Chance or Fate: The Films of Paul Thomas Anderson
By Ada-Padz
One of the newest and greatest directors coming into mainstream cinema after huge success is Paul Thomas Anderson. He's cinema's most recently anointed boy wonder. His vision and beautiful multi-narrative tales of love and hate are the best Hollywood has seen for years.
Paul Thomas Anderson. He was born on January 1, 1970 in Studio City, California and grew up in the Valley. His father Ernie Anderson was a well known voice-over artist for American T.V. Paul created the character name Ghoulardi for his production company. He also has two brothers & four sisters.

The young Paul hated School. Rules, and being taught what to do, never appealed to him much and he had to leave the Buckley School in sixth grade because of fighting and bad grades. After Montclair College Prep High School, he spent two semesters as an English major at Emerson before dropping out, and then enrolled at New York University Film School.
Unfortunately Paul dropped out and left, after only two days in attendance. Paul always wanted to be a filmmaker and watching movies was the only education he wanted and needed.
Stubborn and persistence became, to some people, Paul’s faults but ultimately became his strong attitude.

Paul developed an un-healty passion for filmmaking at an early age and started his brilliant career as a production assistant on various television shows in Los Angeles and New York.
Anderson & Heather Graham on the set of Boogie Nights.
After working in a similar capacity for several small independent films, Anderson wrote the script for a short film entitled ‘Cigarettes and Coffee’ and borrowed a camera to shoot the short film. It premiered at the 1993 Sundance Film Festival in the Shorts Program II. From that short, he was able to develop a feature at the Sundance Institutes Filmmaker’s Workshop. He has not looked back since. He has made three feature films in all.
The L.A. born rebel soon became good friends with a young struggling actor known as John C. Reilly. The 34-year-old actor, who grew up in Chicago's dicey Southwest side, has now become the director's somewhat unlikely, rugged hero in several of his movies.
Just like Scorcese has De Niro, Anderson has Reilly, allways by his side, willing for more action.
The pair can only sing each others praises. Anderson tells Reilly he is his “Biggest fan”, and Reilly sincerely sees Anderson as a "genius."
When it was all starting for Anderson, he was such a big fan of Reilly after seeing him in numerous TV films and ‘Gilbert Grape’. That when a casting agent handed the future auteur a list of potential actors, Anderson had a clear idea of who the child-like star of ‘Hard Eight’ would be. Reilly was top of the page.
The maverick filmmaker had actually penned ‘Hard Eight’, originally titled Sydney, with Reilly in mind.

His first film, the Las Vegas-set ‘Hard Eight’, won glowing critical reviews. A solid, fast-paced tale of obsurd love has all the Anderson classics. Anderson regulars Reilly and Philip Baker Hall give great performances as does one Gwyneth Paltrow.
His second effort, ‘Boogie Nights’, was simply a joy to watch. A clear sensitive, sometimes tragic, character-driven portrayal of the late seventies booming porn industry. The film shows a simple sleazy subculture of innocent lost souls who slowly end up, through ego and mutual respect, a surrogate family in order to survive each other.
The characters, especially Dirk, are all on a mission of total self destruction, fuelled on by cocaine and too much money. The deleted scenes on the DVD show how, in one scene, Dirk totally wreck’s his new red car.
His latest, and most complex and compelling release, a three-hour-plus magnum opus titled ‘Magnolia’, has critics drooling at the prospect of his follow-up. A film of chance, all happening on the same day. Unlike ‘Boogie Nights’, the story centres around several different characters instead of four. It is cleverly constructed as it was shot episodically, in order to accommodate the busy schedules of its vast and talented cast including A-lister Tom Cruise.
Anderson has been labelled as the new ‘Robert Altman’ and his movies called "Altmanesque" but they are difficult to categorise. Anderson knows how to handle single and multi-narrative stories and keep you gripped until the final frame. The ending of ‘Magnolia’ is so unexpected it could almost be confusion personified in the frogs?
Everyone has there problems and confusion in the film.
"Magnolia"
John C. Reilly said “It concerns the human condition, now, at the end of the century."
Anderson is truly gifted with a special eye for detail and story telling. Critics have started giving Anderson comparisons to movie giants Welles and Huston. One day he will be bigger than both. Now that will not be chance.
CRITICS SAID:

Hard Eight - Film Comment declared Paul Thomas Anderson the most promising director of 1997.

Boogie Nights - Critical acclaim and three Academy Award nominations - Received the Boston Society of
Film Critics Award for Best New Filmmaker - The PEN Centre, USA West Literary Award for Best Screenplay.

Magnolia - Received tremendous critical praise placing it at the top of many critic's 10 Best Lists - Awarded prestigious Golden Bear at the Berlin Film Festival  - Received three Academy Award nominations for Best Original Screenplay - Best Supporting Actor for Tom Cruise - Best Original Song - Aimee Mann's Save Me.
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