity and unity in rock art curricula Osaga Odak (Kenya) |
25 | Puakala studies as a curriculum of teaching: View points, plan, infrastructure and strategy Giriraj Kumar with comments by Kiran Nath (India) and author's reply |
39 | Rock art in pre-school education in Kenya D. Mairura London (Kenya) |
43 | Reflection of rock art in the curriculum of allied disciplines in Kenyan academic institutions L. Auko Muruli (Kenya) |
47 | The teaching of rock art in India Yashodhar Mathpal (India) |
51 | Instructional text design: rock art in elementary school Mary Gorden |
55 | Three V's and three M's Runa N. Johns (Australia) |
57 | Recording artist as a professional Elanie A. Moore (U.S.A.) |
61 | Rock art appreciation and environmental education H. C. Woodhouse (South Africa) |
63 | Public education for the preservation of rock art (Hindi) Ramesh K. Pancholi (India) |
67 | Priorites in rock art education Robert G. Bednarik (Australia) |
71 | Abstracts Robert G. Bednarik, Giriraj Kumar, Sudha Malaiya (India), Matthias Strecker (Bolivia), N. P. Stanley Price (U.S.A.), N. Chandramouli (India), S. B. Ota (India), Jitendradatt Tripathi (India) |
73 | Purakala Debate Comments on Badam and Prakash 1992 by R. K. Ganjoo; with author's reply |
75 | RASI-IFRAO News The first RASI congress, 1993 - a report - News 95 International Rock Art Congress, CESMAP, Italy - New Members of RASI |
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