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These following excerpts from books are absolute copyright infringement on my part. If I had an excess of money, I'd surely be happy to pay for the right to use this content on my homepage, but I don't. I feel that some people need to know about this topic and since each excerpt is just a small part of a much larger book and that each book I got from the public library -- where anyone else can do the same, I hope that no one really cares and is satisfied with my display of the copyright. Please do not copy anything from this page and if anyone asks where you read this information, just tell them, "Hey man, from the library. Go look it up yourself if ya don't believe me." I have redrawn most of the images for reasons of clairity. |
Dictionary of Symbolism: Cultural Icons & The Meanings Behind Them
By Hans Biedermann (1930-1990, born in Vienna) - Translated by James Hulbert Original copyright (C) 1989 by Hans Biedermann Translation copyright (C) 1992 by Facts On File, Inc. |
(page) 242 numbers (section heading) |
Other cultures also viewed numbers as symbolic principles. For the ancient Chinese "10,000" meant "countless," and the EMPEROR was called "10,000 years" as a way of wishing him long life. From ca. A.D. 700 onward the SWASTIKA was used as a numerical symbol for this "infinity"--like the sideways-eight of the Occident, which presumably goes back to a KNOT symbol. |
271 promegranate |
political symbols In modern times, simply formed graphic images with immediately recognizable significance have often served as symbols for political movements; their undeniable subconscious impact has yet to be systematically analyzed. Symbols organized around horizontal and vertical axes have conservative, defensive, or static associations; those in which diagonals are emphasized suggest dynamic or aggressive political movements. Those who conceive of or embrace individual symbols have doubtless been unaware of how these correspond "automatically" to the nature of individual movements. The Nazi SWASTIKA provides an example of these principles: traditionally displayed horizontally, it suggests mobility, torsion, rotation, a spirit of aggression. With its severe vertical-horizontal design, the Kruckenkreuz (see CROSS), which the Austrian Fatherland Front sought to oppose to the swastika, seemed immobile and stodgy by contrast. Symbols with zigzags and arrows are typical of radical political movements, whether of the right (the double LIGHTNING bolts of the SS, the arrows of the Phalange) or, traditionally, of the left (the three arrows of the Social Democrats, the sickly in the hammer-and-sickle, the points of the Soviet STAR). In recent times there has been a perceptible move away from the banality of such symbols. |
334 swastika |
10,000, or infinity. In the Buddhist tradition of India it is referred to as the "SEAL on Buddha's HEART"; in Tibet, too, it is associated with good fortune and serves as a talisman. In Indian Jainism the four arms represent the four levels of existence: the world of the gods, of humans, of animals, and the underworld, respectively. In the Mediterranean cultures the perpendicular tips of the four ends were sometimes curled, or further bent to form mazes. Thought of as a quadruplicating of the Greek letter gamma, it was also called the crux gammata. The Old Norse amulet referred to as "Thor's HAMMER" was also formed like a swastika. The symbol appears less frequently in pre-Columbian cultures of the Western hemisphere. Gnostic sects of late antiquity used a sort of swastika, formed by four legs bent at the knee, as a secret symbol, not unlike the (three-legged) TRISKELION. |
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356 triskelioin |
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A design dividing a CIRCLE into three parts, not unlike its division into four by the bent arms of the SWASTIKA. Triskelions appear, for example, on prehistoric earthenware vessels of the late Bronze Age, and triadic structures of SPIRALS adorn the walls of Irish megaliths -- surely with symbolic intent and not as mere decoration. There are also triskelions formed from three human legs bent at the knee, ex. on Pamphylian coins or in the arms of the city of Agrigento (Sicily). Armored legs in this configuration appear in the arms of the Isle of Man, with the motto "Stabia quocunque ieceris" ("It will stand erect, wherever it is thrown"). The arms of the city of Fussen (Bavaria) also contain three legs. As in the case of the swastika, the triskelion is associated with rotation. The form of three overlapping circles, frequently found in the WINDOWS of Gothic churches, is associated with the Holy TRINITY. Medieval stained-glass windows often portray three rabbits or HARES chasing one another, with their ears meeting at the centre to form a TRIANGLE. |
The Mammoth Dictionary of Symbols: Understanding the Hidden Language
of Symbols By: Madia Julien - Translated by Elfreda Powell Copyright (C) Marabout, Alleur (Belgium) 1989 The English translation copyright (C) Robinson Publishing 1996 |
(page) 429 (page heading) Swastika |
SWASTIKA eternal cycles The symbol of the swastika has been debased by the Nazis but before them it has always been used as a universal symbol, and in linked to turning figures, solar symbols (pre-Christian crosses with three or four arms of equal length), which originally 'reflected the idea of brewing of churning seminal substances in matrix-receptacles, in time with the movement of the sun.
![]() The rotation of the sun: the ends of the sun's rays take the shape of feet or paws, an idea that gave rise to the swastika
![]() Prehistoric swastika of the North American Indians |
Dictionary of Symbols By Carl G. Liungman Original copyright (C) 1991 by Carl G. Liungman English translation of Symboler -- vasterlandska ideogram (C) 1974 by Carl G. Liungman |
page vii, Preface |
____ A strong parallel can be found between
the ancient, ideographic basic forms and the collective archetypes that
exist in our subconscious. One cannot discount their influence and
correlation with basic psychological functions. The Nazi movement in
Germany between 1930 and 1945 would not have had the same success over
such a short period of time if its rallying sign had been ![]() ![]() |
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page 47-48, The sign of the cross in Western ideography |
____ Apart from all
different Christian variations of the cross there exist some 20 or 30
older cross forms in the Greek culture sphere from about 1000 B.C. There
is, for example, ![]() ![]() ![]() ____ The sign ![]() ![]() ![]() ![]() |
misfortune, and suffering. Both
these signs are also found in pre-Columbian America. ____ The earliest occurrences of the swastika in Europe are in ancient Greece. There are many variations, such as ![]() ![]() ![]() ![]() ____ It was not until the 1920's that Hitler adopted the swastika, |
and ![]() ____ It is clear that ![]() ![]() |
page 64-69, The ideographic struggle in Europe during the 1930's |
The
most successful and in many ways the most conscious attempt to manipulate
the masses with the help of ideograms was undertaken in Germany. It might
even be true that Nazi Germany never would have come to existence without
the use of ideograms. ____ In Mein Kampf Adolf Hitler wrote: "The question of the new banner, i.e., how it should look, occupied our minds considerably. . . . The reason being not only was it to be a symbol for our struggle, but also had to be very effective on posters and placards. Those who have had experience with the masses realize just how important such a seemingly trivial thing is. A working and effective sign can be the deciding factor in hundreds of separate instances as to whether on interest is awoken for a moment." |
![]() ![]() ____ The sign had also been used by a number of the so-called free corps, independent paramilitary units in Germany, such as the Ehrhardt Brigade and the Rossback Free Corps, who used the swastika in their standards. |
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____ After the October Revolution many peoples took the opportunity to free themselves from Russian shackles. Among these were the inhabitants of Finland. This resulted in civil war between the Reds - the Communist workers and crafters - and the Whites - the aristocracy, the landowners, and the farmers who owned their fields, the freeholders. |
![]() ____ During the years that preceded Hitler's eventual seizure of power in Germany in 1933, he spent much time in the company of Göring and Göring's wife, Carin. There is hardly any doubt that the Nazi swastika that led the wave of blood and fire over the greater part of Europe between 1930 and 1940 had roots that stretched from South American voyages of discovery to a castle in the Valley of Malaren and then on into the Bavarian Alps, cared for by an addicted German pilot ace and a Swedish woman from an aristocratic family. |
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![]() ____ The swastika was officially recognized as the Nazi party's sign 7 August 1920. Hitler wrote: "During the Summer of 1920, the new banner was publicly revealed for the first time. It suited our movement perfectly. It was as young and new as our movement. No one had ever seen it before. The effect was the same as if we had dropped a bomb" (from Mein Kampf). ____ Doctor Joseph Goebbels, head of Nazi propaganda, believed that banners were more valuable and effective than Nazi party newspapers. ____ "Mit einer Fahne fuhrt man Millionenin de Kampf," wrote another prominent Nazi personality, Alfred Rosberg. |
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![]() ____ The Hungarian fascist movement used their own cross: ![]() |
![]() ____ The protective symbol ![]() ![]() |
![]() ____ The sign ![]() ![]() |
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![]() ____ It is also worth noting that ![]() ![]() |
![]() ![]() ____ The yoke and arrows is an old fascist symbol that was used by right-wing extremists in several countries, e.g., in Spain by the Falanga. [pic.: bundle of rods] [pic.: lictors bundle] |
____ At a later stage in history faces (from the Latin word for rods) became an emblem for the republican form of state as opposed to the monarchy. As a symbol for republicanism, the sign depicts the executioner's axe in the middle of the bundle of rods. |
![]() ____ In occupied areas during the Second World War the Germans used ideograms in the form of bits of cloth attached to the clothes to distinguish specific ethnic or sexual groups. Every Jew over six years old was ordered to wear a yellow, six-pointed star, sewn or pinned on the outer garment over his or her chest. Homosexuals were forced to carry pink triangles in the same way. |
____ (During the Middle Ages this habit of forcing Jews to wear some sign that separated them from other people was practiced in many cities and towns in Europe. At that time the sign was a special type of hat, and later it became a yellow circle of cloth.) ____ Forced laborers of different nationalities were also made to wear ideograms for their identification. The Poles, for example, wore a P made of cloth. |
page 162 Group 13 |
![]()
![]() The swastika is often called a tetraskele, and this variation is a sign for repeat in music. the sign for repetition is more usually drawn [dot,vertical-line,dot], [two v-dots,v-line, two v-dots], [circle with cross going through it], and otherwise.
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page 178-181 Group 15 |
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The swastika is a very old ideogram. The first examples are
found in Sumeria and earlier cultures that existed in what is now Pakistan
about 3000 B.C. Yet it was not until around the year 1000 B.C. that the
swastika became a commonly used sign. ____ Neither the Assyrian-Babylonian nor the Egyptian cultural spheres seem to have used the swastika as a symbol. Most other ancient cultures in Eurasia, however, did use it. Count Goblet d' Alviella (see bibliography), who conducted research in the distribution and migration of symbols, put forth the theory that certain symbols were mutually exclusive, i.e., they could not appear in the same culture. This was more or less the case with the signs ![]() ![]() ![]() ____ The swastika was used before the birth of Christ in China, India, Japan, and Southern Europe. Whether it was used in the Americas, however, is not clear. There are no examples of it on the oldest rock carvings there, and neither the Mayans, the Incas, nor the Aztecs used it. It did, however, appear a couple hundred years ago among many Indian tribes [that would be the native tribes of South America] and was probably brought over by the Spanish and Portuguese colonists. ____ The swastika is often associated with Buddha in India, China, and Japan. In the earliest Chinese symbolism ![]() ![]() ![]() ____ The sign was common among the Hittites and in Greece around 1000 B.C.. It was used to decorate ceramic pots, vases, coins, and buildings. However, it did not appear in the Nordic countries until after the birth of Christ and then only on a few runic stones, often combined with a cross as in ![]() After the birth of Christ, however, ![]()
____ The swastika's spectrum of meaning is
centred around power, energy, and migration. It is closely
associated with
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page 207 Group 17 |
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page 194 Group 16 |
![]() ![]() ____ This sign is associated with progress and competition and originated in ancient Greece, where it was used on coins. ____ Nowadays one can find ![]() ____ The Isle of Man is inhabited by Celts, and ![]() ![]() ____ A similar structure, [same without hooks on the end], is used in electrical contexts to signify a certain type of transformer winding |
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page 367-369 Group 34 |
![]() ![]()
____ The sign
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page 378 Group 36 |
![]() ____ Compare with ![]() |
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page 501 Group 51 |
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Illustrated Dictionary of Symbols in Eastern and Western Art By James Hall (1917- ) Copyright (C) 1994 by James Hall. |
page 6 Abstract Signs |
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Swastika
(Sk. 'well-being'). ____ An ancient and very widespread symbol, believed by many authorities to have been originally a representation of the SUN, indicating its course through the heavens. According to some it represents a wheel of the sun-god's chariot. Hence it shares some of the sun's symbolism: light, fertility and, particularly, good fortune. It was found at Troy, and was a popular motif on Greek coinage, which contributed to its wide circulation. It was virtually unknown in Assyria and Babylon and appeared in Egypt only from Ptolemaic period. In India the swastika was also known to the Indus Valley peoples and was subsequently associated with VISHNU and SHIVA. It is seen in the sculpture of Jain temples dating from 2nd -- 1st cents. BC, and is an attribute of Suparshva, one of the twenty-four founding teachers of the sect. In China the swastika (wan) was originally a Taoist emblem and may be seen in the hand of Lao-tzu, founder of Taoism, and other Taoist immortals, symbolizing their divine power. A swastika is one of the 'auspicious signs' on the Buddha's FOOT and, when represented on the breast of Shakyamuni, symbolizes his heart, which holds all his thinking. It was introduced into Japan through Buddhism and is seen on numerous Chinese and Japanese deities, as well as those of Tibetan Lamaism. As an auspicious sign swastikas are used for ornamental borders on eastern carpets, silks, and woodwork. On Chinese ceramics, with a JU-I sceptre it expresses the wish for a long and happy life. The Chinese character wan later denoted the number 10,000. ____ The swastika has two forms. The end-stroke may turn either clockwise, like the Greek gamma ( Γ ), when it is called a gammadion, or aniticlockwise [ii]. They can denote respectively male and female, yang and yin, sun and moon. The anticlockwise version is the Buddhist and Taoist form and was sometimes associated with the Greek goddesses Artemis, Demeter, and Hera. The same form sometimes accompanies early Christian inscriptions, as a version of the cross. |
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____ Reading all this
stuff about the meaning behind the swastika and how Hitler had used it to
his advantage, you would think that the Nazis did a considerable amount of
research in creating a symbol, but a number of years ago I saw a
documentary about W.W.II propaganda where one of the people involved in
helping find a symbol said that Hitler liked the way the swastika looked
and wanted to use it somehow. It was already being used by various other
groups so he wanted it to look different from their's.
The propaganda team simply had a cut-out of it and turned it around, flipped it over, and pondered over what to do with it. They tried many different thing: drawing different shapes around it, different colours, etc.. According to this person in the documentary, it was just through pure experimentation how they came up with the end result. They tried a bunch of variations and asked people which one looked the best, and all that regular stuff businesses go through today to create a company logo. I'd like to see that documentary again to get some direct quotes. Anyone know the title of the documentary? Mostly it was about the behind-the-scenes propaganda war between the allies and the Nazis through posters, leaflets, movies, and the such, each trying to outdo the other. |
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[ ] What are the meaning and structure of the
manji?
____ After extensive practice, one may awaken to the fact that one is a vital part of the flow and change of the universe, and discover deep value and significance in living. This provides one with an immovably peaceful state of mind known in Zen as satori. It comes through union with the foundation of the universe. When a person reaches satori, or enlightenment, the interrelations which manji represents can be seen as complete, and the manji becomes a circle.
____ The omote ("front side," or
since it is customarily on the left side, left) [clockwise moving]
manji represents infinite mercy, or the love of Dharma which
permeates the universe and nurtures all things. The ura ("back
side," or right) manji represents intellect and strength. The
Chinese are said to have derived their symbol for strength [symbol at very
top of this page] from the ura manji. Although omote manji
and ura manji are customarily used side by side in Buddhism, the
manji worn on Shorinji Kenpo uniforms in Japan and many foreign
countries, is set as the omote manji.
____ The harmony of opposites symbolized in the manji includes the harmony of intellect with mercy, and strength with love. This harmony lies at the heart of Kongo Zen's principle or riki ai funi, a principle which also gives guidance to us in how we are meant to practice and to use the techniques of Shorinji Kenpo. Understanding the truths represented by the manji are vital to understanding the heart of Kongo Zen.
The manji was originally a Sanskrit symbol meaning "whirlwind," "good fortune," "foundation of life," and "ever-changing universe." After the death of Buddha, it was engraved on stone footprints marking places where he was supposed to have stood and on statues representing him. (2) Its use in the West The manji was also used in the West as a symbol of good fortune. In its religious usage it referred to the four L's: Light, Life, Love, and Liberty. (3) The Nazi swastika The Nazis were a political party headed by Adolf Hitler in Germany. In 1933 they came to power in Germany and initiated an autocracy which led the country into initiating World War II in Europe and Africa. The Nazi party advocated anti-individualism, anti-communism, and anti-Semetism. During the war they directed the execution of over 6 million people belonging to groups such as the Jewish and Gypsy peoples as well as communists, homosexuals and others whom they planned to persecute into extinction. This party turned the ura manji of strength on its side and used it as a symbol for themselves. This twisted use of the manji has led those who came into contact with the Nazis to feel uncomfortable with it. Adequate study of the history of the manji, however, will reveal that its meaning is completely different from that of the [Nazi] swastika. |
See some swastika art donated to my Manji Page by artist Anthony
Padgett from the U.K. I really like it.
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____ On a final note, I believe that people should feel free to use the manji as a symbol of peace, good luck, and all the other positive meanings behind it, and ignore those who are trying to create an image of hatred and evil surrounding it. If people continue to take notice of it's misuse and not its true meaning, they will just be playing right into the hands of these evil hate-groups and thier propaganda. It might not seem like such a big deal, but if we let such groups take-over the manji for thier own use, what will they take next? They will gain ground step-by-step. I say, don't even let them take one step. Education is the key. Spread knowledge. Quell ignorance. |
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