Ken Joynes' Big QY70 Chord Template List

Notes:
i. This list shows only the chords contained in each template. Most templates change the chord with each measure - however, some hold a chord for two measures, others (e.g. the blues templates) have two chords per measure. I couldn't think of a simple way of inscribing this so I haven't done it.
ii. (x2) = double time, i.e. the chords change twice as quickly as in the pattern referred to.
iii. F/C = Chord/bass note
iv. Apologies for any mistakes (most likely in the blues/jazz templates)!

# Name Chord Progression TypeChords
00 USR UserUser
01 POPS-M01 Pops type 1C-Am-Dm-G7
02 POPS*M01 Pops type 1 : (x2)as 01
03 POPS-M02 Pops type 2C-F-C-G7
04 POPS-m02 Pops type 2 : (x2)(Minor)Cm-Fm-Cm-C7
05 POPS*M02 Pops type 2 : (x2)as 03
06 POPS*m02 Pops type 2 : (Minor)(x2)as 04
07 POPS-M03 Pops type 3C-Em-F-G7
08 POPS*M03 Pops type 3 : (x2)as 07
09 POPS-M04 Pops type 4C-Am-F-G-Em-Am-Dm-G7
10 POPS*M04 Pops type 4 : (x2)as 09
11 POPS-M05 Pops type 5 : Starts with 4thF-Em-Dm-C
12 POPS*M05 Pops type 5 : Starts with 4th (x2)as 11
13 POPS-M06 Pops type 6 : Starts with minor 6thAm-D-G7-C
14 POPS*M06 Pops type 6 : Starts with minor 6th(x2)as 13
15 POPS-m07 Pops type 7 : Progresses in 4thsCm-Fm-Bb-Eb-Ab-Dm7(b5)-G-G7
16 POPS*m07 Pops type 7 : Progresses in 4ths (x2)as 15
17 POPS-M08 Pops type 8 : J-TechnoC-Ab-Bb-G7
18 POPS*M08 Pops type 8 : J-Techno (x2)as 17
19 POPS-M09 Pops type 9C-Am-F-G-C-G7
20 POPS*M09 Pops type 9 : (x2)as19
21 POPS-M10 Pops type 10C-G-Am-F-C-G-F-C
22 POPS*M10 Pops type 10 : (x2)as 21
23 POPS-M11 Pops type 11C-Dm-Em-F
24 POPS*M11 Pops type 11 : (x2)as 24
25 BALAD-M1 Ballad type 1CM7-FM7
26 BALAD-m1 Ballad type 1 : (Minor)Cm7-Fm7
27 BALAD*M1 Ballad type 1 : (x2)CM7-FM7-CM7-FM7
28 BALAD*m1 Ballad type 1 : (Minor)(x2)Cm7-Fm7-Cm7-Fm7
29 BALAD-M2 Ballad type 2FM7-Em7-Dm7-CM7
30 BALAD*M2 Ballad type 2 : (x2)as 29
31 BALAD-M3 Ballad type 3CM7-Em7-FM7-G7
32 BALAD*M3 Ballad type 3 : (x2)as 31
33 BALAD-M4 Ballad type 4CM7-CM6-Bm7-Em7-Am7-D7-GM7-G7
34 BALAD*M4 Ballad type 4 : (x2)as 33
35 BALAD-M5 Ballad type 5CM7-FM7-Bm7(b5)-E7-Am7-D7-F/G-G7
36 BALAD*M5 Ballad type 5 : (x2)as 35
37 BALAD-m6 Ballad type 6 : Progresses in 4thsCm7-Fm7-Bb7-EbM7-AbM7-Dm7(b5)-G7-Cm7
38 BALAD*m6 Ballad type 6 : Progresses in 4ths (x2)as 37
39 BLUES-M1 Blues 1 : for Rock and BluesC7-F7-C7-G7-F7-C7-G7
40 BLUES-m1 Blues 1 : for Rock and Blues (Minor)Cm7-Fm7-Cm7-G7-Fm7-Cm7-G7
41 BLUES*M1 Blues 1 : for Rock and Blues (x2)as 39
42 BLUES*m1 Blues 1 : for Rock and Blues (Minor)(x2)as 40
43 BLUES-M2 Blues 2 : for JazzC7(9)-F7(9)-C7(9)-F7(9)-C7(9)-A7(b13)-D7(9)-G7(9)-C7(9)-Eb7(9)-D7(9)-C#7(9)
44 BLUES*M2 Blues 2 : for Jazz (x2)as 43
45 BLUES-m3 Blues 3 : for JazzCm7(9)-Fm7(9)-Cm7(9)-Fm7(9)-Cm7(9)-G7-Fm7(9)-Cm7(9)-Fm7(9)-Cm7(9)-G7
46 BLUES*m3 Blues 3 : for Jazz (x2)Very similar to 45(!)
47 BLUES-M4 Blues 4 : for BluesC7-F7-C7-C#7-C7-F7-C7-Dm7-Em7-Ebm7-Dm7-Em7-D7-C7-F7-C7-Gaug
48 BLUES*M4 Blues 4 : for Blues (x2)as 47
49 OnBAS-M1 On-Bass 1C-F/C-Fm/C-C
50 OnBAS*M1 On-Bass 1 : (x2)as 50
51 OnBAS-M2 On-Bass 2C-Bb/C-F/C-C
52 OnBAS-m2 On-Bass 2 : (Minor)Cm-Bb/C-Fm/C-Cm
53 OnBAS*M2 On-Bass 2 : (x2)as 51
54 OnBAS*m2 On-Bass 2 : (Minor)(x2)as 52
55 OnBAS-M3 On-Bass 3C-G/C-Bb/C-F/C
56 OnBAS*M3 On-Bass 3 : (x2)as 55
57 OnBAS-M4 On-Bass 4C-G/C-F/C-Fm/C
58 OnBAS*M4 On-Bass 4 : (x2)as 57
59 OnBAS-M5 On-Bass 5C-Eb/C-Dm/C-C
60 OnBAS-m5 On-Bass 5 : (Minor)Cm-Eb/C-dm/C-Cm
61 OnBAS*M5 On-Bass 5 : (x2)as 59
62 OnBAS*m5 On-Bass 5 : (Minor)(x2)as 60
63 OnBAS-M6 On-Bass 6Bb/C-F/C-C-C
64 OnBAS*M6 On-Bass 6 : (x2)as 63
65 OnBAS-M7 On-Bass 7C-Ab/C-Bb/C-C
66 OnBAS-m7 On-Bass 7 : (Minor)Cm-Ab/C-Bb/C-Cm
67 OnBAS*M7 On-Bass 7 : (x2)as 65
68 OnBAS*m7 On-Bass 7 : (Minor)(x2)as 66
69 CLCHE-M1 Cliché type 1G/B-Am-C7/G-F-C/E-Dm7-G7
70 CLCHE*M1 Cliché type 1 : (x2)as 69
71 CLCHE-M2 Cliché type 2C-G/B-C7/Bb-F/A-Fm/Ab-C/G-D/F#-G7
72 CLCHE-m2 Cliché type 2 : (Minor)Cm-G/B-Cm7/Bb-F/A-Fm/Ab-Cm/G-D/F#-G7
73 CLCHE*M2 Cliché type 2 : (x2)as 71
74 CLCHE*m2 Cliché type 2 : (Minor)(x2)as 72
75 CLCHE-M3 Cliché type 3C-C7/Bb-F/A-Fm/Ab-C/G-F#m7(b5)-Gsus4-G7
76 CLCHE-m3 Cliché type 3 : (Minor)Cm-Cm7/Bb-F/A-Fm/Ab-Cm/G-F#dim-Gsus4-G7
77 CLCHE*M3 Cliché type 3 : (x2)as 75
78 CLCHE*m3 Cliché type 3 : (Minor)(x2)as 76
79 CLCHE-m4 Cliché type 4Cm-Cm7/Bb-Ab-Cm/g-Fm-Cm/Eb-Dm7(b5)-G7
80 CLCHE*m4 Cliché type 4 : (x2)as 79
81 CLCHE-M5 Cliché type 5C-C#dim-Dm7-Ebdim-Em7-Am7-Dm7-G7
82 CLCHE*M5 Cliché type 5 : (x2)as 81
83 CLCHE-m6 Cliché type 6Cm-G/D-Eb-C7/E-Fm-F#dim-Gsus4-G7
84 CLCHE*m6 Cliché type 6 : (x2)as 83
85 TENSN-M1 Tension type 1C7(13)-F7(13)
86 TENSN-m1 Tension type 1 : (Minor)Cm7(11)-Fm7(11)
87 TENSN*M1 Tension type 1 : (x2)as 85
88 TENSN*m1 Tension type 1 : (Minor) (x2)as 86
89 TENSN-M2 Tension type 2C7(13)-Bb7(13)
90 TENSN-m2 Tension type 2 : (Minor)Cm7(11)-Bbm7(11)
91 TENSN*M2 Tension type 2 : (x2)as 89
92 TENSN*m2 Tension type 2 : (Minor) (x2)as 90
93 TENSN-m3 Tension type 3Cm7(11)-Csus4/A-D7(#9)-G7(b13)
94 TENSN*m3 Tension type 3 : (x2)as 94
95 TENSN-m4 Tension type 4Cm7(11)-F7(b13)-Dm7(9)-G7(B13)
96 TENSN*m4 Tension type 4 : (x2)as 95
97 TENSN-M5 Tension type 5CM7(9)-Cm7(9)-Dm7/C-Fm6/C
98 TENSN*M5 Tension type 5 : (x2)as 98
99 DIATONIC Diatonic chordCM7-Dm7-Em7-FM7-G7-Am7-Bm7(b5)-CM7


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