The Frogger -------------------------------------------------------------------------------- Written by: Gregg Kavet, Steve Koren, Dan O'Keefe, and Andy Robin. Directed by: Andy Akerman Broadcasted: April 23, 1998 for the first time. Stars: Jerry Seinfeld, Michael Richards, Jason Alexander, Julia Louis-Dreyfus, Julia Campbell (as Lisi), and John O' Hurley (as J. Peterman). -------------------------------------------------------------------------------- [Setting: A J. Peterman employee break room] (Elaine and several co-workers are standing around a table. On that table is a cake) ALL: (Singing) Happy birthday to you! WALTER: Thanks! (Everyone claps. They start slicing and handing out the cake. Elaine, looking reluctant at the cake, is offered some) FEMALE WORKER: Elaine, cake? ELAINE: Uh, no, thanks. FEMALE WORKER: (Pressing on) It's Walter's special day. ELAINE: (Getting peeved, she starts to take a piece) You know, there are 200 people who work in this office. Every day is somebody's special day. (Makes her way to the door, but is stopped as a male worker, carrying a cake, enters) MALE WORKER: Elaine! Where're you going? It's Walter's last day. We have to celebrate! ELAINE: (Confused) It's his birthday and it's his last day? MALE WORKER: This is other-Walter.. from returns. (The other Walter enters followed by more co-workers) OTHER-WALTER: (Oblivious to the fact that they are throwing a going-away party for him) Hey, what's going on here? ALL: Surprise! OTHER-WALTER: (Awe-struck) Oh, guys! (Elaine tries to leave, but other-Walter stops her) Elaine, it's my last day. (Holds up some cake) Have a piece. ELAINE: (Giving up) All right, pile it on. ALL: (Singing to Walter and other-Walter, both songs are meshed together) For he's a jolly good fellow.. happy birthday to you.. for he's a jolly good fellow.. birthday to you.. which nobody can deny.. (Elaine looks on frustrated) (Scene ends) [Setting: Jerry's apartment] (Jerry and Elaine are standing in front of his stereo) JERRY: What is so bad about having a little piece of cake? ELAINE: (Angered) It is the forced socializing. I mean, just because we work in the same office, why do we have to act like we're friends? JERRY: Why aren't you there now? ELAINE: I had to take a sick day. I'm so sick of these people. By the way, I talked to Lisi, and tomorrow night's good for her.. (They both sit on the sofa) JERRY: You know, I shouldn't go out with a friend of yours. I foresee messiness. ELAINE: (Sarcastic) Yeah, you're better off sitting around here, reading comic books, and eating spaghetti at two in the morning.. JERRY: Hey, speaking of tomato sauce, you want to come with me and George to Mario's Pizza? ELAINE: Your old high school hangout? Why? JERRY: They're closing. We're going for one last slice. (Kramer barges through the door holding a roll of yellow police tape) KRAMER: Hey. All right. Hi. Check it out, (Holds it up) official police caution tape! Look at that. (Rolling it out, Jerry walks towards the counter where Kramer has placed some of the tape. Like a policeman) Uh-uh-uh. Step back, son, there's nothing to see here. JERRY: Where did you get this? KRAMER: Well, I got it from my cop buddy, Doug. JERRY: You sure have a lot of friends.. How come I never see any of these people? KRAMER: They want to know why they never see you.. (Ties a piece of tape around a banana, then points to it) I'm gonna eat that later. JERRY: So they just gave you this? KRAMER: Oh no, no. no. I had to fish around in the evidence room for it. You know, they're all preoccupied, trying to hunt down this new psycho-serial killer, the Lopper. (Goes to leave) All right, I'll see ya. ELAINE: (Stopping Kramer) Wait a minute, wait a minute. Who is the Lopper? KRAMER: Oh, it's no big deal. It's just some guy who's been running around Riverside Park. You know, cutting people's heads off. JERRY: How come I haven't read about this? KRAMER: Well, you know, the police, they've been having some internal dissension about the name. ELAINE: (Curious) Really? What're the other titles? KRAMER: Uh, Headso.. uh.. The Denogginizer.. Son of dad. JERRY: (Confused) Son of dad? KRAMER: Yeah. That was my suggestion. It's sort of a catch-all. (Scene ends) [Setting: Mario's Pizza] (George and Jerry admire their former hang out. Mario, an elder man, stands behind the counter looking at the paper) GEORGE: Just as she was.. (Looks at Mario) Hey, Mario! Remember us? MARIO: (Looking up from his paper) No. (Goes back to his paper) JERRY: We used to come in every day. MARIO: So where ya been? We're tanking here! GEORGE: (Ordering) We'll have 2 slices and 2 grape sodas. MARIO: (Sarcastic) Oh, thanks. That'll save us. (Leaves to prepare their order) JERRY: (Calling out) All right, make it large sodas. (George and Jerry both spot an arcade game currently being played by a little boy. The move closer to it) GEORGE: Hey, Jerry, remember Frogger? I used to be so into this game. Gettin' that frog across the street was my entire life. JERRY: (Joking) Yeah. And then you went on to.. (Pausing, finding nothing to mention) Well, it's a good game.. GEORGE: (Commanding the kid playing on what to do) Double jump! Eat the fly! Eat it! (The immistakeable sound of a "Game Over" sounds. The kid lost) BOY: (Sarcastic) Thanks a lot. (Goes to leave) GEORGE: Ah, beat it, punk. JERRY: (Staring at the screen) Hey, look at the high score- "G.L.C." George Louis Costanza. That's not you, is it? GEORGE: Yes! 860,000! I can't believe it's still standing. No one has beaten me in, like, 10 years. JERRY: I remember that night.. GEORGE: (Recalling) The perfect combination of Mountain Dew and mozzarella.. just the right amount of grease on the joy stick.. MARIO: (Bringing up the food Jerry and George ordered) Here's your pizza, pea brains. JERRY: I think I remember why we stopped coming here.. GEORGE: Yeah. (Scene ends) [Setting: Elaine's office] (Elaine is sitting at her desk smelling a pen. The audience can hear her thoughts) ELAINE: This pen smells really bad. (Sniffs it again) So why do I keep smelling it? (Tosses it away) Is it too late for me to go to law school? (There's a knock on the door and several co-workers enter with a cake) ELAINE: (Confused) What is this? MALE WORKER: You were out sick yesterday, so we got you a get-well cake. FEMALE WORKER 2: It's carrot. It's good for you. WORKERS: (Singing to her) Get well, get well soon, we wish you to get well.. ELAINE: (Losing it) Stop it! That's not even a song! I mean, now we're celebrating a sick day?! MALE WORKER: I think it's nice. ELAINE: What? What is nice? Trying to fill the void in your life with flour and sugar and egg and vanilla? I mean, we are all unhappy. Do we have to be fat, too?! (Realizing she's hurt the feeling of a portly co-worker) Not you Becky, I know you have a slow metabolism.. I don't want one more piece of cake in my office! (Another worker enters singing the "Get well song". He's cut off by one of the depressed co-workers) MALE WORKER: It's not happening. (They all start to leave - disappointed) BECKY: Can we still eat it? (Scene ends) [Setting: The Coffee shop] (Jerry and Lisi sit at a booth) JERRY: I'll tell you Lisi, I never expected that movie to- LISI: (Cutting him off) End under water? JERRY: (Finishing his before statement) Be that long. I mean, most action movies are- LISI: So much more violent. JERRY: (Once again, finishing) Not as long. LISI: Well, I should probably- JERRY: (Mockingly cutting her off) Get going? LISI: (Smiling) Yeah. JERRY: Well, it was nice meeting you. I'm sure I'll see you- LISI: Eight, tomorrow? JERRY: (Obviously hates how she finishes his sentences for him) Actually, that's- LISI: What you were thinking? JERRY: (Giving up) Right. (Lisi leaves and Jerry goes to pay the cashier as George enters) GEORGE: Oh! Here you are. Ha ha...You, uh, you want to- JERRY: Sure. (Points at the booth they always sit at) How about this one? (They both sit down) GEORGE: Well, I'm doing it, Jerry. I'm buying the Frogger machine! Now the torch will burn forever. JERRY: Fabulous. (Sarcastic) See, now you're really doing something. GEORGE: So, you want to come down to Mario's Pizza with me and help me pick up the Frogger? JERRY: Hey, how you gonna keep the machine plugged in while you move it? GEORGE: What? JERRY: Once you unplug the machine, all the scores will be erased.. GEORGE: (Realizing) You're right. Why must there always be a problem?! You'd think just once I could get a break. God knows I earned it with that score! (Gets up and leaves in a huff) (Scene ends) [Setting: Jerry's apartment] (Kramer and Jerry are talking near the kitchen counter. George is sitting at the table while talking on Jerry's cordless phone. An open phone book is in front of him) KRAMER: Well, more bad news, Jerry. You know the police, they found another victim of the Lopper in Riverside Park. I saw the photo - and it looked a lot like you. JERRY: Oh, come on. There's a lot of people walking around the city that look like me. KRAMER: (Grave) Not as many as there used to be. GEORGE: (On the phone) No. I need a guy that can rig a Frogger machine so that I can move it without losing power, 'cause I have the high score.. (The other line hung up on him) H-hello? KRAMER: (While eating an orange) You know, George, you're not gonna find an electrician like that in the yellow pages. Now, I know just the guy who can do this.. JERRY: (Sarcastic) Another friend? KRAMER: Oh, no, no, no. This guy is no friend. In fact, we don't even get along. GEORGE: (Getting up, interested) Well, is he good, Kramer? KRAMER: Oh, he's the best.. (Turning to Jerry) and the worst. GEORGE: Kramer, listen to me. I'm never gonna have a child. If I lose this Frogger high score, that's it for me. KRAMER: Believe me George, you can count on Slippery Pete. GEORGE: Slippery Pete? KRAMER: Yeah, I don't care for the name, either. In fact, that's one of the things that we argue about. GEORGE: All right, I'm gonna find a guy with a truck. GLC must live on! (Grabs his coat and leaves) (Jerry's phone rings. Jerry, trying to make his way over to the phone, has Kramer standing in his way) JERRY: (While gesturing for Kramer to move) Come on.. (Kramer makes a series of Kramer-like noises. Jerry answers the phone) Hello? (Scene cuts to Elaine at her office. She's smelling her tape dispenser while on the phone with Jerry) ELAINE: So, how's it going with my friend? JERRY: (Complaining) She's a sentence finisher. It's like dating Mad Libs. (People can be heard singing "Happy Birthday" in the background of Elaine's office} What is that? ELAINE: (Obviously wants to be at the party) Oh, it's a cake party. It's the third one today. I didn't realize how hooked I got on that 4:00 sugar rush.. JERRY: So join in. ELAINE: I can't. I denounced them.. Maybe I'll go raid Peterman's fridge. He's always got a truffle or something in there. JERRY: All right. (Hangs up, then finds a broken egg on the floor surrounded by 4 cups holding up some of Kramer's police tape) Hey, wh-what- KRAMER: (While leaving) Yeah. I dropped an egg. Be careful. (Scene ends) [Setting: J. Peterman's office] (Elaine knocks on the slightly open door) ELAINE: Anybody here? Peter-boy? (No one answers. She runs over to Peterman's fridge, opens it, and takes out a cake box) Ooh, it's a cake walk.. (She takes a bite of the cake. Outside, in the hallway, Mr. Peterman can be heard singing) PETERMAN: Get well, get well soon we wish you to get well.. (Elaine quickly puts the box back in the fridge. Mr. Peterman enters) PETERMAN: (To himself) Ha ha ha ha.. Oh, what a stirring little anthem of wellness. ELAINE: Mr. Peterman, um- PETERMAN: We missed you at the get well party. Poor old Walt has a polyp in the duodenum. It's benign, but- ooh still a bastard. Oh, Elaine, can you keep a secret? ELAINE: (Candid) No, sir, I can't. PETERMAN: (He tells her anyways) Inside that small college boy minifridge (Points) is my latest acquisition: A slice of cake from the wedding of King Edward VIII to Wallis Simpson, circa 1937, price-$29,000. (Elaine realizes she's made a huge mistake) (Scene ends) [Setting: NYC sidewalk] JERRY: (Reflecting) Well Lisi, that was another- LISI: Lovely evening? JERRY: Really bad meal. I was thinking maybe we should- LISI: Go for a handsome cab ride? JERRY: Call it a night. I'll walk you home. Where do you live? LISI: 84th street, right off Riverside Park. JERRY: (Remembering "The Lopper", he get's edgy) Riverside Park? (Grabs Lisi and turns around) LISI: I thought we were going- JERRY: (Finishing her sentence) Back to my place. That's right. (Scene ends) [Setting: Jerry's apartment] (George and Jerry are sitting on the sofa) GEORGE: So you slept with her? JERRY: She lives right off Riverside Park. I was scared of the Lopper, So I let her stay over. GEORGE: And you automatically sleep with her? JERRY: Well, I just wanted to make out a little, but she kind of- GEORGE: (Joking) Finished your thought. (Gets up and walks over to the sink. Elaine enters) ELAINE: Guess what I ate! GEORGE: An ostrich burger? ELAINE: No. A $29,000 piece of cake! Peterman got it at The Duke Of Windsor auction. It was the most romantic thing I've ever eaten.. JERRY: How'd it taste? ELAINE: (Blunt) A little stale. JERRY: Yeah.. GEORGE: (Nudges Elaine with his elbow) So, uh, are you sleeping with Peterman? (Smiling) ELAINE: (Mockingly nudges George with her elbow - she's disgusted at the thought) No. (To Jerry) He doesn't know I ate it. In fact, he almost caught me. I have to sneak back in and even it out. GEORGE: (Out of the blue) You know, they say ostrich has less fat, but you eat more of it. (Everyone pauses. Both Jerry and Elaine are look at eachother, then they decide to just forget George's stupid comment) ELAINE: Hey, so, I talked to Lisi and she has got a big surprise for you. She's planning a weekend trip to Pennsylvania Dutch country. JERRY: (Confused) Pennsylvania Dutch country? Oh, that's the serious relationship weekend place. EALINE: (Smiling) What is going on with you two? JERRY: Well, I think by sleeping with her, I may have sent her the wrong message.. GEORGE: (Pointing to a paper bag Elaine's holding) What's that? ELAINE: (Pulling a gingerbread man out of the bag) Four o' clock sugar fix. JERRY: (Grabbing the phone) Well, I'm calling this off right now. ELAINE: No, no. You are way past the phone call breakup stage. JERRY: Well, I'm not going over there. (Scared) That's where the Lopper is. ELAINE: Oh.. it's daylight. It won't take you that long. Just make a clean break. (Elaine jokingly bites the head of her gingerbread man) (Scene ends) [Setting: Peterman's office] ELAINE: (Cutting a chunk of the cake off) Just a little off the side.. (She takes the cut piece) Well, no point in wasting $1,200. (Eats it. Fantasy waltz music plays. She dances around the room, talking to one of the sculptures - she imagines she is at the Duke's wedding. We hear her thoughts) Oh, commander, isn't the wedding marvelous? More cake? Oh, I shouldn't. I mustn't! (Suddenly, she snaps out of her fantasy, and starts cutting the rest of the cake) Ah, what the hell? (Scene ends) [Setting: The Coffee shop] (George, Kramer, Slippery Pete, and Shlomo (the hired truck driver) are all sitting at a booth) GEORGE: Now, each of you is here because you're the best at what you do. Slippery Pete, Kramer tells me you are one hell of a rogue electrician. And shlomo, you're the best truck driver. SHLOMO: I don't know If I'm the best.. GEORGE: Oh.. you're very good. SHLOMO: (Being modest) Let's say "good". GEORGE: Ok. Good. And Kramer, you're in charge of taping off the loading zone. KRAMER: (Holding up his roll of police tape) Lock and load. PETE: (To Kramer, trying to start something) You think you can handle that, numb nuts? KRAMER: All right, all right, come on, now. PETE: (Getting upset) That was my mail-order bride. KRAMER: Hey, you weren't home, so I signed for her. PETE: It doesn't give you the right to make out with her! KRAMER: You weren't even married yet! GEORGE: (Stepping in) All right, all right, calm down, calm down. Whatever happened in the past is past.. (Gets a napkin and starts to draw on it) Now, this is the basic layout for Mario's Pizza.. SHLOMO: So what kind of jail time are we looking at if we're caught? GEORGE: (Confused) What do you mean? PETE: We're stealing this thing, right? GEORGE: No. I-I paid for it. PETE: I thought we were stealing it. KRAMER: (Agreeing) Yeah. It feels like we're stealing it. GEORGE: We're not stealing it. SHLOMO: I definitely thought we're stealing it. GEORGE: (Almost losing it) All right, let's-let's focus. Can we get back to the plan? PETE: Well, I need a battery for this kind of a job. Can I at least steal a battery? GEORGE: Fine. Steal the battery. Now, all right, here is the Frogger (Drawing on the napkin). This is the front door, and this is the outlet. PETE: (Pointing) What's that? GEORGE: The outlet? PETE: Mm-hmm. GEORGE: That's where the electricity comes out. PETE: Oh, you mean the holes.. SHLOMO: Which one's the bathroom? GEORGE: Uh, (Quickly draws it on) here. SHLOMO: They put the Frogger with the toilet? Yecchh GEORGE: (Pointing) The Frogger is here. KRAMER: George, I thought that was the door. PETE: Where are all the pizza ovens? (George is getting angered at all the questions) SHLOMO: (Pointing) I thought the bathroom was here. (Scene cuts to Mario's Pizza. George, Shlomo, Slippery Pete, and Kramer are sitting in the same places as they were in the booth at Monk's, but this time they are around a table at Mario's) GEORGE: All right. You understand now? It's not that complicated. (Scene ends) [Setting: The Coffee shop] (Elaine is sitting at the counter with a Sotheby's auction book open in front of her) ELAINE: (To a waitress) I need to replace an antique piece of cake.. Do you have anything that's been.. you know, laying around for a while? Something pre-war would be just great. (Kramer enters) KRAMER: Oh, hey, Elaine. (Sees the book) What, you got the munchies? ELAINE: Oh, Kramer, I am in big, big, big trouble. I need a cake that looks like this.. (Points) KRAMER: (Oblivious to the fact that Sotherby's is an auction) Oh, yeah--Sotheby's. Yeah. They make good cake. ELAINE: Do any of these look close? KRAMER: No, but I know I've seen cake just like that. Oh- (Remembering) Entenmann's. Yeah. ELAINE: Entenmann's? From the supermarket? KRAMER: Well, no. They're not really in the supermarket. Yeah, they got their own case at the end of the aisle. (Scene ends) [Setting: Lisi's apartment] (There's a knock at the door. Lisi opens it to find Jerry defensively holding a baseball bat - protection against the lopper) JERRY: Hi, Lisi. LISI: Hi, honey. Is that a bat? JERRY: Uh, yeah. I found it on the street. It's gotta be worth something.. LISI: So, what do you want to do, Sweetheart? JERRY: (Wanting to break it off with her) Well, before we do anything.. maybe we should talk. (A montage starts up) (Lisi is sitting at her couch while Jerry paces behind her) JERRY: Then this Pennsylvania Dutch thing comes out of nowhere. I mean, how am I supposed to respond to that? (Scene cuts to Jerry and Lisi on the couch. Jerry has his head in his hands) LISI: Then, may I say something.. without being interrupted? (Scene cuts to Lisi in another room with the door closed. Jerry stands in the hallway and talks to her through the door) JERRY: (Sarcastic) Well I'm sorry if I ruined your life. That's exactly what I set out to do! (Scene cuts to them are sitting on the couch again. Jerry nods at everything Lisi mumbles) JERRY: Uh-huh. Uh-huh. Mm-hmm. Uh-huh.. (Scene cuts to Jerry sitting on the couch and Lisi is pacing behind him) LISI: Are you afraid to kiss me in public? JERRY: Have we even been in public? (Scene cuts to Jerry walking away from Lisi and she follows behind him) LISI: So now you're going to tell me what I'm thinking. Well, go ahead, 'cause I'd really like to know! (Now, Lisi is crying and Jerry stands looking over her shoulder) JERRY: You are not dumb. Don't say that.. (Scene cuts to them sitting around the coffee table eating beans) JERRY: These beans are pretty good.. LISI: 20 minutes. (Scene cuts back to the fighting. Jerry is in a room with the door shut. Lisi stands out in the hallway) JERRY: Well, I'm sorry I'm not Brad. I'm me! (Opens the door, yells out to Lisi) Nice to meet ya! (Scene cuts to Jerry lying on the couch while Lisi paces behind) LISI: Boy, did your mother do a number on you! (Now, Lisi is on the couch with Kleenex and Jerry stands on the other side of the couch) LISI: Fine. So it's over. JERRY: (Relieved) Oh, thank God! (Looks out the window) Why is it dark out? What time is it?! LISI: 9:30. JERRY: We've been breaking up for 10 hours?! LISI: (Mad at her new ex) Good-bye, Jerry. JERRY: (In fear of the killer, he remembers) Lopper.. (To Lisi) You know, Lisi, maybe we should give this a little more time.. See how it looks in the light of day. LISI: (Opening the door) Out! (Scene cuts to Jerry. He's outside Lisi's building, starting to walk home. He's paranoid - looking behind and around him. Surprised, he sees a shadowy figure walking towards him holding something resembling a head in one hand and a knife in the other) JERRY: Lopper! (Quickly runs back up to Lisi's building and yells into her intercom system) JERRY: Lisi, Lisi. Let me in! We can work this out. I was wrong, you were right! I'll do anything! (She buzzes him up. Just as he walks into the building, we see the Lopper is actually Slippery Pete carrying a car battery by it's wires) (Scene ends) [Setting: NYC Sidewalk] (Jerry stands outside a boutique store when George arrives carrying rope) GEORGE: Jerry, you came for the big moment! JERRY: No. I'm waiting for... GEORGE: Ha ha. Everything's timed out to perfection, Jerry. Slippery Pete's got the Frogger running on battery power, the truck will be there any minute, and Kramer's taped out the loading zone.. JERRY: (Sarcastic) Oh. Sounds great. GEORGE: Yeah, yeah. You gotta come over tonight. We can play. JERRY: Oh, I can't. I'm busy.. I'm going away on a long weekend. GEORGE: Where? (Lisi exits the boutique wearing a Dutch bonnet) LISI: Look what I found! I got one for you, too. (Puts a Dutch hat on Jerry head) JERRY: (Fake joy) Great. Uh, you know what? Why don't you put it in the car so I don't toss it in that dumpster? (Points to a garbage can) LISI: Ha ha. Ok. I'll meet thee in front of your place. 15 minutes. (Leaves) JERRY: A long, long weekend. GEORGE: I hear thee. (Scene ends) [Setting: Peterman's office] (Elaine has finished replacing the cake. She throws the empty Entenmann's box away. She's about to leave, but Mr. Peterman enters with another man) PETERMAN: Elaine! Excellent. I'd like you to meet a friend of mine, Irwin Lubeck. ELAINE: Oh, hello. LUBECK: (Greeting Elaine) Charmed. PETERMAN: (Getting the cake out of his fridge) All right, brace yourself, Lubeck. You are about to be launched via pastry back to the wedding of one of the most dashing and romantic Nazi sympathizers of the entire British Royal family.. ELAINE: I guess I'll just- (Goes to leave) PETERMAN: (Stopping her) Oh, no Elaine, stay. Lubeck here is the world's foremost appraiser of vintage pastry. (Lubeck inspects the cake with a magnifying eye piece) All right, Lubeck. How much is she worth? LUBECK: I'd say about 2 19. PETERMAN: (Giddy) Ha ha ha ha ha! $219,000! Lubeck, you glorious tit-willow. You just made me a profit of $190,000! LUBECK: (Correcting) No, $2.19. It's an Entenmann's. PETERMAN: (Confused) Do they have a castle at Windsor? LUBECK: No. They have a display case at the end of the aisle. PETERMAN: (Depressed) Oh, good Lord.. LUBECK: You all right, Peterman? You look ill. ELAINE: (Singing - off key) Get well, get well soon, we want you to get well. Get well, get well soon we want you to get well.. (Scene ends) [Setting: NYC Sidewalk] (George and Jerry see Kramer, Shlomo, and Slippery Pete, and the Frogger standing outside Mario's Pizza. Slippery Pete is playing the Frogger machine) GEORGE: What are you guys doing?! SHLOMO: (To Pete) Eat the fly. Eat the fly. Got him! GEORGE: You idiots! You're gonna wear down the battery. PETE: The batteries are fine. (Checks his watch) We've got.. oh, God.. only 3 minutes left. GEORGE: (Frantic) Quick! Get this thing back in the pizzeria! KRAMER: George, they closed up. GEORGE: (Looking around) I need an outlet! PETE: A what? GEORGE: (Angry) Holes! I need holes! KRAMER: (Gesturing to the pharmacy arcoss the street) The pharmacy's still open.. GEORGE: All right. Kramer, you block off traffic. You, (Pointing to Shlomo and Pete) go sweet-talk the pharmacist. PETE: (Grave, to George) You owe me a quarter. (Leaves with Shlomo) GEORGE: (Explaining who he is to Jerry) Slippery Pete.. Kramer, hurry up! (Kramer, from across the street, ties the police tape to a tree and runs into traffic. Halfway through, He runs out of tape) KRAMER: Ahh! (Calling out to George) I'm out! No tape left! JERRY: Well, come on George, I'll help you push it across.. GEORGE: Wait a minute. This looks familiar.. This reminds me of something. (The traffic going across the street looks just like a game of Frogger) I can do this! JERRY: By yourself? GEORGE: Jerry, I've been preparing for this moment my entire life. (George pushes the machine onto the street. From a sky view, he starts dodging cars in Frogger fashion, hopping back and forth into lanes of traffic. Frogger music and sound effects play in the background) SHLOMO: (Watching George) He looks like a Frog. SLIPPERY PETE: So do you. (George makes it across just as a huge truck comes barreling down the street. George tries to get the Frogger onto the sidewalk, but can't. In one last attempt, he sticks his hand out trying to stop the truck. George jumps out of the truck's way and onto the sidewalk as the Frogger is smashed into pieces) JERRY: (Reflecting on what just happened) Game over.. (Scene ends) [Setting: Peterman's office] (Mr. Peterman sits in his chair behind his desk. Elaine knocks and enters) ELAINE: Mr. Peterman? You wanted to see me, Sir? PETERMAN: Elaine, up until a moment ago, I was convinced that I was on the receiving end of one of the oldest baker's grifts in the books - The Entenmann's shim-sham. EALINE: (Realizing he's onto Elaine's cake-switch) Ohh... PETERMAN: Until I remembered the videotape surveillance system that I installed to catch other-Walter using my latrine. But it also caught this.. (Peterman hits play on a remote. His television screen shows Elaine waltzing around the room eating the cake) ELAINE: (Trying to explain) Mr. Peterman, I, uh.. PETERMAN: (Cutting her off) Elaine, I have a question for you. Is the item still.. with you? ELAINE: Um...as far as I know. PETERMAN: Do you know what happens to a butter-based frosting after six decades in a poorly ventilated English basement? ELAINE: Uh, I guess I hadn't- PETERMAN: Well, I have a feeling that what you are about to go through is punishment enough. (Smiles as Elaine shows fear in her face) Dismissed. END OF SHOW.