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'Needful Things' (1993) | ||||||||||||||||||||||||||||||||||||||
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Directed by Fraser C Heston Cast: Ed Harris, Max von Sydow, Bonnie Bedelia, Amanda Plumber, JT Walsh, Ray Mckinnon... |
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Max plays Leland Gaunt, owner of Needful Things | ||||||||||||||||||||||||||||||||||||||
Synopsis Adaptation of Stephen King bestseller. When devilish stranger Leland Guant opens a quaint antiques store in the small town Castlerock, residents get more than they bargained for. |
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Review From its opening, panning across the forested coast of New England, you can tell that you're in for a Devilish, mischievious ride. Leland Gaunt purrs into town in his classy black Mercedes, with its tinkling little bell that will later signal the entrance of willing customers to 'Needful Things'. Gaunt acts as a catalyst for the true horror of the film; people's avarice and desire for material possessions. As Leland says in his own defence, "I show people what I have to sell and then let them make up their own mind... it's not so wrong." |
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People succumb easily to Gaunt's charm, even before his shop opens. Schoolboy Brian Rusk is the first to be added to the 'Castlerock' entry of the devilish stranger's little black book, which, we gather, follows him around the world as he shows off his wares. Frustratingly, Leland is rumbled by town sheriff Alan Pangborne (Ed Harris) as Castlerock is on its knees, though before he has the chance to polish its residents off en masse. Like some monsterous phoenix, Gaunt strolls calmly from the burning timbers of his shop and glides off in his Mercedes, setting up what might have been a moderately successful movie franchise. 'Needful Things' has a wonderful original score by Patrick Doyle, and utilises well a range of other classical pieces. A favourite scene is of Gaunt infront of a roaring fire doing, well, whatever devilish characters do - expressing both pain and perverse pleasure at the events unfolding in Castlerock. The scene is set to Schubert's angelic Ave Maria. While 'Needful Things' isn't in the league of other King adaptations such as 'Carrie' or 'The Shining', it certainly gives its audience a run for their money --- largely due to Max, hailed by critics in lukewarm review of the time as the film's greatest asset. |
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Max A popular favourite among Max fans, his turn as Leland Gaunt is, quite simply, devilish perfection. This was the second ever von Sydow film I saw and the one that ultimately hooked me onto his screen presence. It always strikes me that he somehow looks different in this film than in many other of his performances, even around the same time. This might be because the make-up artist on the film |
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darkened down his (likely fake) moustache, eyebrows and ridiculously-hairsprayed bouffant! All this, however, contributes to making him look even more refined than he usually does and more than a little evil. All-out devilishness appears on the occasions when Gaunt appears to be alone and grows scary long nails and seems to let dental hygene go to pot! This transformation is executed better in Stephen King's book and might have transfered to the screen rather awkwardly, though Max carries it off with ease. | ||||||||||||||||||||||||||||||||||||||
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Like his performance in 'Flash Gordon', von Sydow obviously relishes this rather camp villian, having evidently dipped into Stephen King's book of the same name to flesh out the character of Gaunt. As Max himself put it, if Gaunt isn't the Devil himself, then "he's a very close relative." Few actors can, at once, appear so gentile, yet also have such a sinister undercurrent - as in Leland's first meeting with Nettie (played superbly by Amanda Plummer). | ||||||||||||||||||||||||||||||||||||||
Leland Gaunt's refined, cultured persona is the ultimate downfall of his almost all his customers, who are 'sucked into his web.' Indeed, I imagine few can watch Max in 'Needful Things' without feeling an inkling of admiration for his suave villain. If this charming, vaguely-European chap opened a shop & offered you a bargain, would you be able to resist...? | ||||||||||||||||||||||||||||||||||||||
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Quotes (almost every line Leland Gaunt comes out with is quotable) Rev Rose: "What faith, sir, are you?" Gaunt: "What faith?..." Rev Rose: "Yes, what religion? You're not Catholic are you?..." Gaunt: "I am, well, non-denominational" Rev Rose: "I knew it! Then you'll have little objection to me putting this [ 'SAY NO TO THE DEVIL' poster ] in your window?" Gaunt: "Er... I couldn't possibly do that. You see... I, like you, am here to serve everyone" "If it's too hot in here Mr Jewett, just say the word! I'm afraid I have a tendency to turn up the heat" "When I started out I was just a pedlar moving across the blind face of a distant land. Moving, always moving. Always gone... and in the end I'd always offer weapons. And they'd always take them. Of course I was gone before they realised what they'd purchased" "Don't be afraid of it, Hugh. Guns don't kill people. People kill people" "The young carpenter from Nazareth? I know him well. Promising young man. He died badly" "Don't blame me, blame it on the bossa nova" "You know there are some days when I really hate this job. Not my best work, not by a long shot. Oh, sure, a few murders and a couple of rather lovely explosions, I would hardly call it a rousing success, but what the Hell, I'll be back..." |
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Trivia In the final explosion scene, where 'Needful Things' is blown up, many people on set were apparently hurt. The director, Fraser Heston, is Charlton Heston's son. Charlton played John the Baptist opposite Max's Jesus in 'The Greatest Story Ever Told'. See quotes for accompanying anecdote. |
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Edition There is an extended, 3-hour version of 'Needful Things' that was screened on US television in 1996 . It is perhaps telling that there was little more of Max, whose performance was good enough to make it largely to the final cut. |
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