Springfield, Dusty
Band members Related acts
- Dusty Springfield (RIP 1999) (aka Mary Isabel Catherine Bernadette
O'Brien) -- vocals
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- The Lana Sisters - The Springfields
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Genre: pop Rating: ***** (4 stars) Title: Stay Awhile/I Only Wan To Be With You Company: Philips Catalog: PHM 200-133 Year: 1964 Country/State: Hampstead, UK Grade (cover/record): VG / VG Comments: mono pressing Available: 1 GEMM catalog ID: 5839 Price: $10.00
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Dusty Springfield is one of my first musical memories - I can distinctly remember hearing 'Wishin' and Hopin' on AFN radio as a child. I'm not sure how, or why, but also have clear memories of her stylized blond hairdo. Interesting how those early childhood memories stick with us and seem to influence us throughout the rest of our lives.
As a member of folk-oriented The Springfields, Dusty quit the group in 1963, quickly reappearing as a solo act. Signed by Philips (which had The Springfields under contract), her solo debut came out later that year:
- 1963's 'I Only Want To Be with You' b/w 'Once Upon a Time' (Philips catalog number 40162) # 12 pop
A top-20 hit in the States, over the next year Philips quickly released a string of three charting follow-ups:
- 1964's 'Stay Awhile' b/w 'Something Special' (Philips catalog number 40180) # 38 pop - 1964's 'Wishin' and Hopin'' b/w 'Do Re Me (Forget About the Do and Think About Me' (Philips catalog number 40207) # 6 pop - 1964's 'All Cried Out' b/w 'Wish I'd Never Loved You' (Philips catalog number 40229) # 41 US
As was standard marketing procedure, Philips took advantage of Springfield's chart successes to release a supporting LP in the States - 1964's cleverly-titled "Stay Awhile/I Only Want To Be With You". As a marketing move the album compiled the four earlier 'A' sides while showcasing Springfield's amazing, soul soaked voice on a mixture of popular pop and soul hits. Creatively it wasn't the most original collection you've ever heard, but the material was varied enough to give you a good feel for her varied talents. Most of the set surrounded Springfield with Phil Spector-styled wall-of-sound arrangements. Luckily while many singers would have simply drown amidst the heavy production, Springfield's voice was powerful and distinctive enough to power through the clutter. The big surprise and one of the LP's highlights came in the form of the lone Springfield original - 'Something Special'. You know it took some real effort for Springfield to convince Philips management to let her record an original song. Not that you would have expected anything less from a woman who was kicked out of South Africa for refusing to perform before apartheid segregated audiences.
- To my ears 'I Only Want To Be with You' stands as one of Springfield's most pop-oriented releases. Sporting a breezy, instantly memorable melody and powered by Springfield's instantly identifiable voice, if a song could be labeled fun', this was it. It's been covered dozens of times over the years, but nobody's come close to the original. rating: ***** stars - In the early 1960s it wasn't unusual for an artist who'd enjoyed a hit to go back to the creative well and release a follow-up song with a similar feel and sound. Sometimes it worked and sometimes not. Tapped as a follow-up single, 'Stay Awhile' sounded more than a little like 'I Only Want To Be with You'. Part of that similarity may have been due to the fact the track was penned by Mike Hawker and Igor Raymonde who'd also written 'I Only Want To Be with You'. Regardless, 'Stay Awhile' was strong enough to succeed on its own. rating: **** stars - One of three Burt Bacharach-Hal David songs on the collection, '24 Hours from Tulsa' was one of my favorite performances. Gene Pitney had the original hit, but Springfield's slightly modified version of the song (this time out sung from a woman's perspective) was simply amazing. rating: ***** stars - Springfield was reportedly a big girls group fan and her cover of 'Mama Said' aptly displayed that affection. Maybe not quite up to The Shirelles original, but pretty darn close. Wonderful and perhaps the most playful song on the album. rating: **** stars - In my humble opinion 'Anyone Who Had a Heart' was one of Springfield's creative zeniths. Cillia Black had the UK chart topping hit with her version, but Springfield's cover was even better. True, the lush, highly orchestrated arrangement (always loved the kettle drums at the end), may sound a little dated today, but there's simply no denying this was a killer Bacharach-David song and Springfield's measured performance was near perfect. rating: ***** stars - Springfield's blue-eyed soul vocals were always a great fit for Motown and her cover of 'When the Lovelight Starts Shining Thru His Eyes' was one of the best matches. Musically her cover of the Holland-Dozier-Holland track didn't stray too far from The Supremes original, but once it kicked into gear, her version took off and never looked back ... Would have made a fantastic single. rating: ***** stars - The album's third and final Bacharach-David cover 'Wishin' and Hopin'' was released as a US single, providing Springfield with her first top-10 US success. Pretty and kind of funny with respect to the lyrical advice on how to catch a husband. rating: **** stars - One of the isolated disappointments, her multi-tracked cover of Charles and Inez Foxx's 'Mockingbird' was professional, but did nothing to improve on the original. rating: ** stars - 'Will You Love Me Tomorrow' was another mediocre girls group cover. Forgettable compared to the original. rating: ** stars - Previously a hit for Leslie Gore, the don't-get-in-my-face 'You Don't Own Me' was a perfect track for the always independent Springfield. It was made even more poignant coming on the heels of the subservient 'You Don't Own Me'. rating: **** stars - Yeah it was a piece of lightweight pop fluff, but the lone Springfield original, 'Something Special' was also one of the album highlights. Great tinkling piano melody and chorus. rating: **** stars - Arthur Alexander's 'Every Day I Have To Cry' was a classic 1960s soul tune and while Springfield's cover won't make you forget the original, her upbeat and bubbly version was really good and would have been a nice single. rating: **** stars
Yeah, this album's over 40 years old now but it's a classic. Check your grandparents collection out for a copy ... maybe they'll let you have their copy. 1.) I Only Want To Be with You (Mike Hawker - Igor Raymonde) - 2:32 2.) Say Awhile (Mike Hawker - Igor Raymonde) - 1:50 3.) 24 Hours from Tulsa (Burt Bacharach - Hal David) - 3:02 4.) Mama Said (L. Dixon) - 2:03 5.) Anyone Who Had a Heart (Burt Bacharach - Hal David) - 2:55 6.) When the Lovelight Starts Shining Thru His Eyes (Brian Holland - Lamont Dozier - Eddie Holland) -
(side
2) 2.) Mocking Bird (Charles Foxx - Inez Foxx) - 2:35 3,) Will You Love Me Tomorrow (Carole King - Gerry Goffin) - 2:41 4.) You Don't Own Me (J. Madara - D. White) - 2:29 5.) Something Special (Dusty Springfield) - 2:00 6.) Every Day I Have To Cry (Arthur Alexander) - 2:23
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Genre: soul Rating: *** (3 stars) Title: The Look of Love Company: Philips Catalog: PHS 600-256 Year: 1967 Country/State: Hampstead, UK Grade (cover/record): VG / VG Comments: stereo pressing Available: 1 GEMM catalog ID: 5840 Price: $10.00
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A true mixed bag, from the sensual title track to the melodramatic "If You Go Away," and some fine soul stylings in between, most notably "Small Town Girl" (check out the choruses) and "I've Got a Good Thing." The latter is one of four choice bonus tracks on this, the last of Springfield's Philips albums to be released in America (she signed with Atlantic in the USA soon after, and the label declined to release most of her Philips output here) — "I'll Try Anything" makes its first U.S. appearance in stereo, and the CD ends with the previously unissued, very dramatic "It's Over." The bottom line here is that if there was ever a song that said "sex," this is it. A huge hit for Dusty Springfield in 1967, and used as the centerpiece in the film Casino Royal, "The Look of Love" is an amazing piece of songwriting. Easily one of the slowest-tempo hits of the era, the song is loaded with sultry minor-seventh and major-seventh chord changes. These were indeed a Bacharach trademark, but the way that Bacharach made the song move forward was what made it like no other tune he had constructed. Not to be outdone, Hal David created a set of lyrics that epitomized longing and, yes, lust. Definitely a pop standard, it has been covered successfully by dozens of artists (including Dionne Warwick), but Dusty's reading is by far the definitive version.
This CD is erratic in style and quality. The well-known title track is slightly different from the version used in the film but is still quite good. Contains an early version of "Close to You", a Bacharach/David tune later made famous by the Carpenters.
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Genre: soul Rating: *** (3 stars) Title: A Brand New Me Company: Atlantic Catalog: SD-8249 Year: 1971 Country/State: Hampstead, UK Grade (cover/record): VG / VG Comments: minor ring wear; numbers written in magic marker along top edge; small record company label on flip side Available: 1 GEMM catalog ID: 4606 Price: $10.00 Cost: $66.00
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On the heals of the critical success that greeted "Dusty In Memphis", 1970 saw Springfield heading to Philadelphia to take a stab at tapping into the city's burgeoning soul scene Co-produced by Ugene Dozier and Roland Chambers, "A Brand New Me" featured contributions from the cream of local writers including Thom Bell, Kenny Gamble, Norman Harris and Leon Huff. Curiously, throughout the rest of the world the album was entitled "Dusty Loves You". Though the there was no difference in the track listing, the US release sported slightly hipper packaging than the UK original (see below).
original UK cover
This set is easily one of the top three releases in Springfield's catalog. Unfortunately it had the misfortune of being released in the wake of "Dusty In Memphis" which meant it never stood a chance. As a result, today the album's largely forgotten. That's unfortunate since it captures Springfield at her mid-career peak. Her instantly recognizable voice proved a great match for the the silky Philly soul sound. Literally any one of these ten tracks would have made a great single, but my nod goes to 'The Star of My Show', 'Let's Get Together Soon' and the sterling title track. To the company's credit, Atlantic tapped the title track b/w 'Bad Case of the Blues' (Atlantic catalog number 45-2685) as a single. Atlantic also went back to the album for three less successful follow-up singles:
- 'Silly, Silly Fool' b/w 'Joe' (Atlantic catalog number 45-2705) - 'Let Me In Your Way' b/w 'I Wanna Be a Free Girl' (Atlantic catalog number 45-2729) - 'Lost' b/w ''
(Atlantic catalog number 45-2739). It's a minor complaint, but the album would have benefited from a little more variety. Ten mid-tempo numbers back to back gets a little old. Still, this is a great place for the curious or casual fans to start.
1.) Lost (Kenny Gamble - Leon Huff - Jerry Butler) - 2:27 2.) Bad Case of the Blues (Kenny Gamble - Leon Huff - Roland Chambers) - 2:06 3.) Never Love Again (Kenny Gamble - Leon Huff - Roland Chambers) - 3:21 4.) Let Me In Your Way (Kenny Gamble - Leon Huff - Roland Chambers) - 2:45 5.) Let's Get Together Soon (Kenny Gamble - Leon Huff) - 2:41
(side
2) 2.) Joe (Kenny Gamble - Norman Harris - Allan Felder) - 2:21 3.) Silly, Silly Fool (Kenny Gamble - Leon Huff) - 2:30 4.) The Star of My Show (Kenny Gamble - Leon Huff) -2 :27 5.) Let's Talk It Over (Kenny Gamble - Leon Huff) - 2:29
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Genre: pop Rating: ** (2 stars) Title: Living Without Your Love Company: United Artists Catalog: UALA936-H Year: 1978 Country/State: Hampstead, UK Grade (cover/record): VG / VG Comments: small cut out notch along top edge; original lyric inner sleeve Available: 1 GEMM catalog ID: 4225 Price: $10.00
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Continuing her corporate wanderings, 1979's "Living without Your Love" found Dusty Springfield signed to United Artists in the States and Mercury in the UK and the rest of Europe. Produced by David Wolfert the album found Springfield trying to find a niche in the rapidly changing marketplace. Unfortunately her instantly recognizable throaty voice was largely wasted on a faceless collection of adult contemporary oriented ballads and mid-tempo numbers. Taken in isolation ballads like 'The Somebody' and 'Get Yourself To Love' weren't all that bad (okay, 'Closet Man' was hideous), but back-to-back they quickly melded into a dull, sound alike mess. Besides, who in their right mind would record two Carole Bayer-Sager songs on a single album? Exemplified by 'Living Without Your Love' and 'Save Me, Save Me' her isolated stabs at more dance oriented material weren't much better. Even her Motown cover ('You've Really Gotta Hold On Me') was dull. So what was worth hearing? Not much. In spite of the dated arrangement, best of the lot was the funky 'You Can Do It'. Yeah, sad to say but a disappointment ... (Not to sound catty, but the perm was a bad move.)
"Living Without Your Love" track listing: 1.) You've Really Gotta Hold On Me (Smokey Robinson) - 3:45 2.) You Can Do It (E. Sands - R. Germinaro - B. Weisman) - 4:10 3.) The Somebody (Melissa Manchester - Vinnie Poncia - J. Vastano) - 3:20 4.) Closet Man (David Foster - E. Mercury - D. Gerrard) - 4:08 5.) Living Without Your Love (David Wolfert - S. Nelson) - 3:33
(side
2) 2.) Get Yourself To Love (D. McCormick) - 4:09 3.) I Just Fall In Love Again (S. Dorff - L. Hersbtritt - G. Sklerov - H. Lloyd) - 3:11 4.) Dream On (Carole Bayer-Sager - Frannie Golde - D. Mayoff) - 3:29 5.) I'm Coming Home Again (Bruce Roberts - Carole Bayer-Sager) - 3:42
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