INDEED it is, and about time music maestro M. Nasir came out with
what he had wanted to do all along - record a full Malay-Arabic
album.
The maestro has finally realised the dream with the
release of Phoenix Bangkit and his newfound sound is fresh - just
what the doctor ordered.
Check this out. More than 20,000
copies snapped up barely two weeks of its release, undoubtedly a
positive indication that Phoenix Bangkit is one of Nasir's best
albums.
"I started composing all the Malay-Arab songs seven
years ago but managed to record only one or two in my previous
albums mixed with other rock and soul-tinged numbers," said Nasir at
the launch of Phoenix Bangkit at Concorde Hotel, Kuala Lumpur, last
Thursday night.
It was experimental initially, Nasir agreed,
just to gauge the response to his Eastern tunes.
He said the
idea to do an Eastern-influenced album came about after the release
of his previous album Canggung Mendonan in 1975.
Since then,
he said the urge to come out with a full Eastern album was always
there but even Nasir, like his previous record label, was skeptical
of the market then.
"I included two new Eastern songs on Akar
and did the same in Terbaik M. Nasir where the tracks Andalusia and
Kias Fansuri had the same Malay-Arab fusion," he pointed out, adding
that Tanya Sama Itu Hud Hud and Mantera Semerah were other examples
of ethnic fusion tunes.
It has been a gradual evolution from
a mix of pop to his Malay roots, tunes which, he explained, are a
fusion of many genres and styles, including Arab, Java, Malay,
Chinese and a bit of Bhangra, among others.
"The material has
always been there but due to the economic recession and slow market,
these songs were shoved into compilation albums," he said.
He
added that his involvement in films, producing albums and composing
for other singers had resulted in a delay in releasing Phoneix
Bangkit.
Phoenix Bangkit is Nasir's debut for Warner Music,
which signed him on a year ago, and it took the sifu more than a
year to work on this project.
He said it was his best effort
thus far and enjoyed rave reviews from critics and fellow
musicians.
Nasir said that he was still looking for the
definitive Malay song which would be danceable and aggressive,
compared to the inang and asli.
"Even the Malay joget is not
hard enough. That is where Arabic tunes come in, spiced with
Spanish, Portuguese and flamenco elements to make it more acceptable
in discos," he reckoned.
Nasir would love to have his Eastern
music played in the discos and enjoyed by the young generation to
bring them back to their roots.
He is also hopeful that
Warner Music would bring him nearer to his ultimate dream of going
international with his brand of world music as Phoneix Bangkit has
been categorised.
"It is not easy to go international.
Everything depends on how you package it and I believe Warner is
working hard towards that goal," he said.
Warner Music (Asean
region) vice-president Tony Fernandes said the company had been
waiting to work with Nasir and hoped to bring his music to the rest
of the world.
"Nasir is a unique artiste whose name will be
immortalised with the greats," Fernandes said.
"I strongly
believe Phoneix Bangkit will make a breakthough in other parts of
the world," he added.
Elaborating on his new album, Nasir
said he recorded 15 songs but only 10 of the best were
chosen.
Four tracks were written by his long-time
collaborators Loloq, S. Amin Sahab, Seth and Tok Mat Sungai
Congkak.