A house. Inside, people are sitting around.
Somebody comes in suddenly, afraid.
It's out there!
What?
The Death Car!
Oh my God!
etc.

Cut to people screaming, running away from something.
We don’t see what. Cut to Car, sitting still. People are running away, terrified, even though the car isn't moving. Cut to Car, in slightly different place, angle. People are even more terrifed.
Focus on Guy, he points and shouts.
Over there!
He is pointing to those metal posts in front of Publix that keep people from drivng up on the sidewalk. He runs toward them. He reaches them, but a little girl falls down just before she gets to them. Cut to shot of the car from low angle, very menacing. Girl screams,
Help!
Reaction shot of Guy, when he sees little girl in path of Death Car.
Oh no!
Back to girl, the Death Car is a few yards behind her, still not moving. Girl looks from Guy to Death Car in helpless terror.

Guy rushes out and saves her. In that shot, the Car is a few feet closer. Guy and girl make it safe behind posts, collapse panting. Girl looks up, screams as she sees Car just on the other side of posts, looking very threatening. Old person behind them yells,
Somebody do something!

Cut to Guy looking unsure, then heroic. He stands up quickly, marches toward Car. Little girl looks upset, concerned, yells,
NO!
Guy ignores her, keeps going. He reaches the Death Car (which should now suddenly be in the middle of the parking lot rather than right up near the posts), runs toward it, bouncing off hood as if he was hit, even though car has still not moved while on camera. Short cuts should be used here to create an illusion of action. Guy goes to driver's side, wrestles open the door. Maybe a reaction shot of little girl here, horrified. He jumps in car, struggles with unmoving steering wheel. Suddenly he stops, as if gripped by some invisible force. He changes evil.
Guy gets out of the Death Car, and lurches evilly toward the little girl and the other people behind the post. They are very frightened, its so suspensful, and so on.
Just as the suspense reaches a fever pitch, another car screeches in at an enourmous speed and runs over evil Guy, killing him instantly. Cut to little girl and old person, looking releived and happy, a la the happy endings of 50s TV sitcoms. They walk away, arm in arm, to buy
ice cream
or some such happy thing. Camera pans over Guy's twisted, lifeless form to close up on the Death Car, cleverly hidden in a parking place between two other, normal cars. The Death Car looks sinister, foreboding.

The End . . . or is it?