Unca Cheeks the Toy Wonder's Silver Age Comics Web Site

Unca Cheeks the Toy Wonder's Silver Age Comics Web Site!

Last Man Standing: CAPTAIN AMERICA
(Part 3)

Once the Captain had graduated (along with TALES OF SUSPENSE bunkmate, Iron Man) to his own ongoing solo title, he and the Red Skull crossed swords more times than can be readily numbered by even the most devout red-white-and-blue groupie.

No plot was too devious or far-reaching for the Skull, where the devoutly wished demise of Captain America was concerned. Hiring a cadre of the world's most formidable contract killers and hand-to-hand combatants [the Red Skull's "Exiles," as pictured on the cover of CAPTAIN AMERICA #104; previous page]...? Done.

Creating towering, skyscraper-tall killer robots, specifically programmed and outfitted with the requisite ordinance to turn any "simpering, flag-waving fool" (the Skull's words) into a brightly-colored greasespot? Check.

There is scant argument amongst the Cap cognoscenti, however, that the Skull's most fiendish and memorable strategem against the Captain was the one involving that most dreadful of all weapons: the Cosmic Cube.

What did the Cube do, you ask...?

Short form answer: everything.

The Skull utilized the Cosmic Cube -- a device capable of transforming the bearer's every wish into concrete reality; no matter how lofty or base -- to place his mind into the body of his most hated nemesis... and to rudely deposit, likewise, the Captain's consciousness into his monstrous form.

The Skull, then, found himself the beneficiary of the (former) Captain's power and physique; the fellowship and unswerving loyalty of the mighty Avengers; access to (and the backing of) the very highest reaches of the American government; and -- ultimately -- Sharon Carter: the Captain's one true love.

The issues detailing the Captain's struggles to regain his true identity while imprisoned in the Skull's less powerful form -- and while being hunted, simultaneously, by the police; the U.S. government; and the Avengers themselves -- are amongst the most thoughtful and thrilling of all the adventures in the Captain's canon.

While attempting to evade capture by the Cap/Skull's assembled forces, Captain America met a young black man by the name of Sam Wilson. Their friendship -- one which has endured even to the present day -- blossomed into one of comic's most memorable crime-fighting partnerships; after having been trained in combat by the Living Legend himself, Sam Wilson took on the costumed identity of "the Falcon," and battled alongside the Captain for a good many years -- even sharing cover"co-billing" for five or six of these -- until (eventually) veering off to follow his own chosen flight path.

The Falcon (it must be noted here) has been inconsistently used since striking out on his own, from under the Captain's penumbra. Certainly, he was an exciting (if not an integral) componet to the creative and sales success enjoyed by the Caaptain's title during the 70's -- the last memorable "run" said series has enjoyed, in fact, until the recent assumption of same by "fan-favorite" comics scribe Mark Waid, nearly twenty years later -- and well merits consideration of his regular inclusion within these pages once more.

Many of those landmark stories of the 1970's were, in fact, written by one of the brightest stars in that decade's comics firmament: Steve Englehart. And -- with all apologies to the aforementioned Mr. Waid -- no one has ever handled the character with as deft and sure a hand since the days of Jack "King" Kirby himself.

Closing this narrative with the cover for what is probably the best-remembered issue of the Englehart run (in which the Captain -- his faith in his country shaken to its very foundations by the revelation of "Watergate"-style mendacity at the very uppermost reaches of the government -- undergoes his own personal "dark night of the soul")... I think it fitting to observe that, in recent days, Marvel Comics seems to have come to a newly-won understanding and appreciation of just how very important and iconic a character Captain America truly is...

... not that the fame-eschewing Captain would want us to make too much of that sort of thing, of course.

A good solider doesn't need plaudits, or brass bands, or medals.

He just does his duty. That's all.


"MORE COMIC BOOKS," YOU SAY...?

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