Mamma Mia!
Liz Smith September 18, 2003 New York Newsday
'I never thought I was a star ... that word, 'star' never
meant a lot to me."
That, believe it or not, is one of the grand stars of our
time, Miss Sophia Loren. (The actress did admit that she is pleased when people
stop her on the street ... "and they stop me quite often, too!")
Sophia, in the flesh, is a startling creature, all eyes and
lips and cheekbones, deeply tanned - a wild exaggeration of features that work
magically on-screen.
Clad in black silk shirt, pants and stiletto boots, Sophia is
right to the point when she answers questions. She doesn't explain much,
creating an air of mystery and reserve that is at odds with the flamboyance of
her physicality and her screen image, which has always been so open, so ...
Neapolitan. For instance, her role in "Between Strangers" requires a
quiet, repressed quality of almost masochistic self-sacrifice and suffering, an
aspect of her acting rarely if ever tapped. But the star - if she will allow me
that description - said, "As I read what Edoardo was writing, I saw that it
was familiar to what I am in life ... not completely, but this giving up of
emotions I know." Period. Sophia did not elaborate, and I was too struck by
her presence and matter-of-factness to prod.
Edoardo, age 30 and a delightful man, studied film at the
University of Southern California and has an interesting approach to what he
does. "People never should be surprised that the child of an actor or
filmmaker [his dad, of course, is movie entrepreneur Carlo Ponti] goes into the
same business. It's like being a shoemaker, really. You inherit your craft from
your family. It's a natural thing."
When I joked that it must have been fun to work with
"her baby" on a movie, Sophia corrected me, "He's not a baby. He
was a man on the set. And I got along with him better than with any director
I've ever worked with!"
Edoardo added: "After all, what are the qualities an
actor wants from a director or vice versa? Trust, respect, honesty. We have all
that as mother and son. It didn't change on the set. What was fascinating to me
was I've always known my mother was a great actress and, of course, she was
omnipresent as a parent. But - because this role is different from what she has
done before - to see her take risks, push the envelope, make that leap of faith
for the material - I was moved to discover the real artist. It was
exhilarating."
I won't give away the plot or resolution of "Between
Strangers," but I did ask Sophia what she thought would have happened to
her character, who blooms during the course of the film. "Oh!" she
said, with real enthusiasm, "I have thought so much about that. What
happens to Olivia? What does she do with her life? But Edoardo won't tell
me!" Maybe mother and son will do a sequel?
Sophia, who clearly adores her younger son (her other son,
Carlo Jr., 34, is a conductor, and she speaks lovingly of him, too) sums up
Edoardo: "He has a wonderful way of thinking, a modern way. He could be a
marvelous actor, a brilliant writer, a superb director ... so many
possibilities."
"Working with my son was wonderful. It was really so
gratifying for me that I wish I could do another film with him because he is a
very intelligent guy and he is my son and I am always with him," she said.
© New York Newsday
Archived 2003-08 Alex D. Thrawn for www.MalcolmMcDowell.net