Ok, it wouldn't be One Fan Clapping if we put a proper review on the site. So here's an, erm, alternate take of our thoughts on Millionaires. It's a poorly-written, poorly-constructed attempt at poetry; but I think it gets the point across, the album kicks butt!
One Fan Clapping's poorly-written haiku tribute to Millionaires:
James are back With a new record Called by the name Millionaires. It comes out on October the fourth. The very first track on the album is called "Crash." Tim's vocals soar over the upbeat rock arrangement. An energetic live track, it addresses someone's breakdown. The next song on the record is "Just Like Fred Astaire." Tim flies and soars to a catchy keyboard part, Telling the tale of a brand new love Who has so captured his heart That he has grown ill From feeling.
Then we have What was the single Or, "I Know What I'm Here For." Which should need little explanation. "Shooting My Mouth Off" follows with great splendour. Reminiscent of '80's Depeche Mode, it dances Starting off slow, it builds to a poppy climax of keyboards Caught between a tender love song and a disparagement The singer worries he has spoken too soon And spoiled his only chance with the girl) You'll hum the chorus for days. Before moving on To revenge.
Next a prayer The hate invective Of "We're Going To Miss You." Again highlighted by the keyboards Tim's vocal warns against threatening the band Building a lyrical shield to keep the bad things out. Then comes the most disappointing song, EVER. "Strangers," an example of bad sixth form poetry Is backed by a truly boring melody. Bad enough to make anyone puke From the soppy sentiment To wretched lyrics, It just sucks.
But perk up, "Hello" saves the day Being quite sentimental Yet thankfully not trite like "Strangers," Quiet, showing James' vulnerability. Like a page out of Laid, it's sparse, yet feels very big. "Afro Lover" returns us to an upbeat, dancing mood. Fast and furious with a perfect shouty chorus Discussing an encounter of east and west He "has seen" and has become wise. Then we have a big "Surprise," Just as heard on tour Still vital.
A big sound Perfect for arenas About a contemplation Of suicide by a friend of Tim's. Contains by far the best line on the record Of "Tell me what the view's like, deep down in your carpet." Which makes very little sense, but made me laugh. "Dumb Jam" then roars right into earshot Played on tour in ninety-four, It's raucous
Guns and girls Big guitar noises Perfect for jumping about. One of the highlights of the record. But that which comes next should have been and is not The best live song that James have debuted in ages The recorded version fails to translate the booming chorus Or the ironic, aching, self-pity of the song Tim mumbles nasally through muddled verses Before bursting into loud chorus But they should have, in studio Been able to grasp It's huge vibe.
"Vervacious" Vast name for a song. Vast idea for a great song Missing Sinead's vocals at the start But they sound truly tremendous at the end. Millionaires has turned out a very diverse record Which flows together in a way Whiplash was unable. While this may not become a follow-up number one, It winds along an emotional journey Touching a range of sounds and feelings, The thing which makes James vital. So to big success Good luck guys!