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Interview with Billy Gould
photos of
Faith No More by Dustin Rabin
Faith No More’s
15 year career has given way to several line-up changes and many different
sounds that came along with them. If you listen to any two consecutive
Faith No More albums back-to-back, a definite change or progression can
be detected, but not so much that you can’t tell it’s still the same band.
On the other hand, if you were to play Faith No More’s very first album
We
Care A Lot back-to-back with their most recent, Album Of
The Year, you would probably never suspect it was the same band.
This is welcome change from
a lot of bands whose careers have spanned so many years. Let’s use Aerosmith
for example. No offense to Aerosmith, or their fans, but let’s face it;
if you listen to any song they’ve put out in the last ten years, they could
all be from the same album. How have Faith No More kept from falling into
this kind of ‘processed’ sound?
Billy
Gould: I think if we would have done that, that would have been at
The
Real Thing. I think that was the time to turn into Aerosmith, and
we
decided we didn’t want to be Aerosmith. I think you have to want to be that. I mean in many ways when you do that kind of
thing, you make the
same album over and over and over again, it’s very easy. Things become
easier than you think. I mean it might not be interesting to me or you,
but we’re not the majority of people that buy records anyway. It actually
makes things simpler if you have a product that you can repeat over and
over again, because it gives record companies a better chance of building
an image.
Dustin Rabin: You get
great support from the fans that you’ve had for years, but have you ever
had pressure from the record label telling you "Throw on a couple more
"Epic"s on this record" to sell more?
Billy: Constantly.
DR: So what do you say
to them?
Billy: I mean the thing
is, I think we write pop songs. I just think that we try to make pop songs
interesting to us.

DR: Does the label want
more mainstream pop?
Billy: Well, yeah.
It’s not going to happen. I mean we’re not going to bring a producer in
here who’s gonna you know, cut off our songs or anything like that, for
example. This just isn’t going to happen. I mean we could try to work with
them so we can explain to them that maybe they can use what we give them.
You don’t want to tell a record company to fuck off if they’re selling
your record, obviously. I mean, you have to work together. The thing is
that sometimes they don’t quite understand what we’re trying to do. I mean
if you thinks about "Epic" for example. That was our big hit single,
and yet the record company put that out as a fluke. They could have just said,
"The record’s over. It’s finished. It didn’t work. It didn’t sell.
We’re going to do one more single just for, what the hell. What song do
you want?" and we picked that song (Epic). It also let’s you see
that they don’t always know what’s going to either. They look to us
for direction. Asking us, "What songs do you like? What songs do
you
want to do?" Well, "Ashes To Ashes" seems like an obvious one to
put out. We’re not writing radio songs, but I think it’s good to write,
you know, pop songs. There’s nothing wrong with that.

DR: If anybody, who
has had to make more compromises of the two of you?
Billy: Probably them.
I think the thing is, the thing that we’ve had to do is sell to them that
it’s okay. We’ve just had to explain ourselves a little.
DR: Obviously it’s got
to be working, because you’ve been on the same label for so long.
Billy: Yeah, we haven’t
gotten dropped yet, so I guess it’s working. (laughs)
DR: Have you started
working on anything for the next record?
Billy: This is the
way we work; When we’re touring, we’re pretty much in tour mode. When we
got off the road, we start writing again. We’re doing stuff, we’re talking
about stuff, but not too much. I mean the record just came out four months ago.
DR: The changes that
Faith No More has gone through, have they happened just from you guys growing,
or have you been listening to anything in particular that has affected
the way you write?
Billy: Both. We’ve
all had different tastes. And they’ve changed over the years.
DR: What are you listening
to these days?
Billy: Right now?…
I mean we’re all listening to different things right now. And it’s totally
actually really different from each other. Puffy
(drummer Mike Bordin) listens to jazz all the time, I don’t know
what (Michael) Patton listens to all the time. I’ve got a
tape that I kind of like. It’s kind of cheesy, but… I kind of like it.
It’s called "Doom Metal". It’s a compilation of a bunch of doom
metal bands. I hate to say it’s cheesy because somebody’s gonna read it
and get pissed off, so I’m not going to name any names. I want to say that
I do like it, it’s just I don’t take it that seriously. It’s kind of cool.
DR: How big a role does
pornography play in your lives?
Billy: I would probably
say about 0.1% of our lives. Except for our drummer has porno that he keeps
in his suitcase and doesn’t tell anybody.
DR: I remember when
Patton got busted at customs once with like a suitcase full of stuff.
Billy: Yeah, that’s
true, but he wasn’t married then.
DR: When was the last
time you guys went onstage naked like that Billy Idol show?
Billy: That was probably
the last time.
DR: Was that the only
time?
Billy: Yep. The thing
is, they did some hyjinx on us where the fish fell down on us when we played,
then we went in our dressing rooms and there were all these farm animals
he put in our dressing room. The only thing we could think of, I mean we
didn’t have any money. The only way could think of really getting to him was, because he’s kind of such a macho
dude, you know, we figured a bunch
of naked guys… He probably wouldn’t like it, and I don’t think he did.
I think it made him a little uncomfortable, which was the idea. Afterwards
he laughed, but I think at the time, it was the thing that really got to him. If it was naked chicks he’d love
it.
DR: Are you still in
another band?
Billy: I do a lot of
different stuff on the side.
DR: If you asked a Faith
No More fan about everyone’s other bands, they would probably say that
Faith No More was everyone’s main band, and things like Mr. Bungle
(Patton) and Imperial
Teen (Roddy Bottum, below) are the
"side projects". On the other hand, I’ve heard that Mr. Bungle was Mike
Patton’s "real" band.
Billy: That’s not it.
Those guys get together when they want to get together. Mr. Bungle’s like
a thing for Patton where he doesn’t have to do it, like he doesn’t
have deadlines. He can put out a record when he wants to put them out.
His life doesn’t depend on Mr. Bungle, and so he tries to reserve it just
for pure enjoyment. I mean Faith No More is different because when we put
out a record, we will tour for a long time. We’re more like a hard working
kind of thing.
DR: How would you compare
a fan’s perception of which is the main band and which is the side band,
vs. what you guys think of it.
Billy: I don’t care.
Faith No More gets together when everybody’s ready to do it and it takes
a lot of work. So when everybody’s ready to do it, they know what they’re
getting into, and it’s definitely the priority of everybody while we’re
doing this. Say Roddy’s doing something with Imperial Teen, well then we
can’t get together and write songs for Faith No More because he’s doing that.
DR: Does the rest of
the band mind having to wait until one of the others is done with their
own thing?
Billy: Well, it depends.
I mean if some people don’t have anything else to do, they do mind. It
just depends how everybody syncs up together. In an ideal world, it would
be like, everybody has their side projects at the same time, everybody
finishes them at the same time, and everybody does Faith No More at the
same time. But things don’t always work out like that.

DR: If you did a crazy
publicity stunt for the band, what would it be?
Billy: Free concert
in Albania.
DR: Why Albania?
Billy: The first free
concert in Albania’s history. It would be the first concert that’s ever
happened there. It would be pretty wild. I think it would be a great place
to do it. It’s a great place for a concert. I think it would be an amazing
show.
DR: You’d go down in history.
Billy: Albanian history. |