Comments*
Tchaikovsky | Piano Concerto #3 | E-flat Major | p75 | 1893 | Donohoe, Bournemouth SO, Barshai | 16 | EMI | 1989 | --- | **** | Excellent.
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Rachmaninov | Piano Concerto #3 | d minor | 30 | 1909 | Ashkenazy, LSO, Previn(I-II); Concg O, Haitink(III) | 46 | Decca | 1972; 1986
| --- | *** | I-II: Sweep the board. Outstanding, first-class transfers, full and well-balanced. Acoustics cast a pleasing glow over the proceedings. Very highly recommendable. III: A is beautifully recorded.
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Debussy | Nocturnes | --- | L91 | 1899 | Concg O, Haitink; Cleveland O, Boulez (II) | 24 | Philips; DG | May 1979 | --- | **** | Magical. Stood the test of time and remain unsurpassed. Choral balance is judged perfectly.
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Rimsky-Korsakov | Symphony #2 "Antar" | --- | 9 | 1897 | USSR SO, Svetlanov (I) | 12 | --- | --- | --- | --- | ---
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Debussy | Images | --- | L122 | 1912 | Concg O, Haitink | 36 | Philips | Dec 1977 | --- | **** | Admirable choice for Ph's set of "50 Great Recordings." Second to none--beautifully played.
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Rachmaninov | Piano Concerto #1 | f-sharp minor | 1 | 1891 | Ashkenazy, LSO, Previn | 28 | Decca | 1972 | --- | *** | Satisfactory. Brilliance not too plangent. Exciting.
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Copland | El Salon | --- | --- | 1936 | New Philh O, Copland | 15 | Columbia | --- | --- | *** | Unrivalled. Skillful remaster.
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Beethoven | String Quartet #5 | A Major | 18/5 | 1800 | Borodin Qt | 27 | EMI | --- | --- | *** | ---
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Shostakovich | Macbeth of Mtsensk: I:1; II:4 | --- | 29 | 1932 | Krenn, Vishnevskaya, Gedda, Dimiter Petkov, Steven Emmerson, Robert Tear, LPO, Rostropovich | 11 | EMI | Apr 1978 | --- | **** | R's finest recording ever (2004). Proves with thrilling conviction that S's greatest stage work is among the most original operas of the century. Superlative. All the more vivid on cd. R gives a performance of breathtaking power. V is inspired to give an outstanding performance. Aptly coarse. G matches her well, totally idiomatic. P is magnificent. Fine contributions from T, K.
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Beethoven | Piano Sonata #18 "Hunt" | E-flat Major | 31/3 | 1802 | Schnabel | 21 | --- | Mar 25, 1932 | --- | **** | ---
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Brahms | Cello Sonata #1 | e minor | 38 | 1865 | Rostropovich, Richter | 25 | --- | 1964 | Maltings, Snape | --- | ---
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Beethoven | Piano Sonata #5 | c minor | 10/1 | 1797 | Schnabel | 18 | --- | Nov 6, 1935 | --- | **** | ---
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Tchaikovsky | Suite #1 | d minor | 43 | 1879 | USSR SO, Svetlanov | 41 | --- | 1985 | --- | *** | Sympathetic, excellent digital sound. Prime recommendation.
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Beethoven | Piano Sonata #4 "Grand" | E-flat Major | 7 | 1797 | Schnabel | 28 | --- | --- | --- | **** | ---
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Grieg | Violin Sonata #3 | c minor | 45 | 1887 | Rachmaninov, Kreisler | 23 | --- | 1928 | --- | --- | ---
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Mozart | Horn Concerto #2 | E-flat Major | 417 | 1783 | Stevove, Cap Istro, Kopelman | 14 | --- | Nov 1988 | --- | *** | Enjoyable.
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Sibelius | Symphony #3 "Pastoral" | C Major | 52 | 1907 | CBSO, Sir Simon Rattle | 29 | EMI | Oct 1985 | --- | *** | Vastly superior to R's 1st and 2nd. Convincing not only in pace. Very well balanced, natural perspective, finely detailed.
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Brahms | Serenade #2 | A Major | 16 | 1860 | LPO, Boult | 27 | EMI | --- | --- | --- | ---
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Dvorak | Sonatina "Indian Lament" | G Major | 100 | 1893 | Suk, Alfred Holecek | 20 | Supraphon | 1971 | --- | --- | ---
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Martin | 6 Monologs: 1 | --- | --- | 1943 | Heinz Rehfuss, Frank Martin | 3 | Decca | 1955 | --- | --- | One of the great song-cycles of the 20th cen.
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Chabrier | Habanera | --- | --- | 1885 | VPO, Gardiner (arr) | 4 | DG | Mar 1995 | --- | --- | ---
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Brahms | Liebeslieder Waltzes: 1 | E Major | 52/1 | 1869 | Norman Mackenzie, John Wustman, Shaw Singers | 1 | Telarc | Aug 1992 | France
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Scarlatti, D | Sonata #11 | c minor | 11 | --- | Dame Myra Hess | 3 | EMI | Oct 12, 1957 | --- | *** | ---
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Bach | Cantata #82 | --- | 82 | 1727 | Hans Hotter, Philh O, Anthony Bernard (5) | 4 | EMI | Mar 1950 | --- | **** | One of the greatest cantata performances ever. Glorious singing, wonderfully stylish O acc. Sounds eminently present in this fine transfer.
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Faure | L'horizon chimerique: 1 | --- | 118 | 1921 | Gerard Souzay, Jacqueline Bonneau | 2 | Decca | May 22, 1950 | --- | **** | Transfer does complete justice. Marvellous record worth many rosettes!
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Schutz | Today Christ was born | --- | --- | 1611 | Heinrich Schutz Choir, Norrington | 6 | Decca | 1968 | --- | **** | Superlative. Splendid. Analog remains in demo bracket. Glorious, memorable piece. Few more unusual or more rewarding Christmas than this.
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Brahms | 5 Songs: 5 | C Major | 71/5 | 1877 | Hotter, Moore | 2 | EMI | May 1956 | --- | **** | Glorious singing, wonderful acc. Should not pass over singing and artistry of this eloquence. Excellent transfer.
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Liszt | Totentanz | --- | S126 | 1853 | Zimerman, BSO, Ozawa | 15 | DG | --- | --- | **** | ---
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Shostakovich | Symphony #10 | e minor | 93 | 1953 | BPO, Karajan | 52 | DG | 1982 | --- | *** | Even finer than K's 1967. Leave no doubts as to O's peerless virtuosity. Everything is marvellously shaped and proportioned. Excellent digital sound; must rank first.
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Shostakovich | Symphony #6 | b minor | 54 | 1939 | Concg O, Haitink | 31 | Decca | 1983 | --- | *** | Powerful. Superb playing, esp str: extra transparency, helped by brilliant and atmospheric recording. Structural control with calm, taut manner brings out mvt 1, particularly impressive.
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Shostakovich | Symphony #12 "1917" | d minor | 112 | 1961 | Concg O, Haitink | 43 | Decca | 1982 | --- | *** | ---
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Glinka | Ruslan and Lyudmila: Overture; Oriental dances | --- | --- | 1842 | LSO, Solti; USSR SO, Svetlanov | 5+7 | Decca | 1966 | --- | *** | Electrifying; perhaps the most exciting ever recorded.
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Mussorgsky | A Night on the Bare Mountain | --- | --- | 1867 | LSO, Solti | 11 | Decca | 1966 | --- | *** | Can stand up to all. Vintage. Fine amplitude and great brilliance. Remains one of S's finest analog collections.
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Debussy | Berceuse heroique | --- | L132 | 1914 | Concg O, Eduard van Beinum (arr) | 4 | Ph | May 1957 | --- | **** | Great delicacy and a real sense of mystery. Early stereo highly effective.
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Debussy | Jeux | --- | L126 | 1913 | Concg O, Haitink | 19 | Ph | May 1979 | --- | **** | ---
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Debussy | Marche ecossaise | --- | L77 | 1891 | Concg O, Haitink (arr) | 7 | Ph | Dec 1976 | --- | **** | ---
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Debussy | Rapsodie | --- | L | 190x | Concg O, Haitink | 8 | Ph | Dec 1976 | --- | **** | Atmospheric.
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Debussy | Deux danses | --- | L103 | 1904 | Concg O, Haitink | 9 | Ph | Dec 1977 | --- | **** | Elegant playing, excellently balanced.
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Schubert | Gretchen am Spinnrade | d minor | 118 | 1814 | Baker, Moore | 4 | EMI | 1970 | --- | **** | M returned out of retirement esp for this and still at his finest.
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Schubert | Suleika I,II | b minor; B-flat Major | 720; 717 | 1821 | Baker, Moore | 10 | EMI | 1970 | --- | **** | Each with loving, detailed care.
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Schubert | Schwestergruss; An Herrn Spaun; Der Musensohn | f-sharp minor; c minor; A-flat Major | 762; 749; 764 | 1822 | Baker, Moore; Parsons | 14 | EMI | 1970; 1980 | --- | **** | Consistently displays breadth of emotional mastery.
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Schubert | An die untergehende Sonne; An die Nachtigall; Am Grabe Anselmos | E-flat Major; G Major; E-flat Major | 457; 497; 504 | 1816 | Baker, Moore | 12 | EMI | 1970 | --- | **** | Unmissable reissue.
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Schubert | Gesange aus Meister: 2-4; Wiegenlied; To Sylvia | ---; A-flat Major; A Major | 877/2-4; 867; 891 | 1826 | Baker, Moore; Parsons | 19 | EMI | 1970; 1980 | --- | **** | P's springing accompaniment to An Sylvia (echoed later by B) gives a twinkle to a song that can easily be treated too seriously.
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Schubert | Mignon; Rastlose Liebe; Heidenroslein | A Major; E Major; G Major | 321; 138; 257 | 1815 | Baker, Moore; Parsons | 8 | EMI | 1970; 1980 | --- | **** | ---
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Schubert | Bertas Lied in der Nacht; Das Madchen; Strophe aus Die Gotter Griechenlands | e-flat minor; A Major; --- | 653; 652; 677 | 1819 | Baker, Moore | 13 | EMI | 1970 | --- | **** | Satisfying collection.
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Schubert | Caludine von Villa Bella: I: 3, 6 | --- | 239 | 1815 | Baker, Moore | 3 | EMI | 1970 | --- | **** | Fine EMI vintage.
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Schubert | 2 Scenes from "Lacrimas"; Die junge Nonne | ---; f minor; | 857; 828 | 1825 | Baker, Moore | 10 | EMI | 1970 | --- | **** | ---
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Schubert | Iphigenia; Die Forelle; Der Tod und das Madchen | G-flat Major; D-flat Major; d minor | 573; 550; 531 | 1817 | Baker, Moore; Parsons | 7 | EMI | 1970; 1980 | --- | **** | Could not be more treasurable.
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Schubert | Abendstern; Gondelfahrer; Auflosung | a minor; C Major; G Major | 806; 808; 807 | 1824 | Baker, Moore | 8 | EMI | 1970 | --- | **** | 807: To hear it for the first time is a moment of discovery for all Schubertians; it is one of the pieces which forces us to redefine what we expect from S. We think we know him fully until the next of his many surprises.
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Schubert | Du bist die Ruh | E-flat Major | 776 | 1823 | Baker, Parsons | 4 | EMI | 1980 | --- | **** | 1980s catches the more mature voice naturally and with rather more presence than a decade earlier.
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Mozart | Horn Concerto #3 | E-flat Major | 447 | 1787 | Stevove, Cap Istro, Kopelman | 15 | --- | Nov 1988 | --- | *** | II: Natural warm feel.
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Mozart | Horn Concerto #4 | E-flat Major | 495 | 1786 | Stevove, Cap Istro, Kopelman | 16 | --- | Nov 1988 | --- | *** | Spontaneous.
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Mozart | Concert Rondo | E-flat Major | 371 | 1781 | Stevove, Cap Istro, Kopelman | 6 | --- | Nov 1988 | --- | *** | Agreeable lift.
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Mozart | Divertimento #15 | B-flat Major | 287 | 1777 | BPO, Karajan | 39 | DG | --- | --- | --- | ---
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Skryabin | Symphony #2 | --- | 29 | 1901 | USSR SO, Svetlanov | 50 | --- | --- | --- | --- | ---
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Skryabin | Symphony #4 "Poem of Ecstasy" | C Major | 54 | 1908 | USSR SO, Svetlanov | 22 | --- | --- | --- | *** | Powerful, enormously authoritative acct. Expansive acoustics. 2nd to none. Great atmosphere. Virtuosic O. Underpinned by an extrovert passion that is very compelling. Lead to a tremendously exciting climax, strings and horns at their absolute zenith, before the lush close. Brilliant. Great range.
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Haydn | Trumpet Concerto | E-flat Major | VIIe/1 | 1796 | Marsalis, Nat PO, Leppard | 14 | Columbia | Dec 1982 | London | *** | Splendid, spectacular bravura. Never aggressive in brilliance. Eminently stylish, as is the lively and polished acc. Faithful recording, vivid projection.
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Haydn | Keyboard Concerto #11 | D Major | XVIII/11 | 1784 | Emanuel Ax, Liszt CO, Janos Rolla | 18 | Columbia | Mar 1992 | ---
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Litolff | Concerto symphonique #4: II | d minor | 12 | 1852 |
Curzon, LPO, Boult | 8 | Decca | 1958 | --- | *** | Transfer remains fresh and clear.
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Skryabin | 24 Preludes: 1-6,13,14 | all | 11 | 1896 | Skryabin; Austin Conradi | 12 | Pierian | --- | --- | --- | ---
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Skryabin | 2 Poemes: 1 | F-sharp Major | 32 | 1903 | Skryabin | 3 | Pierian | 1910 | --- | --- | ---
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Skryabin | 2 pieces: "Desir"; "Caresse dansee" | --- | 57 | 1907 | Skryabin; Leff Pouishnoff | 3 | Pierian | --- | --- | --- | ---
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Skryabin | 4 Preludes: 1 | g-sharp minor | 22 | 1897 | Skryabin | 1 | Pierian | 1910 | --- | --- | ---
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Skryabin | 2 Mazurkas: 2 | F-sharp Major | 40 | 1903 | Skryabin | 1 | Pierian | 1910 | --- | --- | ---
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Skryabin | 2 Pieces for left hand: 2 | D-flat Major | 9 | 1894 | Josef Lhevinne | 5 | Pierian | 1906 | --- | --- | ---
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Skryabin | Piano Sonata #2 "Sonata-Fantasy": I | g-sharp minor | 19 | 1897 | Constantine Igumnoff | 7 | Pierian | 1910 | Moscow | --- | ---
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Skryabin | 3 pieces: 1 | E-flat Major | 45 | 1905 | Conradi | 2 | Pierian | --- | --- | --- | ---
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Skryabin | 3 pieces: 2 | --- | 52 | 1906 | Pouishnoff | 1 | Pierian | 1926 | --- | --- | ---
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Beethoven | Elegiac song | --- | 118 | 1814 | Ambrosian, LSO, MTT | 7 | Columbia | 1975 | --- | *** | Chips. Fresher than ever on CD.
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Beethoven | Opferlied | --- | 121b | 1824 | Lorna Haywood, LSO, MTT | 8 | Columbia | 1975 | --- | *** | Chips. Attractive.
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Beethoven | Bundeslied | --- | 122 | 1824 | Ambrosian, LSO, MTT | 4 | Columbia | 1975 | --- | *** | Chips. Enjoyable.
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Beethoven | Calm Sea and Prosperous Voyage | --- | 112 | 1815 | Ambrosian, LSO, MTT | 9 | Columbia | 1975 | --- | *** | Highly original 1st half.
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Walton | Symphony #1 | b-flat minor | --- | 1935 | CBSO, Rattle | 44 | EMI | Oct 1990 | --- | **** | Precision and freedom.
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Tchaikovsky | Concert Fantasia | G Major | 56 | 1884 | Donohoe, Bournemouth SO, Barshai | 28 | EMI | 1989 | --- | --- | ---
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Mahler | Symphony #8 "1E3" | E-flat Major | --- | 1906 | Heather Harper, Popp, Auger, Yvonne Minton, Helen Watts, Kollo, Shirley-Quirk, Martti Talvela, CSO, Solti | 80 | Decca | 1971 | Sofiensaal | *** | Primary. Searing intensity, overwhelming, lacking in Tennstedt. Vivid. Immediate soloists. Cherishable illumination. Urgent and dynamic. Irresistible, earth-shattering. More consistent soloists than T.
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Mozart | Epistle Sonata #8 | A Major | 225 | 1780 | --- | ---
| --- | --- | --- | --- | before lachian
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Shostakovich | 3 Fantastic Dances | C Major | 5 | 1920 | Shostakovich | 3 | Symposium | --- | --- | --- | ---
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Shostakovich | Piano Trio #2 | e minor | 67 | 1944 | Oistrakh, Milos Sadlo, Shostakovich | 24 | Symposium | --- | --- | --- | ---
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Shostakovich | String Quartet #3 | F Major | 73 | 1946 | Beethoven Qt | 36 | Symposium | --- | --- | --- | ---
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Shostakovich | Children's Tetrad | --- | 69 | 1945 | Shostakovich | 4 | Symposium | --- | --- | --- | ---
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Bach | Mass | b minor | 232 | 1749 | Schwarzkopf, Marga Hoffgen, Gedda, Heinz Rehfuss, Philh O, Karajan | 127 | EMI | 1953 | --- | --- |
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Smetana | From the Home Country: 2 | g minor | T128 | 1880 | James Ehnes, Eduard Laurel | 5 | Analekta | 2004 | --- | --- | ---
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Suk | Four Pieces: 1 | --- | 17 | 1900 | Suk, Panenka | 7 | Supraphon | 2004 | --- | --- | ---
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Boesset | Una musiqua | --- | --- | 1629 | Le Poeme Harmonique | 4 | Alpha | 2004 | --- | --- | ---
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Schubert | Psalm 23 | --- | 706 | 1820 | King's College, Cambridge, Stephen Cleobury | 5 | EMI | 2004 | --- | --- | ---
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Handel | Orlando: II:1 | --- | HWV31 | 1733 | Fleming, OAE, Harry Bicket | 3 | Decca | 2004 | --- | --- | ---
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Shostakovich | Symphony #13 "Babiy Yar" | b-flat minor | 113 | 1962 | Marius Rintzler, Concg O, Haitink | 65 | Decca | 1984 | --- | *** | R: magnificent, resonant, superb. Outstandingly brilliant and full sound. In weight and dark intensity CBSO cannot match H.
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Stravinsky | Piano Sonata | --- | --- | 1924 | Stravinsky | 11 | Nimbus | --- | --- | --- | ---
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Prokofiev | Sarcasms: 1,2 | --- | 17 | 1914 | Prokofiev | 4 | Nimbus | Dec 1919 | --- | --- | ---
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Mozart | Wurfelspiel | C Major | 516f | 1787 | Marriner, Erik Smith
| 6 | Philips | Jul 1990 | --- | *** | Result, alas, is a damp squib.
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