Spooky Tooth
Band members Related acts
line up 1 (1968-69)
- Luther Grosvernor -- lead guitar
line up 1 (1969-70)
- Luther Grosvernor - lead guitar
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up 3 (1970) - Mike Harrison - - vocals, keyboards
- Michael Kellie - drums, percussion -- lead guitar
(replaced Gary Wright)
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up 4 (1970) NEW - John Hawkin -- keyboards (replaced Alan Spenner) - Michael Kellie - drums, percussion NEW - Steve Thompson -- bass (replaced Henry McCulloch)
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up 5 (1973) Michael Kellie) - Mike Harrison - vocals, keyboards NEW
- Ian Herbert -- bass (replaced Steve
Thompson) Chris
Stainton)
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up 5 (1973)
- Mike Harrison - vocals, keyboards NEW
- Chris Stewart - bass (replaced Ian Hebert)
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up 6 (1973-74) - Mick Jones - guitar, backing vocals NEW - Mike Patto -- vocals (replaced Mike Harrison) - Gary Wright - vocals, keyboards
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up 7 (1974) Michael Kellie) NEW - Val Moore -- bass - Mike Patto -- vocals NEW
- Chris Stewart - bass (replaced Ian Hebert)
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- Art - Frampton's Camel
(Mike Kellie) Alan Spenner) - Illusion (John Hawkin) - Junkyard Angels (Mike Harrison and Ian Hebert) - The Alvin Lee
Band (Bryson Graham) - The People (Henry McCulloch and Chris Stewart) - Stealers Wheel (Luther Grosvenor) - Stone the Crow (Steve Thompson) - Timebox (Pike
Patto) - Van Der Graff Generation (Keith Ellis) - The Leslie West
Band (Mick Jones) Mick Jones)
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Genre: rock Rating: *** (3 stars) Title: It's All About Spooky Tooth Company: Island Catalog: ILPS 9080 Country/State: US/UK Year: 1968 Grade (cover/record): VG/VG+ Comments: UK pressing; extra heavy vinyl Available: 1 GEMM Catalog ID: not yet listed Price: $40.00
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Evolving out of the R&B oriented VIPs (who metamorphosed
into the progressive leaning Art (see separate entries), Spooky Tooth was formed in late 1967 by
expatriate American keyboard player Gary Wright (then studying medicine in England) and English guitarist Mike Harrison. With the addition of lead guitarist Luther Grosvernor, drummer Michael Kellie and bassist Greg Ridley, extensive touring tightened the band's chops, leading to a deal with Chris Blackwell's Island Records.
1.) Society's Child (Janis Ian) - 4:30 (side 2) 1.) It's All About a Roundabout (Jimmy Miller - Gary Wright) - 2:43
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Genre: rock Rating: **** (4 stars) Title: Spooky Tooth Two Company: A&M Catalog: SP-4194 Country/State: US/UK Year: 1969 Grade (cover/record): VG+/VG+ Comments: minor ring, corner and edge wear Available: 1 GEMM Catalog ID: not yet listed Price: $15.00
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Standing as the group's formal American debut, 1969's
"Spooky Two" reinforced their reputation as a happening underground act. Refining their molten-metal attack, the collection benefited from growing studio confidence and improved production values. Showcasing an exceptional strong set of original material, "Evil Woman" and "That was Only Yesterday" aptly displayed the group's keyboard and guitar fury, quickly becoming FM staples. Elsewhere, Grosvenor's guitar added real rock punch to tracks such as "Better By You, Better By Me". Less appealing, "Bubbles" found the band taking an unsuccessful stab at Traffic styled psychedelia. A classic example of '60s rock, the album marked the band's artistic and commercial zenith. An impressive seller, the album peaked at #44. Shortly after it's release bassist Ridley left to join Humble Pie (see separate entry) and was replaced by Andy Leigh.
1.) Waitin' For The Wind (Luther Grosvenor - Mike Harrison - Gary Wright) - 3:29 (side 2) 1.) Lost In My Dream (Gary Wright) - 5:03
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Genre: rock Rating: ** (2 stars) Title: Ceremony Company: A&M Catalog: SP-4225 Country/State: US/UK Year: 1970 Grade (cover/record): VG/VG Comments: Available: 1 GEMM Catalog ID: not yet listed Price: $15.00
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1969's "Ceremony" found the band jumping into a full-scale collaboration with French electronic musician Pierre Henry. Showcasing the combination of Grovesnor's screaming guitar and Wright's growling voice and stabbing keyboards, dirge-like material such as "Offering", "Hosanna" and "Have Mercy" offered up a concept piece; the package built around a vaguely religious theme. Emphasizing electronic sounds and outright experimentation, tracks such as the percussion and guitar dominated "Confessions" and "Jubilation" (sporting an ongoing sob, the latter was easily one of rock's most irritating songs, we thought our record player had broken), left most fans confused and unhappy. While the band's credentials as serious musicians may have enjoyed a boost, the same couldn't be said for sales, the collection faltering at #92. (John Holmes cover painting stood as one of the year's uglier offerings.)
1.) Have Mercy (Pierre Henry - Gary Wright) - 7:52 (side 2) 1.) Prayer (Pierre Henry - Gary Wright) - 10:52
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Genre: rock Rating: *** (3 stars) Title: The Last Puff Company: A&M Catalog: SP-4266 Year: 1970 Country/State: US, UK Grade (cover/record): VG / VG Comments: includes original A&M stock inner sleeve Available: 2 GEMM Catalog ID: 5819 Price: $15.00
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As expected, following the release of 1969's "Ceremony" Spooky Tooth underwent yet another round of personnel changes. This time around out the door went lead singer Gary Wright who quickly reappeared with the short-lived Wonderwheel. With the band's A&M recording contract calling for the release of one more album, survivors Luther Grosvenor, Mike Harrison, and Mike Kellie found themselves left holding the corporate bag. To their unending credit, the three were willing to complete the required obligation, promptly recruiting former Grease Band members Henry McCullough, Chris Stainton, and Alan Spenner for a late-inning Spooky Tooth. The makeshift lineup quickly recorded 1970's aptly titled "The Last Puff" (the album was actually credited to Spooky Tooth featuring Mike Harrison). Given the set's humble origins it proved a surprisingly tight and enjoyable endeavor. Having lost their prime writer, Harrison and company still managed to cobble together an occasionally engaging mixture of earlier Spooky Tooth castoffs (Wright's 'Wrong Time'), new band originals (the Chris Stainton title track), and covers (a roaring take on The Beatles' 'I Am the Walrus' and an early Elton John cover 'Son of Your Father).
- I remember being convinced I had the turntable set at the wrong speed the first time I played 'I Am the Walrus'. Harrison and company actually kept pretty close to the Beatles original, but slowed it down to a crawl - you literally wanted to reach out and slap Harrison up the side of the head and say 'get on with it'. Not sure if it was Grosenvor or McCullough, but one of them turned in a nice solo towards the end of this six plus minute epic. rating: *** stars - To my ears 'Wrong Time' was easily the standout track; in large measure due to the fact it harkened back to the original lineup's patented organ and keyboard sound. The fact it was written Wright and sounded like his lead vocals certainly didn't hurt the results. Nice mid-tempo rocker with a great lead guitar though once again I don't know if it was Grosvenor, or McCullough. rating: **** stars - In spite of an unsteady Harrison vocal that actually recalled Joe Cocker (who'd written the song), 'Something to Say ' was an okay ballad. The backing female chorus threatened to drown Harrison out in a couple of places. rating: ** stars - 'Nobody There at All' was another mid-tempo ballad with kind of a country-rock edge. The song benefited a nice chorus. This one also sounded like a Wright carryover. rating: *** stars - Their cover of David Ackles 'Down River' was suitably subdued and forgettable. rating: ** stars - I was never a fan of the original version of Elton John's 'Son of Your Father' and this half-speed cover didn't do anything to improve on it. rating: ** stars - Chris Stainton's only contribution to the album, 'Last Puff' was a bluesy instrumental. Propelled by Stainton's keyboards, picture something the Young-Holt trio might have recorded and you'd be in the right neighborhood. Nice bass line though. rating: ** stars
Far from the band's best, but better than your standard contractual obligation release. Although the band broke up shortly after the album's release, it proved a modest seller, reaching # 84 in the States.
- Grosvenor released a solo album, followed by stints with Stealers Wheel and Mott the Hoople. - Harrison struck out in pursuit of a brief solo career. - Kellie became a member of Frampton's Camel.
1.) I Am the Walrus (John Lennon - Paul McCartney) - 6:22 (side 2) 1.) Nobody There at All
(Martin - Post) - 3:58
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Genre: rock Rating: *** (3 stars) Title: Tobacco Road Company: A&M Catalog: SP- Year: 1971 Country/State: US/UK Grade (cover/record): VG/VG Comments: Available: 1 GEMM Catalog ID: not yet listed Price: $15.00
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In the wake of the band's demise, A&M reissued the group's 1968 debut "It's All About Spooky Tooth" as
"Tobacco Road". The album proved a poor seller, faltering at #152.
1.) Society's Child (Janis Ian) - 4:30 (side 2) 1.) It's All About a Roundabout (Jimmy Miller - Gary Wright) - 2:43 |
Genre: rock Rating: **** (4 stars) Title: You Broke My Heart So I Busted Your Jaw Company: Island Catalog: ILPS- Year: 1973 Country/State: US/UK Grade (cover/record): VG/VG Comments: Available: 1 GEMM Catalog ID: not yet listed Price: $15.00
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Following a three year break, Harrison and Wright reunited Spooky Tooth. Recruiting drummer Bryson Graham, guitarist Mick Jones and former Eire Apparent bassist Chris Stewart (see separate entry), the quintet released 1973's
"You Broke My Heart So I Busted Your Jaw". Self-produced, the album proved surprisingly tight and listenable. Largely penned by Wright (drummer Graham contributing "This Time Around"), keyboard and guitar propelled material such as the lead off rocker "Cotton Growing Man", "Old As I was Born", "Holy Water" and "Wildfire" showcasing the band's now-patented
up tempo bluesy style. While hardly earth shattering, the set was easily as good as anything being pumped out by the likes of Bad Company. The album hit #84. (The set was originally released with a gatefold sleeve.)
1.) Cotton Growing Man (Gary Wright) - (side 2) 1.) Wildfire (Gary Wright) -
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Genre: rock Rating: *** (3 stars) Title: Witness Company: Island Catalog: ILPS-9255 Year: 1973 Country/State: US/UK Grade (cover/record): VG/VG Comments: Available: 1 GEMM Catalog ID: not yet listed Price: $15.00
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Dropped by A&M, 1973's "Witness" found the quintet relocating to New York and recording for Chris Blackwell's Island Records. Classic Spooky Tooth, material such as "Ocean of Power", "Things Change" and "As Long As the World Keeps Turning" aptly displayed Wright's wailing vocals and the group's instantly recognizable over-the-top mixture of keyboards and guitar. While the album did little to expand their musical horizons, all nine tracks were professional and enjoyable. Elsewhere, the seldom heard Harrison proved himself an excellent vocalist on the standout molten-guitar rocker "Don't Ever Stray". Continuing there gradual loss of audience, the album only reached
# 99.
1.) Ocean of Power (Gary Wright) (side 2) 1.) All Sewn Up (Jones - Gary Wright)
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Genre: rock Rating: *** (3 stars) Title: The Mirror Company: Island Catalog: ILPS-9292 Year: 1974 Country/State: US/UK Grade (cover/record): VG/VG Comments: original die-cast cover with original insert; cut top right corner Available: 1 GEMM Catalog ID: 4815 Price: $10.00
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With original
member Mike Harrison striking out in pursuit of a solo career, Spooky Tooth
fans probably weren't expecting great things from the survivors. Those
fears were probably reinforced by the back cover photo that showed a band
looking suspiciously like early Journey. To their collective credit
surviving members Bryson Graham, Mick Jones and Gary Wright were smart
enough to dig up some talented replacements in the form of former Boxer singer/keyboardist Mike Patto and bassist Val
Burke (wow, some 'fro there guy). Co-produced by Wright, Jones and
Eddie Kramer, 1974's "The
Mirror" may not have been the year's most original
offering or even the band's creative zenith, but it was far from a creative
deathbed. Creatively Harrison's defection appeared to have little impact on the
band with Wright and Jones proving more than capable of handling the writing
chores. Patto also proved his worth wasted no time co-writing several
tracks with the others. His instantly recognizable voice (check out
'Kyle') also stood as a nice counterpoint to Wright's patented
screech. For all the changes material like the lead-off rocker
'Fantasy Satisfier', 'Two Time Love' and 'Woman and Gold' served to showcase the
combination of Wright's patented screech and stabbing keyboards and Jones' molten guitar
solos remained firmly in place. To be honest, if the set had one or
two more songs as good as 'I'm Alive' or 'Hell or High Water' (and you
thought Peter Frampton discovered that irritating voicebox guitar effect) it
would have gotten a fourth star. Surprisingly consistent the album proved a modest success, peaking at
# 130. (The set was originally released with a
die cut cover.)
1.) Fantasy Satisfier (Gary Wright -
Mick Jones) -
(side 2) 1.) Hell or High Water
(Gary Wright - Mike Patto) -
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