he four corner pavilions of City
Hall are dedicated to vertical movement and are little more than huge stairtowers.
Despite the fact that Elisha Otis demonstrated his elevator as early as
1853, it did not become a factor in the new City Hall plans until midway
through the construction. Consequently, the stair was a very important
design element. McArthur's design called for four enormous spiral stairs
to rise up 120 feet from the ground floor to the sixth floor in each corner
of his building.
onstructed
of granite, the octagonal 'flying staircases' are considered to be one
of the building's major engineering accomplishments. Looking up, you are
immediately struck with the lightness, yet solidity of the stair. Polished
granite lines the underside, and a sturdy bronze railing wraps around in
a dizzing spiral opposite a polished granite wainscot. The granite landings
and steps extend a full seven feet from the wall without any visible means
of support!
ow
these 'hanging | floating | flying ' stairs remain in place has
confounded many people through the years. It was a particular problem for
City engineers who were given the difficult task of replacing a section
of the southwest stairtower that was damaged in a 1956 fire.
fter
six months of study and probing, the answers were discovered. The stairs
rest on a solid rock foundation built up from the basement. Each stair
and landing is inset 14 inches into the wall in a cast iron box. The steps
and landings are then keyed together to form what is known as a spiral
arch - a sound engineering concept where each individual component
helps to support the whole.
espite
the soundness of the theory, looking at this magnificent structure still
has to make you wonder how it is able to defy the laws of gravity.
e will exit the stairtower at the
fourth floor and once again walk north to take a peek at the other half
of Conversation Hall, the room now used as the COUNCIL
CAUCUS ROOM.