Normally he didn’t go to the music room, but he was being punished for fouling up again.  At least that was Seifer Almasy’s excuse.  No one but him knew about his love of his music…or his ability with a guitar.  Well Irvine did, because he taught him, but the cowboy knew to keep his mouth shut.  Seifer had made it very clear that if Irvine opened his mouth, he would find himself deprived of a tender portion of his anatomy. 

     Carefully, the blond man poked his head into the room and looked around.  No one was there.

He slid in and shut the door behind him, locking it, before he headed over to the piano, his guitar in tow.  In the absence of a stool, the piano bench worked very well.  Seifer pulled a blank cassette tape out of his trench coat pocket and clicked open the recorder attached to the piano.  His eyes narrowed.

     There was already another tape in there.

     Seifer looked around.  No one was in there.  No one had been in there for past hour that he’d stared at the door, making sure it was clear to go in.  He shrugged and put it in, pressed play.  It stopped immediately.  Well, who would give up a free tape?  Quickly he rewound it and began it, giving blank lead time to make sure everything he played was recorded.

     But the tape wasn’t blank.

     A bunch of chords rang through the room and Seifer loosened his grip on the guitar.  He recognized the tune, liked it even.  A woman’s voice sang then and Seifer nearly lost his hold on the guitar.  The song was normally sung by a male, but somehow this woman managed to lift it up an octave without sounding whiny.  And it touched him.  The raw emotion in her clear voice, the heartbreak, as she neared the end of the song made him shiver at the haunting quality of it.  He stared at the door, unable to break free of her voice, of her pain.  The song closed and he heard a sob.  A heart-wrenching sob, and another, followed by the sound of wood scraping across the tile floor.  Heels clicking, door closing.  Then nothing but quiet static.

     Seifer gaped at the door for a long time.  It was incredible.  Leaping to his feet, he rewound the tape and listened to it again, hoping for some clue into who the unforgettable voice belonged to.  No luck.  Rewind again, listen again.  Still no clue.  He rewound the tape again, but his finger paused over the play button.  Then it moved to eject and caught the tape as it shot out of the holder.  This called for a more careful study.

     He had to find out who she was.  But then he might not hear her sing again.  She would be embarrassed that her emotional display was on tape and the ex-lapdog listened to it.  What if she didn’t come back for it though?  No, she would.  A woman in such heartbreak would be too scared that someone else would find out.  She would be back.  But she wouldn’t find her tape.

     Seifer pushed his own tape into the recorder and hit the record button, striking a G chord, before he silenced the polished instrument in his hands.  And he began to play.

 

You know the sun is in your eyes

And hurricanes and rains

Black and cloudy skies

 

You’re running up and down that hill

You turn it on and off at will

There’s nothing hear to thrill or bring you down

And if you’ve got no other choice

You know you can follow my voice

Through the dark turns and noise

Of this wicked little town

 

Oh Lady Luck has led you here

And they’re so twisted up

They’ll twist you up, I fear

 

The pious, hateful, and devout

You’re turning tricks till you’re turned out

The wind so cold it burns

You’re blowing out and blowing ‘round

And if you’ve got no other choice

You know you can follow my voice

Through the dark turns and noise

Of this wicked little town

 

The fates are vicious and they’re cruel

You learn too late you’ve used

Two wishes like a fool

 

And when you’re someone you are not

And Balamb Garden* ain’t the spot

Remember Mrs. Lot and when she turned around

And if you’ve got no other choice

You know you can follow my voice

Through the dark turns and noise

Of this wicked little town

 

     Seifer struck the last few notes of the song, let the echo of those notes remain, then cut off the recorder.  Then he got up and headed toward the door, turning back at the last moment.

     How was he going to know if it was her who would pick up the tape?  How could he keep other people from entering?  A moment’s thought and he had the answer.  He strode over to the storage closet and pulled out a piece of poster board and a roll of tape.  With a black Sharpie™ he scrawled the words,

     Closed for Cleaning

     That done, he put everything away, taped the sign to the door, and hurried away, customary smirk in place.  He rounded the corner and bumped headlong into someone, who hit the floor with a loud OOMPH.  Shit, he thought, I have a guitar in my hands.  Then his green gaze moved to the person he ran into.

     “Instructor Trepe,” he bowed mockingly. “However did you get down there, where you belong?”

     Quistis’ blue eyes narrowed as she pushed herself off the ground and brushed imaginary dirt from her uniform.  “Only a person like you could drag someone down that far,” she returned.  They faced off with matching glares on their attractive faces, before her gaze drifted to the guitar in his right hand.  “Seifer…whose guitar is that?”

     Seifer barely managed to conceal his flinch, before he realized he found himself a perfect cover and had Miss Stuck-Up Trepe to thank for it.  “I don’t know,” he shrugged.  “Some poor sap’s I found in the music room.”

     Her jaw tightened, but she forced herself not to give orders.  After all, she wasn’t his superior anymore.  “You should return that.”

     “You can’t give me orders, Trepe.”

     “You called me ‘Instructor’, Seifer,” she smiled sweetly.

     His jade eyes flashed.  “Just get to wherever you’re going, Trepe.  I have things to do.”  With that he left her.

     Quistis shook her head and looked around.  Coast clear.  She headed for the music room.

**********************

A/N: “Wicked Little Town” by Stephen Trask.  I was going to do first person, but I changed my mind.  I write third so much better! PLEASE

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