Alex Fung's Page > Film Columns/Essays > 1997's Top Films: A Critical Consensus

1997's Top Films: A Critical Consensus

By ALEX FUNG

PREVIOUS RESULTS:
  • 1996 (Fargo)
  • 1995 (Sense And Sensibility)
  • As in the previous two years, I have collected a number of Top 10 lists from various film critics with the help of many generous people, and have attempted to consolidate the data provided into a 'consensus' ordered list of the top films of the year. I used a largely weighted scale where the critic's Top 10 list was ordered, and where no particular order was used, each of the selections were equally weighted. Each critic's selection was weighted equally, irregardless of my personal opinion of the quality of their work or their tastes. (This year I was particularly careful, going down to two decimal places -- which turned out to be fortuitous: the difference between As Good As It Gets and Amistad was 0.06 points.)

    Clearly, this is not a perfect system -- several weaknesses in this system come to mind almost immediately -- but it is the best that I can do with this data, and I don't have any major qualms about the usage of this method; I think it's nearly irrefutable that the films on the top of the above list received a great deal of critical acclaim, the films in the middle of the list slightly less critical acclaim, and so forth; there's a good correlation here. I suspect that anyone who develops an alternate methodology to assess the same data will come up with a list which will strongly resemble the one below.


    [1]L.A. Confidential
    Curtis Hanson
    [2]The Sweet Hereafter
    Atom Egoyan
    [3]Titanic
    James Cameron
    [4]Boogie Nights
    Paul Thomas Anderson
    [5]The Ice Storm
    Ang Lee
    [6]The Wings Of The Dove
    Iain Softley
    [7]Ulee's Gold
    Victor Nunez
    [8]The Full Monty
    Peter Cattaneo
    [9]In The Company Of Men
    Neil LaBute
    [10]Face/Off
    John Woo
    [11]Chasing Amy
    Kevin Smith
    [12]As Good As It Gets
    James L. Brooks
    [13]Amistad
    Steven Spielberg
    [14]Donnie Brasco
    Mike Newell
    [15]The Apostle
    Robert Duvall
    [16]Ponette
    Jacques Doillon
    [17]Eve's Bayou
    Kasi Lemmons
    [18]Fast, Cheap & Out Of Control
    Errol Morris
    [19]Wag The Dog
    Barry Levinson
    [20]Shall We Dance?
    Masayuki Suo
    [21]La Promesse
    Luc & Jean-Pierre Dardenne
    [22]Men In Black
    Barry Sonnenfeld
    [23]Waiting For Guffman
    Christopher Guest
    [24]Good Will Hunting
    Woody Allen
    [25]Deconstructing Harry
    Woody Allen
    [26]When We Were Kings
    Leon Gast
    [27]Happy Together
    Wong Kar-wai
    [28]Jackie Brown
    Quentin Tarantino
    [29]Contact
    Robert Zemeckis
    [30]Mrs Brown
    John Madden
    [31]Grosse Pointe Blank
    George Armitage
    [32]Irma Vep
    Olivier Assayas
    [33]Kundun
    Martin Scorsese
    [34]Crash
    David Cronenberg
    [35]My Best Friend's Wedding
    P.J. Hogan
    [36]FairyTale: A True Story
    Charles Sturridge
    [37]Lost Highway
    David Lynch
    [38]Welcome To Sarajevo
    Michael Winterbottom
    [39]Hard Eight
    Paul Thomas Anderson
    [40]The Daytrippers
    Greg Mottola
    [41]Un Heros Très Discret (A Self-Made Hero)
    Jacques Audiard
    [42]Career Girls
    Mike Leigh
    [43]Sling Blade
    Billy Bob Thornton
    [44]Drifting Clouds
    Aki Kaurismaki
    [45]Cop Land
    James Mangold
    [46]4 Little Girls
    Spike Lee
    [47]Gabbeh
    Mohsen Makhmalbaf
    [48]Starship Troopers
    Paul Verhoeven
    [49]Washington Square
    Agnieszka Holland
    [50]Austin Powers: International Man Of Mystery
    Jay Roach
    List generated with data as of 98/02/02


    As indicated in the various 1997 critics awards, L.A. Confidential and The Sweet Hereafter are the clear critical favourites -- no other film comes remotely close. It's also a bit of a runaway for L.A. Confidential -- even if The Sweet Hereafter managed to place first on a hypothetical additional twenty Top 10 lists where L.A. Confidential didn't rate, it still wouldn't be enough to make up the difference.

    The third place spot is hotly contested between Titanic and Boogie Nights, while The Ice Storm easily settles into the fifth-place spot. Positions #6-8 are rather tight, as are positions #10-13.

    Paul Thomas Anderson is the only director to have two films in this year's list: Boogie Nights at #4, and Hard Eight at #39.

    Due to the wonders of platform releases, two films on this year's list also made last year's list: When We Were Kings and Crash (well, it was the Turner factor for the latter). Curiously, Sling Blade failed to make the list last year; it's #43 this year.


    Alex Fung (aw220@freenet.carleton.ca).

    Back to film page. 1