birnbaum
home page

- history -

Now, Franklin Furnace is presenting new temporal art to worldwide audiences through a collaboration with Pseudo Programs, Inc. . History of Franklin Furnace A Brief History of Franklin Furnace Franklin Furnace was founded in 1976 to serve artists who chose publishing as a primary,"democratic" artistic medium, and were not being supported by existing artistic organizations. Franklin Furnace's exhibition program has included many historically notable exhibitions of time-based art of an ephemeral nature -- exhibitions on Cubist books and prints, for example, on Fluxus, or Russian Samizdat art -- critically celebrated exhibitions that have contributed to art historical scholarship. Now, Franklin Furnace is presenting new temporal art to worldwide audiences through a collaboration with Pseudo Programs, Inc.
If possible, please upgrade your browser to view the website of the Video Data Bank in its fully functional form. The Video Data Bank website allows searches by artist, title and genre in the field of Video Art. Tran Woody and Steina Vasulka William Wegman Lawrence Weiner Christopher Wilcha Julie Zando other information at our website includes our history, resources and our ordering information. ..
If possible, please upgrade your browser to view the website of the Video Data Bank in its fully functional form. The Video Data Bank website allows searches by artist, title and genre in the field of Video Art. Tran Woody and Steina Vasulka William Wegman Lawrence Weiner Christopher Wilcha Julie Zando other information at our website includes our history, resources and our ordering information. ..
Return to Start of Tour Abuse of power comes as no surprise. Jenny Holzer, from Truisms, 1983-1987 At a certain point during the 1970s it suddenly occurred to me that half the interesting new artists in America were women. This was such a startling realization--nothing like it had ever happened in the history of art--that I wondered why more wasn't being made of it. Concurrent with the founding of women's studies departments and the new feminist and postmodern revisions of art history, women became their own advocates for greater access to exhibition opportunities in galleries, alternative spaces and specialized museums. Their art was reviewed in the art press and purchased by museums and collectors.

A site I really like: http://www.hgb-leipzig.de/artnine/huber/aufsaetze/internet.html

.

1