![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
The Fallen Hawk | |||||||||||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||||||||||
SYNOPSIS | |||||||||||||||||||||||||||||||||||||||||||||
Originally aired March 2, 1966. A former friend of Heath's, Ward, moves with his wife to Stockton and pur- chases a run down farm. He arrives once again at the ranch to ask Heath for money. Tired of Ward's laziness and constant need for cash Heath decides that Ward can have the money he is asking for but he will have to earn it by breaking one of their horses. Ward agrees but is bucked off into the fence and his back is broken. The doc- tor informs the Barkleys that the paralysis that Ward is experiencing could be caused by swelling that might be compressing a nerve and might clear up with time. Ward is kept at the Barkleys' until his back is healed enough that it is safe to move him. After the doctor leaves Nick angrily confronts an already guilt ridden Heath as to why he allowed the man to ride an unbroken horse. Heath tells Nick to 'get your spurs out of me' and Nick apologizes for being so rough. |
|||||||||||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||||||||||
NICK IS ANGRY THAT HEATH LET WARD RIDE THE BRONC |
|||||||||||||||||||||||||||||||||||||||||||||
HEATH MAKES THE DECISION TO HAVE WARD EARN THE MONEY HE WANTS |
|||||||||||||||||||||||||||||||||||||||||||||
Later that evening Victoria walks out to the corral to find Heath preparing to ride the horse that threw Ward. She gets him to start talking about why he kept giving Ward money. Heath tells her that Ward always had big dreams of being successful but that everything he tried failed miserably. She immediately sees that Heath feels guilty because all of Ward's dreams came true, but for him not Ward. She also knows that Ward not only senses Heath's guilt as well but wants him to feel guilty, and she tells Heath this. Still feeling responsible, Heath begins to make repairs at Ward and Nora's farm during his spare time. Ward begins to become jealous of the friendship between Heath and Nora. Ward eventually regains use of his legs but keeps this fact from his wife and Heath. He shows Heath a proposal he has to become involved in a business but he needs several thousand dollars to invest. Heath takes the information to the family and although they feel it is little more than an effort to use Heath's emotions to his favor, they approve giving the money to Ward. Moments before Heath arrives with the money, Nora catches Ward out of his wheelchair and, knowing that he intends to take the money without telling Heath the truth, tells him that she will inform Heath that he is able to walk. A scuffle occurs and Ward chokes her until she loses consciousness. Think- ing she is dead he places her body out of sight and gets back in the wheel- chair as Heath enters the house. With money in hand, Ward tells Heath that Nora is on the couch when he asks where she is. When Heath turns his back to go to her Ward draws a gun and rises. He tells Heath that he intends to shoot him then tell the sheriff that he found the two of them together and acted in anger. Heath notices Nora is still breathing and when Ward goes to check he overpowers him and takes the gun away. |
|||||||||||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||||||||||
VICTORIA TRIES TO COMFORT HER SON |
|||||||||||||||||||||||||||||||||||||||||||||
HEATH FEELS GUILT AND REGRET FOR WARD'S INJURY |
|||||||||||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||||||||||
HEATH & NICK RETURN WARD TO HIS OWN HOME |
|||||||||||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||||||||||
PERSONAL IMPRESSION | |||||||||||||||||||||||||||||||||||||||||||||
A very good episode with outstanding performances by the supporting cast. Peter Haskell is very believable as the lazy and opportunistic Ward. This episode shows that it is not always best to feel like you 'owe' another per- son something because they just may take advantage of you. |
|||||||||||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||||||||||
HEATH FILES | |||||||||||||||||||||||||||||||||||||||||||||
This is a great 'Heath in emotional distress' episode. Nothing can be better than Heath experiencing emotional pain and suffering. Not to mention the scene at Ward and Nora's where he is working without a shirt!!! |
|||||||||||||||||||||||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||||||||||||||||||||||
BACK |