eingespielt von Orchestre Baobab 1978

"based on a certain style of Kora playing called Yeyengo - a lively, heavily trummed way of playing the 24-stringed kora that's typical Casamance. The song itself, by Balla Sidibé, is a kind of microcosm of Casamance's cultural diversty." (Lucy Duran in fRoots, Nov. 2001)