To some, he is the Errol Flynn of rock - the swashbuckling,
chandelier- swinging, irrepressible hero who swoops across the
stage, slays the dragon, rescues the girl and delivers the killer
lines. To others, he is simply one of the greatest white male
singers to strut his stuff with a British rock band since the
Seventies heyday of British vocal legends like Robert Plant, Paul
Rodgers, Roger Daltrey, and, of course, his own personal favourite,
Ian Gillan.
Who else could I being talking about than Bruce Dickinson? The singer
whose name and face, whose voice and songs, have all been synonymous
with great Maiden music since his titanic debut album with the band,
'Number Of The Beast', back in 1982.
'The Air Raid Siren', Maiden fans dubbed him early on, and it was an
apt description. With his soaring, almost operatic vocals and romping,
over-the-top stage personality, musically, Bruce and Maiden have always
seemed made for each other.
As Bruce now recalls: "The first time I saw Maiden play, I knew they
were the band for me. They were playing second fiddle at a club show in
London, back in 1979, which my previous band Samson, were actually headlining.
But they had so many fans and they were just so tight and together, they blew
us all away really.
"I'd always been a massive Deep Purple fan," he continues, "and
that's what Maiden seemed to me to be back then - a modern Deep Purple. And I
just knew I had to sing with them!"
And so it came to be. Maiden had already released two Top 10 albums in the UK -
'Iron Maiden' in 1980, and 'Killers' the following year - when Bruce replaced
original singer Paul Di'Anno in the line-up, and many long-time Maiden observers
wondered, at the time, if the band had done the right thing in allowing the more
theatrical former Samson singer to take over from the streetwise Di'Anno.
They needn't have worried. Far from signifying a
decline in their fortunes, Bruce's appointment to the band was
the beginning of the most successful and era in Maiden's career
to date. Kicking off with their biggest-selling single up 'til
then, 'Run To The Hills' (one of the very first songs Bruce wrote
with the band), and culminating over a decade later with 'Fear
Of The Dark', his last studio album with the band (and Maiden's
last to go to No.1 in the UK, in 1993), Bruce is now rightly regarded
as the definitive Iron Maiden vocalist.
Also known these days for his parallel talents as
a novelist, RockRadio Network DJ, aeroplane pilot, video director,
radio and MTV presenter, and occasional solo artist, Paul Bruce
Dickinson was born on August 7, 1958, in the small mining town
of Worksop, Nottinghamshire. Why he chose to be called by his
second name - Bruce - rather than his real first name - Paul -
he says he can no longer remember, except that he insisted everybody
call him 'Bruce' from "as early as I can remember. Only my
parents were allowed to call me Paul. Maybe I thought it sounded
a bit unusual or something," he grins.
Mum, who worked in a shoe shop, and dad, who was a mechanic in the army,
were still in their teens when baby Bruce was born, and to begin with
he was brought up by his maternal grandparents.
"I was very much an accident," he reflects.
"I think that's partly why I grew up feeling like such an
outsider. I didn't have an unhappy childhood, but it was unconventional,
to say the least."
Sent away to boarding school from an early age,
the young Bruce grew up "very independent and self-sufficient."
Qualities which would hold him in good stead later when it came
to dealing with the perils of a 20-year career in the notoriously
fickle music business.
The first record he managed to persuade his folks
to buy him was the single, 'She Loves You', by The Beatles.
"I was still only four or five but I really
loved that whole Mersey scene. I loved The Beatles and Gerry &
The Pacemakers, and used to try and collect all their singles.
Then I noticed they had B-sides, and that sometimes I liked them
even more than the A-sides. And that was when I first began noticing
the difference between 'good' music and 'bad'. I didn't know it
at the time, but that was the first time I began to think like
a musician."
It was at boarding school as a teenager that he
first began to get seriously into albums. "I was 13 when
I first heard Deep Purple's 'In Rock' album, and it just blew
me away!" Soon his burgeoning record collection boasted albums
by artists like Van Der Graaf Generator, Arthur Brown, Jethro
Tull, and Emerson Lake & Palmer.
"I had everything. My favourite was always
Deep Purple, though. I just thought 'In Rock' was the greatest
thing ever! And after that, everything else went out the window
and I started getting into bands and buying the music papers.
And then, of course, thinking about starting my own band..."
Starting off as a would-be drummer - "I'd 'borrowed'
these bongos from the music room!" - it wasn't long before
Bruce became bold enough to push his way to the microphone.
"I don't know why, I just sort of knew I could
sing," he shrugs. School bands and a couple of short-lived
college outfits like Styx, Speed, and Shots all gave Bruce the
on stage experience he would need before taking his first crack
at the big time with Samson.
Formed around the songs of Sidcup-born guitarist
Paul Samson, the band had already been singled out in the press,
along with Maiden, Saxon, and Def Leppard, as one of the leading
lights of the then burgeoning New Wave Of British Heavy Metal.
Writing most of the songs with Paul, Bruce - billed,
bizarrely, as 'Bruce Bruce' (from the old Monty Python sketch)
- would make two albums with Samson: 'Head On', released in 1980,
and 'Shock Tactics', in 1981.
As Steve Harris says: "They were OK albums
but what really interested me was the singing. Right from the
very first time I heard Bruce singing on stage with Samson, I
remember thinking, 'Blimey, that singer's fucking great!'"
The rest of the world has been saying something
similar ever since. Who else but Bruce would have been able to
sing such tongue-twisting lyrics as those on Steve Harris-penned
epics like 'Rime Of The Ancient Mariner', 'Seventh Son Of A Seventh
Son', and 'Mother Russia'? And who else but Bruce would be able
to spit out the venom as convincingly on trigger-happy face-offs
like 'Be Quick Or Be Dead', 'Aces High', and 'Holy Smoke?
As Bruce says enigmatically: "I don't believe
in endings. I only believe in new beginnings."
You have been warned...
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