Helpful hints for Writing a Research Paper:
See Topics
See page discussing MLA Format (i.e. using proper header, etc. )
See page listing more general hints for a Critical Response Paper
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Again, remember that this is a Critical response paper, NOT a Personal
response paper.
It is also an ARGUMENT Paper, not a REPORT Paper. Do not provide
a history of the French Revolution or a biography of William Wordsworth.
You may, however, analyze specific works by Wordsworth and explain the
ways in which they demonstrate characteristics associated with period.
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Please!! Avoid making comparisons to Present Day
Society !!! Such comparisons almost never have a basis in actual textual
analysis !!
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Avoid plot summary! Use quotes from only those sections of the
text immediately relevant to your discussion!
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Use past tense to discuss historical or biographical events, but present
tense when discussing literature.
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Be very careful when making references to the class textbook.
For example, William Wordsworth is the author of The Prelude.
Susan Wolfson and Peter Manning are the editors of the text in which The
Prelude appears.
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Sample Entry:
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Wordsworth, William. The Prelude. The Longman
Anthology of British Literature. 2nd Ed. Vol. 2A. Eds. Susan
Wolfson and Peter Manning. NY: Longman, 2003. 388-450.
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(Note: only the first line is flush with the margin; subsequent lines
are tabbed over. It's called reverse indent, if you want to look it up.)
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Do Not Number the Entries in a Works Cited.
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When citing verse, use slashes to show line breaks and cite by line
(or act.scene.line for plays).
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Avoid plagiarism !! See Policy

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On a related note, please be very selective about the sources you utilize
from the internet. The ideal sources are those found on jstor.org or the
Literature Resource Center or MLA Bibliography--essays that have been previously
published in journals or books and are now available online.
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AVOID the Following Sites!! These are NOT ACCEPTABLE sources (and this
is not a complete list, but you should get the idea) !!!
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www.bookrags.com
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www.bookwolf.com
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www.courseworkbank.co.uk
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www.directessays.com
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www.english-literature.org
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www.enotes.com
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www.exampleessays.com
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www.free-cliffnotes.com
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www.gradesaver.com
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www.literatureclassics.com
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www.needfreeessays.com
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www.netessays.net
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www.novelguide.com
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www.pinkmonkey.com
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www.planetpapers.com
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www.sparknotes.com
Other Mechanical Issues:
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DO NOT USE A COVER PAGE !!!!
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Use only ONE edition of your primary source. If you wish to refer
to an editor's introduction to another edition, cite by the editor's name.
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Be sure to use quotation marks for titles of shorter works, such as
poems and short stories, and italics for titles of longer works, such as
plays, epic poems and novels.
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Do not rely too heavily on secondary sources. The number of citations
to your primary source should be roughly equivalent to the total number
of references to ALL your secondary sources combined.
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Do NOT use secondary source material to summarize plot or quote from
the primary source.
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Make sure it is clear WHOSE ideas you are presenting. If Critic A is
quoting Critic B, and you use the quote, your citation should say (Qtd.
in Critic A #). The #, of course, refers to the page number in Critic A's
text.
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Avoid unnecessary changes to quotes. Instead of saying, "Wollstonecraft
describes, '[She] felt hopeless' (24)," say, "Wollstonecraft describes
that she 'felt hopeless' (24)."
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Avoid using direct quotes in either your introduction or conclusion.
Discussion in these two paragraphs should be more general.
Do not use quotes as the subjects of sentences: The quote
"---------" (29) shows that. . . or "-----------" (87)
means that . . .
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Don't use "in which" when you mean "that."
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Don't use "that" when you mean "who" (i.e. when referring to people)
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USE PRESENT TENSE TO DISCUSS LITERATURE !!!!!
Possible Research Paper Topics
(More to Come):
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Contrasting Portrayals of Similar Subjects in Blake's Songs of Innocence
and Experience
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Biblical Imagery in "The Rime of Ancient Mariner," Hopkins
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Physical and Mental Degradation in Mary Prince or Equiano
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Abolitionist portrayal of Africans: Prince, Cowper, More/Smith
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Wollstonecraft’s Theories and Austen, the Brownings, Wilde
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Comparison of views on French Revolution: Burke, Wollstonecraft,
Paine, Godwin
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Characteristics of the Lyrical Ballads (as per Preface) in Coleridge's
Ancient
Mariner or Wordsworth's poems from the collection
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Role/Portrayal of Women in Austen
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Representations of the Gothic in Coleridge or Mary Shelley
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Justice in Coleridge's "Ancient Mariner"
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Isolated Figures: Ancient Mariner, Byronic Heroes, Jekyll/Hyde, Marlowe/
Kurtz
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Relationship between Human and Nature: Blake, Coleridge, Wordsworth,
Darwin, Hopkins, Conrad, Yeats, Thomas
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Comparison between the thought of Wollstonecraft and Mill
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Theories of Poetry: Wordsworth, P. Shelley, Arnold, Eliot, Orwell
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Use of Folklore/Mythology: P. Shelley, Keats, Tennyson, C. Rossetti
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Views of Childhood: Blake, Wordsworth, Carroll, Thomas
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Political Views: Burke, Wollstonecraft, Paine, P. Shelley, Orwell
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Race and Imperialism: Prince, Cowper, More, Darwin, Kipling, Conrad