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1999 - 34th Annual National Society of Film Critics Awards
- Best Picture (TIE) : Being John Malkovich & Topsy-Turvy
- Best Director: Mike Leigh, Topsy-Turvy
- (RU - David O. Russell - Three Kings)
- Best Actor: Russell Crowe, The Insider
- (RU - Jim Broadbent - Topsy-Turvy)
- Best Actress: Reese Witherspoon, Election
- (RU - Hilary Swank - Boys Don't Cry)
- Best Supporting Actor : Christopher Plummer, The Insider
- (RU - Philip Seymour Hoffman - The Talented Mr. Ripley & Magnolia)
- Best Supporting Actress: Chloë Sevigny, Boys Don't Cry
- (RU - Julianne Moore - Cookie's Fortune, An Ideal Husband, A Map Of The World & Magnolia)
- Best Screenplay: Charlie Kaufman, Being John Malkovich
- (RU - Election)
- Best Foreign Film: Autumn Tale, directed by Eric Rohmer
- Best Non-Fiction Film: Buena Vista Social Club, directed by Wim Wenders
- Best Cinematography: Conrad L. Hall, American Beauty
- Best Experimental Film Award: Robert Beavers for "his contributions to the field of avant-garde film as exemplified by his 1999 program in the New York Film Festival as well as his ongoing work as a visionary filmmaker and his activities in restoring and preserving films by Gregory J. Markopoulos"
-
Special Citation: James Quandt of the Ontario Cinematheque
- Film Heritage Award : Grand Illusion / The Third Man / The Passion Of Joan Of Arc / Greed
1998 - 33rd Annual National Society of Film Critics Awards
- Best Picture: Out Of Sight
- (RU -
Saving Private Ryan)
- Best Director: Steven Soderbergh, Out Of Sight
- (RU -
Terrence Malick - The Thin Red Line)
- Best Actor: Nick Nolte, Affliction
- (RU -
Ian McKellen - Gods And Monsters)
- Best Actress: Ally Sheedy, High Art
- (RU -
Fernanda Montenegro - Central Station)
- Best Supporting Actor: Bill Murray, Rushmore
- (RU -
Donald Sutherland - Without Limits)
- Best Supporting Actress : Judi Dench, Shakespeare In Love
- (RU - Patricia Clarkson - High Art)
- Best Screenplay: Scott Frank, Out Of Sight
- (RU -
Shakespeare In Love)
- Best Foreign Film: The Taste Of Cherry, directed by Abbas Kiarostami
- Best Non-Fiction Film: The Farm: Angola, USA, directed by Liz Garbus, Wilbert Rideau & Jonathan Stack
- Best Cinematography: John Toll, The Thin Red Line
- Best Experimental Film: Mother And Son, directed by Aleksandr Sokurov
- Special Citation: Walter Murch, Rick Schmidlin, Bob O'Neil and Jonathan Rosenbaum, for the "director's cut" of Touch Of Evil, &
Critic Manny Farber, for the expanded edition of his book Negative Space
1997 - 32nd Annual National Society of Film Critics Awards
- Best Picture: L.A. Confidential
- (RU - The Sweet Hereafter)
- Best Director: Curtis Hanson, L.A. Confidential
- Best Actor: Robert Duvall, The Apostle
- (RU - Peter Fonda - Ulee's Gold)
- Best Actress: Julie Christie, Afterglow
- (RU - Helena Bonham Carter - The Wings Of The Dove)
- Best Supporting Actor: Burt Reynolds, Boogie Nights
- Best Supporting Actress: Julianne Moore, Boogie Nights
- Best Screenplay: Brian Helgeland & Curtis Hanson, L.A. Confidential
- Best Foreign Film: La Promesse, directed by Jean-Pierre Dardenne & Luc Dardenne
- Best Non-Fiction Film: Fast, Cheap & Out Of Control, directed by Errol Morris
- Best Cinematography: Roger Deakins, Kundun
- Special Citation: "Nightjohn", Charles Burnett's made-for-Disney Channel "a film whose exceptional quality and origin challenge strictures of the movie marketplace."
1996 - 31st Annual National Society of Film Critics Awards
- Best Picture: Breaking The Waves
- (RU - Secrets & Lies)
- Best Director: Lars Von Trier, Breaking The Waves
- (RU - Mike Leigh - Secrets & Lies)
- Best Actor: Eddie Murphy, The Nutty Professor
- (RU - Vincent D'Onofrio - The Whole Wide World)
- Best Actress: Emily Watson, Breaking The Waves
- (RU - Brenda Blethyn - Secrets & Lies)
- Best Supporting Actor (TIE) : Martin Donovan, The Portrait Of A Lady & Tony Shaloub, Big Night
- (RU - Edward Norton - The People vs. Larry Flynt, Primal Fear & Everyone Says I Love You)
- Best Supporting Actress: Barbara Hershey, The Portrait Of A Lady
- (RU - Renee Zellweger, Jerry Maguire)
- Best Screenplay: Albert Brooks and Monica Johnson, Mother
- (RU - Big Night)
- Best Foreign Film: La Ceremonie, directed by Claude Chabrol
- Best Cinematography: Robby Muller, Breaking The Waves & Dead Man
- Best Documentary: When We Were Kings, directed by Leon Gast
- Special Citation: James Katz and Robert Harris, for restoration of Vertigo
1995 - 30th Annual National Society of Film Critics Awards
- Best Picture: Babe
- (RU -
Crumb)
- Best Director : Mike Figgis, Leaving Las Vegas
- (RU -
Todd Haynes - Safe)
- Best Actor: Nicolas Cage, Leaving Las Vegas
- (RU -
Sean Penn - Dead Man Walking)
- Best Actress: Elisabeth Shue, Leaving Las Vegas
- (RU -
Jennifer Jason Leigh - Georgia)
- Best Supporting Actor: Don Cheadle, Devil In A Blue Dress
- (RU -
Kevin Spacey - The Usual Suspects / Seven / Swimming With Sharks / Outbreak)
- Best Supporting Actress: Joan Allen, Nixon
- (RU -
Mira Sorvino - Mighty Aphrodite)
- Best Screenplay: Amy Heckerling, Clueless
- (RU -
Wild Reeds)
- Best Foreign Film: Wild Reeds, directed by André Téchiné
- Best Cinematography: Tak Fujimoto, Devil in a Blue Dress
- Best Documentary: Crumb
- Citation for Avant-Garde and Experimental Cinema: Latcho Drom, directed by Tony Gatlif
1994 - 29th Annual National Society Of Film Critics Awards
- Best Picture
:
Pulp Fiction
- (RU -
Red)
- Best Director
:
Quentin Tarantino, Pulp Fiction
- (RU -
Krzysztof Kieslowski - Red)
- Best Actor
:
Paul Newman, Nobody's Fool
- (RU -
Samuel L. Jackson - Pulp Fiction)
- Best Actress
:
Jennifer Jason Leigh, Mrs. Parker And The Vicious Circle
- Best Supporting Actor
:
Martin Landau, Ed Wood
- (RU -
John Travolta - Pulp Fiction)
- Best Supporting Actress
:
Dianne Wiest, Bullets Over Broadway
- (RU -
Uma Thurman - Pulp Fiction)
- Best Screenplay
:
Quentin Tarantino, Pulp Fiction
- (RU -
Quiz Show)
- Best Cinematography
:
Stefan Czapsky, Ed Wood
- Best Foreign Film
:
Three Colors: Red, directed by Krzysztof Kieslowski
- Special Citation
:
"Satantango"
& "The Pharoah's Belt"
- Best Documentary
:
Hoop Dreams, directed by Steve James
1993 - 28th Annual National Society Of Film Critics Awards
- Best Picture
:
Schindler's List
- (RU -
The Piano)
- Best Director
:
Steven Spielberg, Schindler's List
- (RU -
Jane Campion - The Piano)
- Best Actor
:
David Thewlis, Naked
- (RU -
Anthony Hopkins - The Remains of the Day)
- Best Actress
:
Holly Hunter, The Piano
- (RU -
Ashley Judd - Ruby in Paradise)
- Best Supporting Actor
:
Ralph Fiennes, Schindler's List
- (RU -
Leonardo DiCaprio - What's Eating Gilbert Grape)
- Best Supporting Actress
:
Madeleine Stowe, Short Cuts
- (RU -
Gwyneth Paltrow - Flesh and Bone)
- Best Screenplay
:
Jane Campion, The Piano
- (RU -
Six Degrees of Separation)
- Best Cinematography
:
Janusz Kaminski, Schindler's List
- Best Foreign Film
:
The Story of Qiu Ju, directed by Zhang Yimou
- Best Documentary
:
Visions of Light, directed by Arnold Glassman, Todd McCarthy & Stuart Samuels
- Special Citation
:
- Richard Wilson, Myron Meisel, Bill Krohn and Ed Marx, the makers of "It's All True", for their historic work reassembling the footage from Orson Welles' "lost" 1942 documentary.
- "Rock Hudson's Home Movies" by Mark Rappaport, for adroitly combining fictional narrative with essay to deconstruct Rock Hudson's screen image.
1992 - 27th Annual National Society Of Film Critics Awards
- Best Picture
:
Unforgiven
- (RU -
The Crying Game)
- Best Director
:
Clint Eastwood, Unforgiven
- (RU -
Robert Altman - The Player)
- Best Actor
:
Stephen Rea, The Crying Game
- (RU -
Clint Eastwood - Unforgiven)
- Best Actress
:
Emma Thompson, Howards End
- (RU -
Susan Sarandon - Lorenzo's Oil)
- Best Supporting Actor
:
Gene Hackman, Unforgiven
- (RU -
Jaye Davidson - The Crying Game)
- Best Supporting Actress
:
Judy Davis, Husbands And Wives
- (RU -
Miranda Richardson - The Crying Game / Damage / Enchanted April)
- Best Screenplay
:
David Webb Peoples, Unforgiven
- (RU -
The Crying Game)
- Best Cinematography
:
Zhao Fei, Raise The Red Lantern
- Best Foreign Film
:
Raise The Red Lantern, directed by Zhang Yimou
- New Director
:
Allison Anders, Gas Food Lodging
- Best Documentary
:
American Dream, directed by Barbara Kopple
- Special Citation
:
"Another Girl, Another Planet", Michael Almereyda's experimental film shot on Pixelvision children's black and white video camera
1991 - 26th Annual National Society Of Film Critics Awards
- Best Picture
:
Life Is Sweet
- (RU -
Naked Lunch)
- Best Director
:
David Cronenberg, Naked Lunch
- (RU -
Mike Leigh - Life is Sweet)
- Best Actor
:
River Phoenix, My Own Private Idaho
- (RU -
Warren Beatty - Bugsy)
- Best Actress
:
Alison Steadman, Life Is Sweet
- (RU -
Jodie Foster - Silence of the Lambs)
- Best Supporting Actor
:
Harvey Keitel, Bugsy / Thelma & Louise / Mortal Thoughts
- (RU -
Steven Hill - Billy Bathgate)
- Best Supporting Actress
:
Jane Horrocks, Life Is Sweet
- (RU -
Juliette Lewis - Cape Fear)
- Best Screenplay
:
David Cronenberg, Naked Lunch
- (RU -
Bugsy)
- Best Cinematography
:
Roger Deakins, Barton Fink
- Best Foreign Film
:
The Double Life Of Veronique, directed by Krzysztof Kieslowski
- Experimental Film
:
Archangel, directed by Guy Maddin
- Best Documentary
:
Paris Is Burning, directed by Jennie Livingston
- Special Citation
:
Peter Delpeut, for film preservation for his compilation film, "Lyrical Nitrate" (The Netherlands)
1990 - 25th Annual National Society Of Film Critics Awards
- Best Picture
:
Goodfellas
- (RU -
The Grifters)
- Best Director
:
Martin Scorsese, Goodfellas
- (RU -
Stephen Frears - The Grifters)
- Best Actor
:
Jeremy Irons, Reversal Of Fortune
- (RU -
Danny Glover - To Sleep with Anger)
- Best Actress
:
Anjelica Huston, The Grifters / The Witches
- (RU -
Joanne Woodward - Mr. and Mrs. Bridge)
- Best Supporting Actor
:
Bruce Davison, Longtime Companion
- (RU -
Joe Pesci - GoodFellas)
- Best Supporting Actress
:
Annette Bening, The Grifters
- (RU -
Uma Thurman - Where the Heart Is / Henry and June)
- Best Screenplay
:
Charles Burnett, To Sleep With Anger
- (RU -
The Russia House)
- Best Cinematography
:
Peter Suschitzky, Where The Heart Is
- Best Foreign Film
:
Ariel, directed by Aki Kaurismäki
- Best Documentary
:
Berkeley In The Sixties, directed by Mark Kitchell
- Special Citation
:
Jean-Luc Godard, whose work has inspired, entertained and moved us for three decades.
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