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First
folio, front - jo - preface |
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hokku | au | au [mn] | sp | sp | su | wi |
wakiku | au | au [mn] | sp | sp | su | wi |
daisan | au | au | sp | sp | suns | wins |
4 short | ns | ns | ns | ns | ns | ns |
5 long | su mn | nssu | au mn | wi mn | au mn | au mn |
6 short | su | su | au | wi | au | au |
First
folio, back - ha part one - development |
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7 long | ns | ns | au | ns | au | au |
8 short | ns lv | ns | ns lv | ns | ns lv | ns lv |
9 long | ns lv | ns lv | ns lv | ns | ns lv | ns lv |
10 short | ns | ns lv | ns | ns | ns | ns |
11 long | ns | ns | ns | au | ns | ns |
12 short | ns | wi [mn] | ns | au [mn] | ns | ns |
13 long | wi mn | wi [mn] | su mn | au [mn] | wi mn | su mn |
14 short | wi | ns | su | ns | wi | su |
15 long | ns | ns | ns | ns | ns | ns |
16 short | ns | sp [bl] | ns | sp | ns | ns |
17 long | sp bl | sp [bl] | sp bl | sp bl | sp bl | sp bl |
18 short | sp | sp | sp | sp | sp | sp |
Second
folio, front - ha part two - intensification |
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19 long | sp | ns | sp | ns | sp | sp |
20 short | ns | ns | ns | ns | ns | ns |
21 long | ns | ns | ns | ns lv | ns | ns |
22 short | ns | ns lv | ns | ns lv | ns | ns |
23 long | su | ns lv | wi | su | su | wi |
24 short | su | su | wi | su | su | wi |
25 long | ns | su | ns | ns | ns | ns |
26 short | ns lv | ns | ns lv | ns | ns lv | ns lv |
27 long | ns lv | ns | ns lv | ns | ns lv | ns lv |
28 short | ns | au [mn] | ns | au | ns | ns |
29 long | au mn | au [mn] | au mn | au mn | au mn | au mn |
30 short | au | au | au | au | au | au |
Second
folio, back - kyu - finale |
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31 long | au | ns | au | ns | au | au |
32 short | ns | ns | ns | ns | ns | ns |
33 long | ns | ns | ns | ns | ns | ns |
34 short | nssp | sp | nssp | sp | nssp | nssp |
35 long | sp bl | sp bl | sp bl | sp bl | sp bl | sp bl |
ageku | sp | sp | sp | sp | sp | sp |
Notes |
The Kasen is the exemplar of the jo-ha-kyu dynamic. Moon appears three times and blossom twice. Typically autumn moon constitutes two of the three moon verses. Blossom positions are best considered fixed. Moon shows greater flexibility. Love normally appears somewhere in the middle of each part of ha. Typically each appearance of love comprises a grouped pair which may be prefaced by call-for-love (koi no yobidashi) and followed by end-of-love (koi banare). The season positions in the mid section of the first folio back may be brought forward or delayed briefly. Season positions move en bloc. suns
-
if the season is chosen here non-season is more likely at #34, and vice
versa. |