Dibbets Jan images

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. lts large collection shows the eclecticism and diversity of the art of our times, with respect to both styles and techniques, through a series of representative works from 1960 to the present day. The exhibition at the Joan Miro Foundation will contain works produced between 1964 and 1997 by 22 artists working in the fields of painting, sculpture, photography, images and installations. Rather than trying to present a historical sequence, the exhibition will show the aesthetic, symbolic and occasionally emotional links between the vanous items. Others such as the photographs by Xavier Veilhan and Lee Friedlander, or the video by Didier Courbot, reveal a personal world of images that appear as surreal still-lifes.

Gathering Light includes carefully staged scenes of interiors with a backdrop of various faiths and cultures. Tombs, churches and temples provide an atmospheric ground for his studies, portraying the situation as if it were a stage set. The lighting found within these situations becomes the focus of the work as the luminosity emerging in these images comes from the coincidence of light and dark. MK G presents fourteen photographs selected from this touring exhibition, which was initiated by the John Hansard Gallery, Southampton. 1941) presents ten images of cupolas, all upward interior views of domes taken over a period of thirteen years, beginning in 1983 with his photograph of the Four Courts in Dublin and ending with his 1995 view of the observatory in Paris.

. Torf Richard Artschwager American, born 1923 Interior No. Offset photolithographic images in black and white, some in color, with text on accordion-folded paper attached to green cloth-covered boards at beginning and end. Both texts and the portfolio are housed in a green cloth-covered slipcase. (show without hand-coloring) Museum of Fine Arts, Boston.

By spreading my artwork throughout my space and thus representing it, as well as myself, I was able to produce a work of greater indexical and autobiographical resonance. My earliest work with stereo photography occurred simultaneously with the composites. While glancing at contact sheets my eyes inadvertently crossed, superimposing two images shot within a couple of inches of each other, providing a striking three-dimensional image. This reiteration of my youthful Viewmaster experience has caused much film to go through my cameras. Choose any sharply defined, conspicuous feature in the center of each frame.