by
T. C. O'Neill
Scene Two
EXT. - MID MORNING
SUBTITLE: " North-western Germania - Cheruscian Territory. "
CLOSE ON the face of a wolf's head mask made from a wolf skin, with polished jet eyes and real teeth set in its jaws. We hear a loud howling scream followed by a heavy thumping of drums beating out a complex, rhythmic pattern.
SLOW PAN BACK to reveal that the mask and wolf
skin are worn by an otherwise naked warrior, who lifts his head to revea
his face under the mask and headress and begins moving and swaying to the
beating of the drums. His body has a sheen of sweat and is painted
red with his arms and legs black. His eyes are half closed and slightly
rolled back in his head and he carries a spear in each hand. We can
see other figures behind him. He lets out another chilling howl and
begins to shuffle forward in a dance to the beat of the drumming.
Later Swedish depiction of Germanic ritual dancers
- Torslunda
WIDER ANGLE on the wolf-skin dancer, showing that he is leading a long line of other warriors who dance in step with him. A few are also naked and painted, though most are simply bare-chested. Only a couple of the others wear the wolf-skin masks, though all have their hair braided, pulled into tall top-knots or knotted tightly at their right temples. They keep time with the masked leader, stepping forwardand occasionally shuffling backwards in time with the drum beats. All of them also carry two spears, which they clash together in time with the beat as they dance. Many appear to be in an almost trance-like state.
WIDER ANGLE AGAIN revealing that the dancers form a wide ring around a tall carved post at the centre of a forest clearing - the trees in the distance are bare andd tthere is still some frost and patches of snow on the ground. Beyond the ring of swaying, shuffling dancers is a broad crescent of several hundred seated Germanic warriors, all armed and beating their spears on their shields in time with the drums. Beyond them, at the base of a the slope that leads up to the edge of the forest in the distance, sit the nobles and tribal chieftains. All are watching the ritual dancers intently.
OPPOSITE ANGLE - looking down the slope over the heads of the chiefs and the seated warriors. The top of the post at the centre of the dancers is carved with a crude human face. Beyond the dancers stand about a dozen Germanic priests - each wearing a tunic of bleached linen and a silver neck ring. Behind them stand attendants with young bulls on tethers. About ten drummers, their bodies also sweaty from exertion and their breath steaming in the frosty air, sit in a line in front of the priests.
CLOSE ON the priest GUDAMERAZ - a young dark haired man holding an large drinking horn. Two attendants carrying a bronze cauldron approach him from behind. He turns from the dancers and holds out the horn to be filled from the cauldron.
CLOSE ON the cauldron's mouth as one of the attendants ladles some dark liquid into the horn. Red fly agaric mushrooms float in the cauldron as the horn is filled with the steaming brew.
WIDER ANGLE as Gudameraz carries the horn past the drummers towards the ring of dancers. One moves out of the line to take the horn from the priest and drinks deeply. He wipes his chin and gives the priest a wide-eyed but vacant look before rejoining the dance as another takes his place to drink from the horn.
Later Anglo-Saxon depiction of Germanic spear dancers
- Finglesham, Kent
ANGLE ON the chieftains and their escorts of warriors. In the middle of this group sits SEGIMERUS/Sigimeriz, chief of the Cherusci. He is about sixty with a short grey-white beard and his long hair pulled back into a knot behind his head and secured with silver-tipped bone pins. His tunic is of red wool and decorated at the edges with a geometric embroidered pattern and he wears gold and silver arm rings with a heavy Celtic La Tene-style gold torque around his neck. He sits cross-legged on a fur with his long sword lying sheathed across his knees.
The warriors behind him, members of his personal retinue, are also more richly dressed, fully armed and several wear mail shirts. Beside him is his war-band leader and first warrior DAGAMERAZ, who leans across to say something to the chief. Segimerus listens and then nods without taking his eyes off the dancers.
ANGLE FROM behind the priests. Five attendants now lead one of the bulls forward toward the priests as the drums pick up their tempo and the dancing gets more frenetic.
CLOSE ON an elderly priest who needs to be supported by a younger man as he moves up to the bull with a bared single-edged dagger in his hands. Two of the other priests take the bull by its horns and the attendants hold the frightened animal tightly.
CLOSE ON the bull. It's face has been painted with broad red and black stripes and it wears a garland of holly and ivy. We see the old priest's hand holding the dagger as he brings it up to the bull's throat.
WIDE ANGLE from up the slope, looking back over
the seated chiefs and warriors, past the dancers, and see the priests in
a knot around the bull. A sentry at the edge of the grove moves into
shot and, over his shoulder as he watches, we see the bull slump to the
ground and hear its dying bellow echo from the surrounding forest.
ANGLE ON a Roman Auxiliary cavalry officer. He is seated on his horse just inside the forest cover at the top of the slope above the grove, looking down into the clearing and watching the sacrifice. The noise of the drums and the clashing spears is much fainter as he keeps a tight rein on his restless mount.
CLOSER ON the Officer's face - we see he is in his early twenties and boyishly handsome, though with at least one sword scar across his slightly stubbled chin. He is in full field armour and watches the scene below with pale blue, rather cold-looking eyes. Out of focus beyond him we see more Roman cavalry troopers moving up into line, still within the cover of the forest.
WIDER ANGLE on the officer and down the Roman line. At least 500 cavalrymen are moving silently up from deeper in the woods to the edge of the forest and forming up ranks just inside the trees. We hear another series of shouts from the warriors in the clearing below and the continued thumping of the drums - the Cherusci warriors are still unaware they are being watched.
DIFFERENT ANGLE ON the Officer as another horseman
reins in beside him. He looks to the Officer who nods to him.
OFFICER
(quietly)
Move them forward.
The other cavalryman turns and waves the troopers forward. The whole line begins to move out of the tree cover in a disciplined series of lines.
WIDE ANGLE ON the sentry at the edge of the gathered warriors. The drums are loud again as we look over his shoulder at the lines of Roman cavalry emerging from the tree line at the top of the slope above him. He is still watching the dancing as more and more troopers form up in the open on the hill behind him, the bright winter sun glittering on their bronze helmets and mail shirts. We hear a sudden shout, and he turns and sees the Roman formation.
ANGLE ON Segimerus and his retinue. There is more shouting, this time from the sentry, and many of the warriors around the chief are jumping to their feet. The drumming stops abruptly as Segimerus rises, his hand on his sword hilt.
WIDE ANGLE from behind the priests, taking in the dancers as they stop and look past the warriors and up the slope to the Romans and we see most of the warriors are now on their feet and begining to form up into a defensive line with the chieftains at their centre. One of the naked dancers gives a screaming yell and begins to run forward, brandishing both his spears.
CLOSE ON the screaming warrior - his eyes bulging as he tries to rush towards the Roman formation. Several warriors catch and restrain him with some difficulty as he continues shouting incoherantly.
ANGLE ON Segimerus and Dagameraz looking up the slope at the Romans. We hear one of the Roman cavalry mounts whinny loudly from the hill above. A younger warrior of Segimerus' retinue, GUDAFRITH, moves into shot.
GUDAFRITH
(grimly, beginning to draw his sword)
Looks like an even fight to me.
SEGIMERUS
(taking his arm before his blade is out)
Easy now. Let's see what they want first.
DAGAMERAZ
A little late in the year for more of their 'tax
collection' though, eh?
WIDE ANGLE looking out above the spears of the Cherusci warriors and up the slope to the Roman formation. The young officer is at the centre of the front rank, with the unit's vexillia borne by a trooper beside him. There is a moment's silence as neither side move or speak.
Then one of the troopers near the officer kicks his mount forward and begins to slowly ride down the slope towards the warriors.
OPPOSITE ANGLE - from the Roman line, looking as the trooper gets half-way between the two formations and pauses. He reins in his horse, takes off his helmet and shakes out long dark-blond hair.
CLOSE ON the trooper raising his helmet
and shouting
CAVALRY TROOPER
Haruskoz!! Haruskoz!!
ANGLE ON the Cherusci warriors. They break
into smiles as they realise this 'Roman' is one of their own and return
the shout.
WARRIORS
Haruskoz!! Haruskoz!! Haruskoz!!
CLOSE ON Segimerus, Dagameraz and Gudafrith as the other warriors surge forward around them, laughing and shouting.
SEGIMERUS
(with a quiet smile)
About time that boy came home.
CLOSE ON the Roman Officer, ARMINIUS/Ermanameraz
as he also removes his helmet revealing Germanic blond hair, but cut short
in the Roman style
ARMINIUS
(moving his horse forward)
Haruskoz!!
WIDE ANGLE on the whole formation of cavalry auxiliaries, moving down the slope with him
AUXILIARIES
(in unison)
Haruskoz! Haruskoz!!
WIDER ANGLE on the now disordered auxiliary formation as it reaches the warriors moving up the slope to greet them. Most of the troopers dismount and many embrace relatives and friends amongst the warriors as the two groups move together.
ANGLE ON Arminius as he dismounts amongst the warriors. He takes his horse's reins and walks forward, smiling and greeting many of the warriors around him by name. His smile becomes broader as he recognises Segimerus in the crowd.
ARMINIUS
I thought we'd come in time for the feast, father.
Not too late I hope?
CLOSE ON Segimerus, Dagameraz and Gudafrith as they greet Arminius
DAGAMERAZ
Coming disguised as foreigners isn't a good way
to get an invitation, but I'm sure we can
spare you something.
SEGIMERUS
Ignore him Ermanameraz, it's just that your dramatic
entrance nearly frightened the old
fellow half to death.
CLOSER ANGLE on Segimerus over Arminius' shoulder as he embraces his son
SEGIMERUS
(quietly, amid all the noise and shouting)
It's good to have you home again son.
WIDER ANGLE on the four men as HILDIRIKAZ, the cavalry trooper who first rode down the hill, moves into shot. He is now dismounted and is without his helmet, spear or shield, but otherwise in the full armour and equipment of a Roman cavalry auxiliary, though with his long hair around his shoulders.
HILDIRIKAZ
(laughing)
You should have seen your faces! I swear
you were about to bolt for the forest like rabbits!
GUDAFRITH
(putting his arm around Hildirikaz's shoulders)
That's because you're so ugly.
(sniffing)
And you smell strange.
DIFFERENT ANGLE as all five move back towards the dancing enclosure. We hear the drumming start up again.
HILDIRIKAZ
I smell clean, which is more than I can say for
certain 'barbarians' I could mention.
You ought to try a Roman bath sometime Dagameraz
- very relaxing, and the women
notice the difference afterwards, I can assure
you.
(winks)
ARMINIUS
You think that would make a difference with him
though?
CLOSE ON Dagameraz and Hildirikaz
GUDAFRITH
I told you Dagameraz - a couple of years in the
Roman army and they come home
as soft as children and smelling like whores.
WIDE ANGLE - Segimerus, Arminius, Dagameraz and Gudafrith take their seats on or around Segimerus fur. Most of the other warriors and cavalry auxiliaries are also sitting down, but the dancers are taking up position in their circle again, and some of the auxiliaries are joining them. Hildirikaz sees this, picks up two spears from the ground and rushes to join in.
HILDIRIKAZ
Wait for me boys!
CLOSER ANGLE ON Segimerus and the others, now seated and watching as the dancing begins again. Somone out of shot hands Arminius a drinking cup and he drinks and then passes it to Dagameraz.
SEGIMERUS
So Ermanameraz, any news from down south?
How long are you and your boys home for?
ARMINIUS
The rebels we were fighting have pulled back,
though they aren't beaten yet.
But Tiberius thought we would be more useful
back here - to support the troops of
our new Governor.
SEGIMERUS
(taking the cup from Dagameraz)
A new Governor? That's certainly news.
(drinks)
DAGMERAZ
How many names has this one got then?
DIFFERENT ANGLE ON all four men - behind them we see warriors talking and laughing with the newly arrived troopers and admiring their Roman-made war gear.
ARMINIUS
Three - 'Publius Quinctilius Varus'
SEGIMERUS
You've met this Varus?
ARMINIUS
Not yet. He's on his way from Rome.
A relative of the Emperor's apparently.
He's due to arrive at Aliso in a few weeks.
CLOSE ON Arminius as a hand claps him on the shoulder - he looks up. The young priest Guudaameraz sits down beside him.
ANGLE ON Gudameraz and Arminius
GUDAMERAZ
Good to see you back Ermanameraz.
ARMINIUS
(clearly pleased)
Gudameraz - it's good to be home.
WIDER ANGLE ON the whole group
SEGIMERUS
(to Gudameraz)
Apparently we're to have a new Roman Governor.
GUDAMERAZ
How nice for us. And what difference will
this make, I wonder.
SEGIMERUS
What do you know about him?
ARMINIUS
Not much, though I got word that my brother has
met him in Rome.
SEGIMERUS
(interested and concerned)
You've heard from Ermanagastiz?
How is he?
ARMINIUS
He calls himself 'Flavus' now. He's fine,
though he was wounded in battle late
last summer. Lost one eye.
DIFFERENT WIDER ANGLE ON the group of men
DAGAMERAZ
(nodding with approval)
He's a good warrior that boy.
GUDAMERAZ
(with distaste)
He'd be a better warrior with two eyes and back
amongst his people.
SEGIMERUS
(to the priest)
There's no shame in a warrior taking a wound
in service to his lord.
GUDAMERAZ
Some would say there's shame in it when that
lord is one of our conquerors.
SEGIMERUS
(coldly)
Some may say that priest, but I decided that
Ermanameraz and his brother
would serve with the Roman, Tiberius, and there's
shame in questioning a
father's decsions about his own sons.
Gudameraz looks down and does not reply
GUDAFRITH
Is this Varus bringing more troops?
CLOSE ON Arminius
ARMINIUS
Some reinforcements for the three legions they
already have here.
But most of their spare troops are still needed
down south - closer to home.
I gather his orders are to keep those of us who
are friends to Rome as friends
and to keep the others in check.
SEGIMERUS
We benefit more as friends to Augustus than as
enemies.
GUDAMERAZ
Maybe Sigimeriz, but would the men at Raudaburg
think so?
ARMINIUS
What's happened at Raudaburg?
DAGAMERAZ
Some young Chattian hotheads decided to ambush
a Roman patrol last summer and
came off second best. The Romans crucified
them.
GUDAMERAZ
They were strong men, so they took three days
to die.
The Romans made their families watch.
CLOSE ON Segimerus, looking at the priest
SEGIMERUS
And that's how the Southmen treat their enemies
- not their friends.
GUDAMERAZ
Maybe, but is there honour that kind of friendship?
(he rises)
I'm needed at the sacrifice. We should
talk later Ermanameraz.
WIDER ANGLE as they watch the priest leave
ARMINIUS
Still angry I see.
GUDAFRITH
The priests are talking of war.
SEGIMERUS
Only fools talk of war with Rome.
DAGAMERAZ
(quietly)
Then there are more fools around every day Sigimeriz.
CLOSE ON Arminius as he turns to watch the dancers, looking thoughtful
WIDE ANGLE from behind the priests, looking out past the dancers towards the seated warriors. The drums are much louder again. In the foreground several priests are butchering the sacrificed bull while two are moving towards the dancers with a blood-stained iron cauldron.
ANGLE ON Gudameraz standing close to the shuffling ring of dancers as the two priests carrying the cauldron between them move into shot.
CLOSE ON Gudameraz as he dips a tied bundle of birch twigs into the cauldron full of blood and then begins to sprinkle the blood on the passing dancers.
CLOSE ON the dancers, still in a trance,
as they move past the priest - the blood sprinkling over their faces and
bodies as they dance. As the drumming thunders loudly, Hilidrikaz
moves into shot, dancing with his eyes closed, and the sprinkled blood
spatters across his Roman mail shirt and stains his face and hair.
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