Variations on Variation

The abhicara episode in four different contexts as summarized above have variations. The most notable one is the absence of Krishna in Kuratti Thottam and the two Nizhalkkuttu Pattu. The attakatha is the latest and some of its modifications compared to the other two texts are self-evident as appropriate for the literary text for a classical performing art (Kathakali). For example, the introduction of Garthavakthra, Susharma etc. is to have a variety of veshams which is almost mandatory for a Kathakali play.

Since all four narratives are associated with performances (ritual/classical theatre), it is important to record the details of the performances of Kuratti Theyyam, Nizhalkkuttu Pattu and Nizhalkkuttu Kathakali, to gather further insights. We are told [10] that the performance of abhicara on Kathakali stage is rich in details. In this context it is also important to study the versions of Nizhalkkuttu Pattu sung by the Malaya community of northern Kerala.