Contents.

Introduction with Bibliography and Biographical Notes

Poem: Landowners

Poem: Mirror

Poem: Tale of a Tub

Other Pages on Sylvia Plath

From my rented attic with no earth To call my own except the air-motes, I malign the leaden perspective Of identical gray brick houses, Orange roof-tiles, orange chimney pots, And see that first house, as if between Mirrors, engendering a spectral Corridor of inane replicas, Flimsily peopled.

But landowners Own their cabbage roots, a space of stars, Indigenous peace. Such substance makes My eyeful of reflections a ghost's Eyeful, which, envious,would define Death as striking root on one land-tract; Life, its own vaporous wayfarings.

I am silver and exact. I have no preconceptions. Whatever I see I swallow immediately Just as it is, unmisted by love or dislike. I am not cruel, only truthful-- The eye of a little god, four-cornered. Most of the time I meditate on the opposite wall. It is pink, with speckles. I have looked at it so long I think it is a part of my heart. But it flickers. Faces and darkness separate us over and over.

Now I am a lake. A woman bends over me, Searching my reaches for what she really is. Then she turns to those liars, the candles or the moon. I see her back, and reflect it faithfully. She rewards me with tears and an agitation of hands. I am important to her. She comes and goes. Each morning it is her face that replaces the darkness. In me she has drowned a young girl, and in me an old woman Rises toward her day after day, like a terrible fish.

The photographic chamber of the eye records bare painted walls, while an electric light lays the chromium nerves of plumbing raw; such poverty assaults the ego; caught naked in the merely actual room, the stranger in the lavatory mirror puts on a public grin, repeats our name but scrupulously reflects the usual terror.

Just how guilty are we when the ceiling reveals no cracks that can be decoded? when washbowl maintains it has no more holy calling than physical ablution, and the towel dryly disclaims that fierce troll faces lurk in its explicit folds? or when the window, blind with steam, will not admit the dark which shrouds our prospects in ambiguous shadow?

Twenty years ago, the familiar tub bred an ample batch of omens; but now water faucets spawn no danger; each crab and octopus--scrabbling just beyond the view, waiting for some accidental break in ritual, to strike--is definitely gone; the authentic sea denies them and will pluck fantastic flesh down to the honest bone.

We take the plunge; under water our limbs waver, faintly green, shuddering away from the genuine color of skin; can our dreams ever blur the intransigent lines which draw the shape that shuts us in? absolute fact intrudes even when the revolted eye is closed; the tub exists behind our back; its glittering surfaces are blank and true.

Yet always the ridiculous nude flanks urge the fabrication of some cloth to cover such starkness; accuracy must not stalk at large: each day demands we create our whole world over, disguising the constant horror in a coat of many-colored fictions; we mask our past in the green of eden, pretend future's shining fruit can sprout from the navel of this present waste. In this particular tub, two knees jut up like icebergs, while minute brown hairs rise on arms and legs in a fringe of kelp; green soap navigates the tidal slosh of seas breaking on legendary beaches; in faith we shall board our imagined ship and wildly sail among sacred islands of the mad till death shatters the fabulous stars and makes us real.

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