Nijuin

A twenty verse pattern for renku

Meiga Higashi

 

Side 1 - jo - preface
hokku au mn au sp [bl] sp su wi
wakiku au au [mn] sp [bl] sp su wi
daisan au au [mn] sp ns ns ns
4 short ns ns ns ns ns ns
Side 2 - ha part one - development
5 long ns ns wisu mn wisu mn au mn au mn
6 short ns lv ns lv wisu lv wisu au au
7 long ns lv ns lv ns lv ns lv au lv au lv
8 short ns ns lv ns ns lv ns lv ns lv
9 long suwi suwi ns ns lv ns ns
10 short suwi suwi ns ns ns ns
Side 3 - ha part two - intensification
11 long ns ns suwi suwi wi su
12 short ns ns suwi suwi wi mn su mn
13 long ns lv ns ns lv ns ns ns
14 short wisu lv wisu au lv au ns ns
15 long wisu mn wisu mn au mn au mn ns ns
16 short ns ns au au ns ns
Side 4 - kyu - finale
17 long ns ns ns ns ns ns
18 short sp sp ns sp sp sp
19 long sp bl sp bl sp sp bl sp bl sp bl
ageku sp sp sp sp sp sp

 

Notes

The Nijuin adopts the jo-ha-kyu dynamic found in the Kasen. It divides formally into four sides.

The poem typically has three spring, three autumn, two winter and two summer verses. Seasons do not straddle the side/folio boundaries.

Love normally appears somewhere in the middle of each part of ha. Typically each appearance of love comprises a grouped pair. Alternatively a longer group including call-for-love (koi no yobidashi) and end-of-love (koi banare) may feature on a single side of ha only.

wisu - adjacent pairs must have the same season - whichever pair is selected first the alternate pair must be selected second.
suwi - adjacent pairs must have the same season - whichever pair is selected first the alternate pair must be selected second.
ns
- non season
bl
- blossom position.
[bl] - (spring only) - alternative positions - only one blossom verse per poem
mn - moon position
[mn] (autumn only) - where moon is not in the hokku it will appear in wakiku or daisan.
lv - love position

 


 

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