Agony, ugly, mute, black and mindless,
Brings green lights that wink on with preternatural clarity and brilliance
And a reek of sulfur dioxide, latrines and garbage
Conveyed on a gale of whiskey and vodka fumes.
The signal glance drops; hurricane warnings flap in a rapidly rising wind,
And black waves pound with increasing force against a decrepit old seawall,
Growing ever higher and closer together,
Throwing icy salt spray higher and higherhigher into the truculently boiling gunmetal sky,
Foaming into the streets of a broken gray city of loneliness and sorrow
And the gigantic neon sign above the Casinofloating motionless in the air
Glares, intact, a gaudy and heartless rainbow,
As the Gamblers stand twenty deep at each slot machine, roulette wheel, and card table, dressed as for a funeral
Talking too loud, too much, about anything at all and nothing, their voices babbling and panicky,
Awaiting their turn, hoping for their remote chance at a seven
(For the odds always favor The House),
Limbs twitching in tics of fear,
Underarms and crotches dank, bowels hot and loose,
Noses twitching like rabbits' at the intolerable yet ubiquitous miasma,
Eyes wide, dark, cloudy and staring,
Faces ashen and drenched with icy sweat,
Ears pricked every few seconds like deer for the beginning of the roar of the tsunami they all know must come
Do they get their chance?
The sky becomes tar-black, the wind and stench solid presences
The seawall ruptures, the rain is perfectly horizontal
The Casino's sign remains as if in a dead calm, a meretricious Gibraltar of light and color,
A beacon that leads people forward, onward to their doom
It reads YOU DESERVE IT.
And always the throngs stream through the doors,
And not one soul leaves;
Their bodies ignore the wind and rain
And a disembodied Eye, somewhere, cocks upon an hourglass
And as the patrons of the Casino hear a roar begin in the distance and begin to shriek perfervidly in horrified, panicky, incredulous despair
A Hand dispassionately, with casual ennui, takes hold of the hourglass
And inverts it.
© 2002 by Mark Andrew Holmes