Dr. L. Adam Mekler 
English 315: The English Romantic Period
Fall 2008
Office:  Holmes Hall 221
Office Phone: (443) 885-4032
Email@Morgan: adam.mekler@morgan.edu
Class Homepage: http://www.geocities.com/lmekler/315links.htm
Go To Assigments For:
August/September  October November  December 

PURPOSE OF THE COURSE
This course focuses on British literature of the Romantic era, a period that extends roughly from 1789 (the beginning of the French Revolution) until 1832 (passage of the Reform Bill).  Although the primary focus will be on the literature itself, which we will discuss in great detail, we will also incorporate consideration not only of historical context, but also biographical and intellectual factors as well.

OBJECTIVES
English 315 aims to teach students to:

STUDENT LEARNING OUTCOMES
After completing English 315, students should be able to:
  1. evaluate the influence of historical and biographical events on the writings of the figures of the Romantic period.
  2. analyze the texts produced during the period in terms of representative themes.
  3. distinguish between different texts in terms of their aesthetic, political, and philosophical viewpoints.
  4. produce effective arguments, in both oral and written forms, regarding the literature of the period.
ASSESSMENT
Student learning will be assessed using the following assignments:


GRADING
  • Class Participation
  • Homework
  • Critical Response Paper
  • Midterm Exam
  • Student Presentation
  • Research Paper
  • Final Exam
  • 10 %
  • 10 %
  • 10 %
  • 20 %
  • 10 %
  • 20 %
  • 20 %

REQUIRED TEXTS

COURSE POLICIES

Attendance. Students are expected to attend every class. If you are forced to miss class, written verification for the reason for your absence is expected. Because of the importance of regular attendance, excessive (more than three) unexcused class absences WILL result in the loss of points from the final average. Excessive lates will also lower your grade. The complete attendance policy can be found on the class homepage. Please come speak with me if you have any questions.

Reading Assignments, Homework, and Participation.  Students are required to bring all necessary books with them to class.  On-line versions are available for most readings, so economic hardship, while certainly a reality for many of us, does not constitute a valid excuse in this context.  Please come speak with me if you have any questions.

All assigned readings must be completed before coming to class.  You are expected to submit typed responses to all assigned homework questions for the readings at the beginning of class. You are also expected to arrive prepared to provide thoughtful discussions of the daily readings, responding to questions from the instructor or your classmates as they arise.  Classroom discussion will involve the open sharing of ideas and interpretations of the literature.  Because every person's opinion is valid, we will demonstrate civility and respect for each other, taking turns to provide our observations and not interrupting each other.  Only raised hands will be acknowledged.

Writing Assignments. There will be one (1) brief (800 word minimum) critical response paper,  in addition to one (1) documented research paper (2500 word minimum), using a minimum of eight documented sources, six of which must be secondary sources.

All papers will follow MLA format: Typed, double-spaced, use parenthetical citations and, when necessary, a list of works cited, including references made to the textbook. (Sample MLA Papers can be found on the homepage )  The main point of the response papers is to allow you the opportunity to explore specific aspects of texts that you find interesting in terms of the major themes and issues we discuss, but the specific focus is largely up to you.

Oral presentations. Students will also take part in a presentation of a minimum twenty minutes to be given during the second part of the course. These presentations will require the students to discuss all relevant background—historical and biographical—information and present a thoughtful and critical explanation of the reading, one that moves beyond simple plot summary and instead addresses the text's important themes, arguments, and literary techniques, including, if necessary, an explanation of the text's connection to other works that we might have read or other significant works of the period.  Your ability to provide thoughtful responses to questions from your classmates and/or instructor will also be an important factor.

Reading List (Subject to Subtle Revision):
Aug 25 Course Introduction 
Brief Historical Background
27 "The Romantics and their Contemporaries" Longman, 2-29 
29 French Revolution Video
Sept 1 Labor Day:  No Class
3 French Revolution Video (concl.)
5 The French Revolution
Burke, 103-12
Wollstonecraft, 112-21
8 Paine, 121-28
Godwin, 128-33
10 Wordsworth, 385-86
Intro. to The Prelude, 452-53
Prelude, Bks 9-10, 489-504
12 Prelude, cont.
15 WW, Lyrical Ballads, 387
Preface to Lyrical Ballads, 408-20
"Simon Lee," 387-90
17 WW, "Lines Written in Early Spring,"  393-94
WW, " Lines Written a Few Miles above Tintern Abbey," 404-8
19 Coleridge, 570-71
"Ancient Mariner," 578-95
22 STC, "Christabel," 598-614
24 STC, "Kubla Khan," 614-16
"Dejection:  An Ode," 619-23
26 Coleridge, cont.
29 Blake, 150-52
Songs of Innocence and Experience, 156-57
"The Chimney Sweeper," 161-62, 174
"The Tyger," 177-78
"London," 179
Oct 1 The Abolition Movement, 209-10
Clarkson, 250-59
3 Equiano, 210-19
Prince, 219-24
6 Blake, "The Little Black Boy," 160-61
Southey, Sonnets 3-6, 244-46
8 WW, 259-61
"To Toussaint L'Ouverture," 
"To Thomas Clarkson," 
Prelude, from Book 10
10 Female Voices
Wollstonecraft, from Vindication of the Rights of Woman, 279-303
Critical Response Paper Due
13 Wollstonecraft, from Maria, or The Wrongs of Woman, 303-14
15 Dorothy Wordsworth, 538-40
Grasmere Journals, 551-57 
WW, "Resolution and Independence,"  520-24
"I Wandered Lonely as a Cloud," 526
17 Midterm Examination
20 Jane Austen, Emma
Introduction & Vol. I, xi-xxiv, 1-114
Research Topic Due 
22 Emma, Vol. II, 115-233
24 Emma, Vol. III, 233-360
27 Emma wrap-up
29 The Younger Generation
Lord Byron, 656-58
Childe Harold's Pilgrimage, 711-25
31 Byron,  "She Walks in Beauty,'" 658
"Stanzas," 808
"On This Day I Complete My Thirty-Sixth Year," 808-9
Nov 3 Don Juan, Dedication, 727-32
Canto I, 732-78
Last Day to Drop Classes
5 Canto I, Cont. 
7 Byron, Don Juan, Canto II & III, 779-804
10 Hemans, 877-78
"The Bride of the Greek Isle," 887-92
12 Hemans, "Properzia Rossi," 892-95
"Indian Woman's Death-Song," 896-97
14 Percy Shelley, 814-16
"from A Defence of Poetry," 867-76
17 WW, "London, 1802," 451-52
PBS, "To Wordsworth," 816-17
19 PBS, "Sonnet: England in 1819," 824 
"The Mask of Anarchy," 824-34
21 PBS, "Ode to the West Wind," 835-37
"To a Sky-Lark," 837-39
24 Mary Shelley, Frankenstein, Introduction xvii-xxxii
Author's Introduction, 186-91
Journal Entries, 245-47
Preface & Vol. 1, 3-64
Last Day to Have Final Research Paper Topics Approved
26 Vol. 2, 64-115
28 Thanksgiving Break:  No Class
Dec 1 Vol. 3, 115-79
3 Frankenstein, concl.
5 Keats, 920-22
The Odes of 1819, 950-51
"Ode to a Nightingale," 953-55
"Ode on a Grecian Urn," 955-57
Letters to Bailey, George and Thomas Keats, and Reynolds, 992-95
Research Paper Due 
17 Final Exam: Place and Time TBA; Date subject to Change 
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