--- Y KANT GoRAN RiTE? ---
[1954]

THE BAREFOOT CONTESSA
**
½

BEAT THE DEVIL
**
½

BRIGADOON
***

THE CAINE MUTINY
**

DIAL M FOR MURDER
***

THE FAR COUNTRY
*****

IT SHOULD HAPPEN TO YOU
****
USA
An aspiring model from the country rents a billboard in New York and puts her name on it.
   A slight but very funny satire that coasts on the immense, irresistible charm of its star.
dir: George Cukor
wr:
Garson Kanin
cast:
Judy Holliday, Jack Lemmon, Peter Lawford, Michael O'Shea, Vaugh Taylor, Connie Gilchrist

JOHNNY GUITAR
***

MAGNIFICENT OBSESSION
**
½
USA
A vain playboy is reformed when he indirectly causes the death of a respected doctor and his widow's blindness.
   The first of many glossy teamings between director Douglas Sirk, producer Ross Hunter and Universal Studios, this made a lot of money and Rock Hudson a star. Theorists who celebrate Sirk as a subversive social critic could find little supporting evidence in this garish, ludicrous, crudely written, badly acted soap opera. Don't get me wrong - there is a lot of fun to be had with it. But little of it seems intentional on the makers' part.
dir: Douglas Sirk
cast:
Jane Wyman, Rock Hudson, Barbara Rush, Agnes Moorehead, Otto Kruger, Gregg Palmer

ON THE WATERFRONT
*****

REAR WINDOW
*****

RIFIFI
***
½

SABRINA
****
½

SANSHO THE BAILIFF
*****

SENSO
****
½

SEVEN BRIDES FOR SEVEN BROTHERS
***
½

THE SEVEN SAMURAI
*****

SILVER LODE
***½
USA
Pro sniveller Dan Duryea poses as a US Marshal and storms into the titular town and interrupts a wedding to arrest the humble, respected groom on July 4. Initially the community is outraged but Duryea spreads suspicion and paranoia with terrific panache. A famed gunslinger, the hero is fortunately blessed with Jedi-like indestructibility. Presumably awe-struck, his foes wait for him to duck under cover every time before they start shooting.
   Despite the lazy action scenes though, Allan Dwan's B-western is uncommonly involving, both for the tension and sense of inevitability it musters up as well as for its explicit attacks on McCarthyism and mob mentality.
dir: Allan Dwan
wr: Karen DeWolf
ph: John Alton
cast: John Payne, Dan Duryea, Lizabeth Scott, Dolores Moran, Emile Meyer, Harry Carey Jr., Morris Ankrum, John Hudson, Robert Warwick

A STAR IS BORN
*****

LA STRADA
*****

SUDDENLY
**½
USA
The title refers to a sleepy California town that forms the backdrop to a plot to assassinate the President. After about 20 minutes of leaden exposition and posturing, Frank Sinatra finally turns up (fresh off his Oscar win) and there's something so relaxed and comfortable about his presence that you feel the picture is bound to pick up from then on. It doesn't, though it has one startling scene where his villainy is revealed.
   To emphasise his brawn and no-nonsense righteousness, sheriff Sterling Hayden only ever talks from the back of his throat, like a constipated Troy McClure. The family he's protecting is made up of a bunch of diabolical actors that make you side with the killers.
   Reportedly, Oswald watched this movie the evening of November 21st, 1963.
dir: Lewis Allen
cast: Sterling Hayden, Frank Sinatra, James Gleason, Nancy Gates, Kim Charney, Paul Frees, Christopher Dark, Willis Bouchey, Paul Wexler

THEM!
**
½
USA
Giant ants terrorize the Southwest.
   A paranoid 50s sci-fi that got a slightly bigger budget than average but could have maybe done better with less money. The cheap factor tended to give these movies a certain feel which was simultaneously eerie and trashy, and which is sorely lacking here. It's technically efficient but not as enjoyable as it should be.
dir: Gordon Douglas
cast:
James Whitmore, Edmund Gwenn, Joan Weldon, James Arness, Onslow Stevens, Sean McClory, Chris Drake

VERA CRUZ
***

VOYAGE TO ITALY
***
*

 

YET TO SEE:

ADVENTURES OF ROBINSON CRUSOE, THE (Buñuel);
ALWAYS A BRIDE (Smart);
BELLES OF ST. TRINIAN'S, THE (Launder);
BLACK TUESDAY (Fregonese);
BRIDGES AT TOKO-RI, THE (Robson);
BROKEN LANCE (Dmytryk);
CARMEN JONES (Preminger);
COUNTRY GIRL, THE (Seaton);
CREATURE FROM THE BLACK LAGOON (Arnold);
CRIME WAVE (De Toth);
CRUCIFIED LOVERS, THE (Mizoguchi);
DIVIDED HEART, THE (Crichton);
EXECUTIVE SUITE (Wise);
FATHER BROWN (Hamer);
FRENCH CANCAN (Renoir);
GAME OF LOVE, THE (Autant-Lara);
GRISBI (Becker);
HIGH AND THE MIGHTY, THE (Wellmann);
HOBSON'S CHOICE (Lean);
ILLUSION TRAVELS BY STREETCAR (Buñuel);
INSPECTOR CALLS, AN (Hamilton);
LAST BRIDGE, THE (Kautner);
LATE CHRYSANTHEMUMS (Naruse);
LESSON IN LOVE, A( Bergman);
LETTERS FROM MY WINDMILL (Pagnol);
LOVERS, HAPPY LOVERS (Clément);
NIGHT PEOPLE (Johnson);
PRIVATE HELL 36 (Siegel);
RED AND THE BLACK, THE (Autant-Lara);
RIOT IN CELL BLOCK 11 (Siegel);
RIVER OF NO RETURN (Preminger);
ROGUE COP (Rowland);
SAMURAI I (Inagaki);
SLEEPING TIGER, THE (Losey);
SOUND OF THE MOUNTAIN (Naruse);
TAZA, SON OF COCHISE (Sirk);
THIS ISLAND EARTH (Arnold, Newman);
20000 LEAGUES UNDER THE SEA (Fleischer):
VANISHING PRAIRIE, THE (Algar);
WOMAN IN THE RUMOR, THE (Mizoguchi);
WORLD FOR RANSOM (Aldrich);
WUTHERING HEIGHTS (Buñuel)



TOP 10 TO SEE:
THE ADVENTURES OF ROBINSON CRUSOE
THE CRUCIFIED LOVERS
WUTHERING HEIGHTS
HOBSON'S CHOICE*
FRENCH CANCAN*
LATE CHRYSANTHEMUMS
FATHER BROWN
SAMURAI I*
CREATURE FROM THE BLACK LAGOON*
GRISBI*
THE HIGH AND THE MIGHTY

NEEDS SECOND VIEWING:
VOYAGE TO ITALY

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