Mcluhan8

BIBLIOGRAFIA

[1] - LA COMPRENSION DE LOS MEDIOS COMO EXTENSIONES DEL HOMBRE, Editorial Diana - México 1969.

[2] - ENTREVISTA CON MARSHALL MC LUHAN. Publicada por Salvat editores, s.a. 1973.

[3] - ENCICLOPEDIA MULTIMEDIA ENCARTA. CD-MICROSOFT 1997 - 1998.

[4] - THE HERBERT MARSHALL MC LUHAN FOUNDATION. Home Page: http://www.mcluhan.ca/foundation.htm

[5] - MC LUHAN Y LA ERA DIGITAL. Home Page: http://www.mor.itesm.mx/proyHuma/resena.htm

[6] - "Because all media, from the phonetic alphabet to the computer, are extensions of man that cause deep and lasting changes in him and transform his environment. Such an extension is an intensification, an amplification of an organ, sense or function, and whenever it takes place, the central nervous system appears to institute a self-protective numbing of the affected area, insulating and anesthetizing it from conscious awareness of what's happening to it. It's a process rather like that which occurs to the body under shock or stress conditions, or to the mind in line with the Freudian concept of repression. I call this peculiar form of self-hypnosis Narcissus narcosis, a syndrome whereby man remains as unaware of the psychic and social effects of his new technology as a fish of the water it swims in. As a result, precisely at the point where a new media-induced environment becomes all pervasive and transmogrifies our sensory balance, it also becomes invisible."

From "The Playboy Interview: Marshall McLuhan, Playboy Magazine (March 1969)

[7] - LA ALDEA GLOBAL - Marshall Mc Luhan y Bruce R. Powers. Editorial Gedisa, Barcelona 1995. pág. 204.

[8] - MCLUHAN STUDIES: http://www.icgc.com/Mcluhan_studies/

[9] - HISTORIA DE LAS TEORÍAS DE LA COMUNICACIÓN. A. y M. Mattelart. Paidos. 1997. Pág. 10; 120; 121.

[10] - MCLUHAN PARA PRINCIPIANTES. Terence Gordon y Susan Wilmarth. Editorial Errepar. 1997.

[11] - Diálogo con Gerald E. Stern, MCLUHAN HOT AND COOL. Editorial Sudamericana. 1973 - pág. 353 - 355

Matias Molina

Alumno Adscripto

Teoría de la Comunicación II

Agosto 25; 1998

ATRAS