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October 2000

After the Snow falls

Wes Smiderle
The Ottawa Citizen


Derailed from his rap-reggae career for several years by a rap sheet, Snow, now 31 and a father, is getting back on track. And he has a new sound, Wes Smiderle reports.

After three albums, one seven-year-old hit single, a stint in jail and a new daughter, Snow is eager to embark on a comeback. 

The 31-year-old singer is promoting his fourth CD, Mind on the Moon, released earlier this month. Besides being his first new album in more than three years, the disc is also Snow's debut effort with the EMI-Virgin label. 

The new material showcases a noticeably lighter style presented by what is essentially a brand new Snow. 

"This is my second chance," says the singer, who developed his brand of reggae patter while growing up in the "projects" of North York. "Everything's coming together ... I'm in positive mode now." 

Although he insists he never considered himself a rapper, Snow established a reputation in the early '90s for his rapid-fire, gangster-style performance. His first and only major hit was 1993's Informer, a rap tune delivered in a reggae-style Jamaican patois. 

The song, inspired directly by Snow's own experiences within the Canadian penal system, dominated charts in Canada and the U.S. It also helped lift his first full-length release, 12 Inches of Snow, to triple platinum sales on both sides of the border. 

Unfortunately, Snow had to enjoy much of that success from the inside of a prison cell in Maplehurst Correctional Centre, northwest of Toronto. Snow (a.k.a. Darrin O'Brien) served two and a half years on various assault charges. 

Following the success of Informer, he released two more albums yet he continued to grab more attention for his rap sheet than his music. 

The singer credits his five-year-old daughter, nightly walks in the woods and two and a half years as a teetotaler with helping him turn his life around. 

"Once I gave up alcohol, there was no problem," says Snow, who stops short of describing himself as an alcoholic. "Every time I've been in trouble it was because of alcohol." 

Things began to turn around for Snow shortly after he climbed on the wagon. 

Last year he snagged a small role in the movie Prison Song, produced by Robert DeNiro and starring rapper Q-Tip as well as Mary J. Blige and Elvis Costello. 

"That's when I knew I could focus on working on an album," says Snow, who plays a prison guard in the movie, to be released next spring. "Getting up at 5:30 every morning, always on time, staying in that positive mode." As the singer changed and matured, so has the music. 

The material on Mind bears little resemblance to the angry, harder-edged jailhouse songs on 12 Inches. 

In case the new direction wasn't clear enough, Snow's daughter Justuss makes a brief appearance on the CD to announce: "This is my Daddy and this is his new sound." 

"She got it in one take," Snow says with a grin. 

Snow says working with co-songwriter (and childhood friend) Robbie Patterson helped make the project a lot more fun and relaxed than his previous records. 

"In Grade 2, we sang Bohemian Rhapsody (by Queen) together in front of the class," he says. "Making this album with him was meant to be." 

While the new album features traces of Snow's reggae influences, Snow basically trades in the dancehall beats for a lighter pop sound. 

"I'm singing more," says Snow. "It's not like I sat down and planned it, though. The melodies just started coming out." 

The first single, Everybody Wants To Be Like You, is already receiving heavy airplay on Canadian Top 40 radio while the video is on medium rotation on Muchmusic as well as MuchMoremusic. 

Despite the obviously radio-friendly tone of the song, Snow refers to his newfound melodic sound as "soda" rather than pop. 

"I don't know why, but I hate that word -- pop," he laughs. 

Snow will probably perform in Ottawa in November as part of a cross-country tour. The tour will mark the first time Snow has climbed back on a live stage in more than two years. 

"I haven't played in a while, but I can still do it," he says with a smile. "Just gimme a microphone in my hand with me being happy and comfortable ... and, ohhh man, we'll put on a show."

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