Fantasy and Religion

By: Dan Baxter

Image taken from this website.

 

In Speaking of Faith’s program called “A Return to Mystery: Religion, Fantasy, and Entertainment” the movement toward portraying religious themes through fantasy and modern entertainment is described.  “It’s a rebellion against so much intellectuality…so much rationalism and so much consumerism it’s a return to the mystery.”  Phyllis Tickle, author of God-Talk in America describes how “nonfiction has been giving way to fiction and fantasy” and books have given way to movies.  One example of this Tickle provided was the 1995 production of Touched by an Angel.  In this “angels interfere in human affairs.”  With this program, Tickle says, “God talk moved out of didactic and out of book form and into entertainment.”  In addition Tickle explains how the effects of God talk in this new form are “exponentially larger.”

 

An excellent example Tickle gave of God talk is the Matrix.  Some religious related themes in the movie include the last city named Zion, the name Neo which means “new man,” and the name Trinity.  The Matrix, Tickle explains “rests on a philosophic principal that we have no understanding of human consciousness.”  She states that the “question of consciousness is going to be the major question in next 50 years.”  There are many examples of such questions.  What is reality?  What is a soul?  The Matrix is essentially an “exploration of possibilities.”  Finally, Tickle goes on to note that the new philosophy is no longer linear as it had been in the past but instead emphasizing how everything is connected.

Image taken from this website.

 

“If its art…it comes up so sweetly against the side of religion that they are essentially kissing each other.  You cannot separate art…from religion if it’s true art.  We can’t escape the face that somehow the religion is concerned with the subjective world as is art and they share a territory that somehow circumvents or circumscribes the mind.”

           

            Yet another example Tickle gave of fantasy showing religion is the Harry Potter series.  She called it the “Mary Poppins for a new generation.”  Harry Potter emphasizes that “life is as full of darkness as it is full of light.”

 

            Finally, Phyllis Tickle concludes by saying how virtual reality adds a new unexplored mystery to our lives today and that with it come new possibilities as well as new questions.

 

Next, Lynn Schofield Clark, author of From Angels to Aliens - Teenagers, the Media and the Supernatural,       who has conducted a great deal of research directed towards teens, came on the program.  She too talked about possibilities and how, for teens today, “there are possibilities about what can exist, and they are aware that there are questions that cannot be answered either by religion or by science, and that they are intrigued by those questions and the media play with those questions by presenting possibilities.”  Her first example was Buffy the Vampire Slayer because it involves a “young person with sense of purpose of chosen-ness with intervention from caring adults.”  This is an element which Clark considers essential to teens.  Buffy also has an apocalyptic message to it while in the end stating that good will triumph.

 

            In her research, one theme Clark has discovered is that “evil is something that’s large” and not easily overcome in everyday life.  It takes friendship and mentors in order to overcome it.

Image taken from this website.

 

            Joan of Arcadia was Clark’s next example because it portrays Joan, an average teen to whom God appears in various disguises and tells her what to do.  This is a post-911 show with a hopeful message.  It tells how we can’t always know God’s plan in the world.

 

            The key to successfully integrating “God Talk” into entertainment, Clark says, is to be sure religion is encoded in a way that is general enough not to offend anybody so that it lets people make decisions and decide how they want to respond.  She also says that fantasy is becoming the genre used today because religious stories have not been passed on.

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