'The flattery game' — Goneril and Regan
Is it Lear's fault that he is flattered?
Now we come to the thing that has brought opprobrium on Lear:
The Flattery Game. Lear invokes a contest between his daughters in
which their inheritances are to be in proportion to the love they
express. Here are the conditions or rules that apply to the game:
LEAR Condition 1 Which of you
shall we say doth love us most? Condition 2 That we our
largest bounty may extend
If Lear plays the game AS HE PROPOSES, he cannot know
who deserves the 'largest bounty' until he has heard and
compared all three speeches. In fact, Lear does not play the game
according to the conditions he lays down. Twice he breaks Condition 2
by handing out a prize immediately the speaker concludes her speech.
When it comes to the last speaker, Cordelia, Lear tells her that she
can win 'a third more opulent than your sisters.' The 'third
more opulent' is, of course, the 'largest bounty' which Lear
offers Cordelia, to further show that he is definitely ignoring
Condition 2. Quite clearly he is not basing the prizes on the
relativity of the speeches. That Lear scraps Condition 2 entirely is
pretty well accepted by all commentators, yet these same commentators
insist that Lear applies Condition 1 to the letter. How can they be
so confident that Lear is serious about Condition 1 when they see the
way he dumps Condition 2 so blatantly? Lear does not seem
particularly interested in what the speakers say so flatteringly. He
makes no comment whatsoever about them. This is a strange way to
respond if he is sucking up to flattery. Can one be sure that he
bothered to listen with any interest? All he does, in a
matter-of-fact way, is point to the map to show them what he has
given them. Are we to believe that a daughter's casual remark will
modify, as Burgundy put it, 'than hath your highness offer'd, nor
will you tender less' and again a little later 'that portion
which yourself proposed'. The proposal has been agreed by Lear,
France and Burgundy only after very lengthy negotiations and it is
ridiculous to think he might change this to the detriment of his
future son-in-law and ally.
GONERIL Sir, I love you more than words
can wield the matter; Dearer than eye-sight, space, and liberty;
Beyond what can be valued, rich or rare; No less than life,
with grace, health, beauty, honour; As much as child e'er loved,
or father found; A love that makes breath poor, and speech
unable; Beyond all manner of so much I love you. CORDELIA
[Aside] What shall Cordelia do? Love, and be silent. LEAR
Of all these bounds, even from this line to this, With
shadowy forests and with champains rich'd, With plenteous rivers
and wide-skirted meads, We make thee lady: to thine and Albany's
issue Be this perpetual. What says our second daughter, Our
dearest Regan, wife to Cornwall? Speak. REGAN Sir, I am made
Of the self-same metal that my sister is, And prize me at her
worth. In my true heart I find she names my very deed of love;
Only she comes too short: that I profess Myself an enemy to
all other joys, Which the most precious square of sense
possesses; And find I am alone felicitate In your dear
highness' love. CORDELIA [Aside] Then poor Cordelia! And
yet not so; since, I am sure, my love's More richer than my
tongue. KING LEAR To thee and thine hereditary ever Remain
this ample third of our fair kingdom; No less in space, validity,
and pleasure, Than that conferr'd on Goneril.
Lear is accused of pandering to flattery but is he really
interested in flattery? He does not, in fact, ask for flattery. He
asks, 'Which of you, shall we say, doth love us most?' Whilst
he may be wrong to frame the question that way, and so induce a
flattering response, flattery is the fault of the person doing the
flattery, not the person being flattered. Is it likely that Lear ever
asked for flattery in the past? Are we to believe that if Goneril and
Regan had flattered Lear in the past, they would now be so naive in
their over-flattering. Goneril seems to be clutching for
high-sounding words as though caught by surprise. Regan, hearing
Goneril, catches on but is hardly original in resorting to comparing
herself to Goneril. It is obvious from Cordelia's words that she, too, has
never been faced with this situation before. If she had, she and Lear
would have already fallen out. So, why would he ask to be flattered
today? The whole point is that it has nothing to do with flattery! It
is just Lear's way to try to hide the fact that he has arranged everything in
advance. By playing out this flattery farce he can seem to be
bestowing his inheritances in a spur of the moment fashion. It seems
more like a bit of showmanship that goes disastrously wrong. But are
we to believe that Lear, the astute monarch, would make snap
decisions based on what his daughters say at this late stage when his
decision will vitally concern his alliance with his continental ally
and new son-in-law? Of course not. He has the details worked out in
advance.
It comes unstuck when the completely unexpected happens in the
least likely place: Cordelia's unwillingness to utter a single word,
despite the repeated, mild requests of Lear to cajole her into saying
something. Her repeated refusals back Lear into a corner and he
over-reacts and disinherits her. This, at face value, is terribly
cruel to Cordelia and has cast Lear in a bad light. Lear lets his
feelings get the better of his judgement. He is so determined on
Cordelia's instant disinheritance that he fails to think the new problem
through and consider the alternatives. He picks a worst case
scenario. Cordelia's lost inheritance will always rankle with her
husband. Lear should see this as likely to lead to an invasion of
Britain. Lear's agenda is overturned by Cordelia's response. In light
of the sudden change, he ought to have taken over Cordelia's
inheritance and lived there as he planned, deferring a final decision
until a later date.
For those who insist Lear sought flattery, go to:
Lear and flattery did he love it or hate it?
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