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John Phillips |
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Music for Film and Television |
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www.johnphillips.com.au |
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www.john-phillips.com |
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1999 |
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ENCORE: 1999 ADB Thumper Nat's Series |
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Composer / Performer |
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Wrote incidental music for this Documentary / Extreme Sports Video release by 20-20 Vision Productions. Released to retail sell through and aired on Fox Sports Television. |
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1998 |
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VOCAM SAFETY VIDEO PRODUCTIONS |
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Composer / Sound Designer |
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Wrote and produced soundtracks for Vocam's safety video productions. These productions serviced a world market. (Australia, New Zealand, U.K, Scotland, U.S.A., Hong Kong and Germany) |
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1997 |
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STAN DRYDEN - Yarramunua Red |
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Solo CD album. 57 mins |
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Producer / Sound Designer |
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Co-performedwith Stan Dryden on his first solo CD album. |
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Some of these Didgeridoo songs appear in the feature film The Big Red |
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(aka Welcome to Woop Woop) directed by Stephan Elliot (Priscilla) for MGM Motion Pictures. |
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1996 |
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MONASH UNIVERSITY REHABILITATION TECHNOLOGY RESEARCH UNIT |
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Promo, Betacam SP, Colour, 8 mins |
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Composer, Music Director, Sound designer, Editor. |
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This was a services and resources promo for this world wide leading edge engineering and research unit. Collaborated with other composers producing a Techno flavoured outing for this soundtrack |
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1995 |
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JOHN PHILLIPS CD-ROM DEMONSTRATION DISK |
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Sound designer and editor. |
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This was a self initiated project to work within the CD Rom medium for the first time. The disc was designed to be an interactive multimedia enviroment for my Curriculum Vitae featuring an overview of all my music, composing, editing and audio work to date. |
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It also features some samples of my previous projects and video, film, graphics, writing, and production work. |
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1995 |
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TRAVEL DOCOCUMENTARY |
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HI-8, Colour |
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Sound recordist. |
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Visited Hong Kong, London, Paris, La Rochelle, Bordeux, Biaritz, Barcelona, Figures, Cadaques, Cannes, Nice, Monte Carlo, Monaco, St Tropez, Venice, Genoa, Alessiandria, Verona, Venice, Milan, New York and Los Angeles. Gathered sounds via Hi-8 video format for possible use in future original songs, compositions and soundtracks. |
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1994 |
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LINDSAY JONES EVANS AND LANCE DAVIS DESIGNS |
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Promo, showreel, SP U-MATIC, 7 mins |
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Producer, sound designer, editor. |
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This was a promotional reel featuring the best of this production team?s 16mm television commercials all in the $50,000 to $500,000 budget range. |
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1994 |
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INTERMUSIC AUSTRALIA |
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Set up Australia's first online web site specifically for independent musicians, composers, artists and the general Australian Music Industry. Researched and experimented with tools and software systems with this new distribution medium re: audio delivery online over the global internet. |
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1994 |
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MONASH UNIVERSITY REHABILITATION TECHNOLOGY RESEARCH UNIT |
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Promo, Doco, Betacam SP, Colour, 7 mins |
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Composer, Music Director, Sound designer, Editor. |
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1994 |
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MISS DOROTHY AND HIS FOOLS IN LOVE |
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Colour, SP U-Matic,8 mins |
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Sound designer, editor. |
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Worked with Greg Ham (ex Men At Work) producing and creating the audio and music track for this video presentation. It was used for their CD launch on the Spirit Of Tasmania and pitches to television stations, entertainment agencies, venues and major record companies. |
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1994 |
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PINK FLOYD AUDIO VISUAL INSTALLATION |
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Soundesigner and editor. |
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35mm slide and audio installation as part of a major exhibition at the Regent Theatre. This was a fund raiser by Melbourne City Mission promoting an awareness of homeless youth. Coordinator: Keir Saltmarsh. |
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1993 -1994 |
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SIRIUS MUSIC |
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Promo, U-MATIC, Colour, 6 mins. |
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Soundesigner, Composer. |
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Two promotional videos for independent label Sirius Music to promote and present my album at the Cannes Midem music conference and major record labels throughout Europe, Hong Kong and Japan. |
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1993 |
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CMJ PROMO |
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Promo, SP U-Matic, 4 mins. |
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Video promo for my album Made in a Frame. |
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Exhibited at the Waldolf Astoria Hotel, New York for the CMJ (College Media Journal) 4 day conference. Exposure to six thousand music industry people. This was part of an Export Music Australia initiative and The Big Backyard National Radio Program. |
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1993 |
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MEDICO-LEGAL CONSIDERATIONS OF PATIENT CARE DOCUMENTATION |
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Education, dramatised, animated, SP U-Matic, 57 mins. |
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Sound designer and editor for this production that incorporated extensive scenes of dramatisation, animation and graphics. |
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Audio post-production completed at Music and Effects Sound Laboratory, Melbourne using Fairlight series 2 system and 32 track recording and automation. |
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Engineer: Doren Kipen |
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1992 |
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BILLY GUYATT'S END OF SUMMER SALE |
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Commercial, Betacam SP, 16mm, 30 sec. |
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Harvie Advertising Agency. |
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Composed, sequenced and mixed a music track with Music Director, Producer, Engineer: Francois Taviaux. |
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1992 |
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GOTCHA |
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Comedy, 1 inch, 16mm, 30 mins |
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Joint children's comedy production between SBS Television Australia and the European Broadcasting Exchange for worldwide release. |
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Awards |
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"Prix Jeunesse International 1992" |
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Children's Comedy Film and Television Festival Munich, Germany. |
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Won two prizes. |
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Won Third Prize. |
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Won Best in 7 to 12 year old Children's Award category: Munich. |
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1991 |
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BILLY GUYATT'S END OF SUMMER SALE |
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Sales presenter, 1 inch, 16mm, 2 mins. |
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Harvie Advertising Agency. |
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Composed, sequenced and mixed a music track with Music Director, Producer, Engineer: Francois Taviaux. |
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1991 |
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CLINICAL UPDATE: THE PSYCHIATRIC PATIENT |
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Educational, training, U-Matic, 45 mins. |
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Composed, recorded and mixed all the incidental music and SFX for this AOTC |
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production. |
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Awards |
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Nominated for an award by The Australian Teachers of Media: ATOM. |
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1991 |
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HI-RISE SAFETY AND RESCUE |
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Safety, corporate video, 1 inch, 7 mins |
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Joint production between Multiplex Constructions Pty Ltd and the AOTC. |
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Wrote this score using computer midi sequencing and sampling technology entirely. |
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Used extensive samples created from the wild sound recorded on location and then turned them into "industrial instruments." |
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1989 |
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FOR THE CENTURIES AHEAD |
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Promotional, documentary style, U-Matic, 17 mins |
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Composed, recorded, mixed and edited all SFX for this production. |
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1988 |
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COMMUNITY AID ABROAD TVC |
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Colour, 16mm, 1 inch, 60 secs. |
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Directed by Helen Hassoura who had won an Award and grant from Community Aid Abroad. |
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International Year of Youth |
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Composed the score for this community service advertisement. |
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Screened on SBS, Seven, Nine and Ten Networks. |
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1987 |
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AMBULANCE UPDATE |
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In house news, magazine format, U-Matic, 20 - 50 min episodes |
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Victorian Ambulance Officers Training Centre. |
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Composed, recorded and mixed parts of music score for these episodes including |
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music from other composers. |
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1987 |
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BUNNY BUSTERS |
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Spoof, Comedy, Colour, 24 mins, U-Matic |
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Independent production written by Gary Batchelor. |
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Sound Designer. |
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Created, recorded, edited and mixed all SFX, foley tracks and location sound for the final soundtrack mix. |
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1987 |
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AMBULANCE ON THE MOVE |
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Inhouse promo, presenter, colour, 10 mins, U-Matic |
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Composed, recorded and mixed parts of the music score for this Advertising Agency Promo for Ambulance Service Victoria. |
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1987 |
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FEMALE |
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Ballet, Mime, Fantasy, Drama, 16mm, 24 mins. |
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Produced written and directed by Belinda Alexandrovics and Simon Burton. |
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DOP: Roman Baska. |
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Collaborated with members from Urban Principle and John Justin to compose the score, main theme and incidental music for this independent production. |
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Exhibited at the Melbourne, Sydney and Chicago Film Festivals in 1987 and 1988. |
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Awards |
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Chicago Film Festival 1988: Won first prize for Best Picture in the Experimental section. |
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1986 |
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SHARK STORY |
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Narrative, Autobiographical, Colour, 16mm, 15 mins. |
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Designed, composed, recorded and mixed with Urban Principle under my music direction the score for this Swinburne short written and directed by Julian Rex. |
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Exhibited at the State Film Theatre, St Kilda, Melbourne, Sydney and Adelaide Film Festivals throughout 1986 and 1987. |
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Awards: |
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Kodak: Best Editing |
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Swinburne: Best animation |
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1986 |
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HOT SPOTS |
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Music Video, 35mm Anamorphic, 4 mins. |
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Co-wrote and produced this song with members from Urban Principle under direction from solo artist performer Michael Rumpf who also co-wrote, directed and performed in this piece. |
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1986 |
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LOOKING FOR SPACETHINGS |
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Comedy, adventure, colour, 16mm, 18 mins. |
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Designed, composed, recorded and mixed with Urban Principle under my music direction the score for this Swinburne short written and directed by John Armstrong. |
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Part of this score was featured on a release through Cleopatra Records in March 1988. |
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Exhibited at the St Kilda, Melbourne, Sydney, Adelaide Fringe and Munich Children?s Film Festivals. |
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Co-funded by the Australian Children's Television Foundation. |
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Distributed by the Australian Film Institute. |
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Awards: |
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Kodak: Best Cinematography |
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Swinburne: Best Children's Film |
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TCN 9 Sydney: Best Children's Award 1986-1987 |
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Received commendations at the Sydney and Greater Union Short Film Festivals. |
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ATOM: Won two awards: "Tertiary General" and "Children's Award" |
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Sales: |
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Qantas: In flight exhibition on board all international flights in and out of Australia |
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January - February 1987. |
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Network Television: New Zealand Broadcasting Commission. |
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Victorian Education Department. |
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1985 - 1992 |
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CONTINUING EDUCATION PROGRAMME SERIES |
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Education, Training, U-Matic & SP U-Matic, 40 - 50 mins each |
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Designed, composed, recorded, mixed and edited the music, dialogue, SFX and foleys for this educational series for the Ambulance Officers Training Centre Victoria. |
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1985 |
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PICTURE THIS |
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Experimental, Animated Narrative, Colour, 16mm, 7 mins. |
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Swinburne short written and directed by Julian Rex. |
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Exhibited at the Melbourne, St Kilda and Sydney Film festivals. |
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Composed recorded and performed the entire music score and SFX. |
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Film Festivals in 1985 and 1986. |
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1984 |
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FAST LANE |
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Experimental, surreal autobiography, super 8mm, 7 mins. |
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Composed all music and SFX for this short that combined reality and animation. |
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Exhibited at Melbourne Fringe Festival and St Kilda Film Festivals 1984 and 1985. |
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Reviewed on ABC Radio National. |
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1984 |
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THE LURKING |
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Comedy, suspense, spoof, Super 8, 8 mins |
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Written and Directed by Chris Odgers and Chris Haddon |
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Created, recorded and mixed dialogue and SFX for this short. |
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Exhibited Sept 1984 at Melbourne Fringe Festival and The Edinburgh Amateur Film Makers Festival. |
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1984 |
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S.M.O.F |
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Corporate, training video, 1 inch video, 7 mins |
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Composed, performed and recorded all music with Rex Delaney and Mark Gove. |
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Telecom inhouse presenter. |
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Produced and Directed by John McGlynn. |
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1984 |
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S.M.O.F JOINTING |
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Corporate, training video, 1 inch video, 7 mins |
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Composed, performed and recorded all music with Rex Delaney and Mark Gove. |
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Telecom inhouse presenter. |
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Produced and Directed by John McGlynn. |
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1984 |
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The PUPPETS |
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Documentary, Super 8mm. |
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Sound recordist for this documentary about a young Melbourne street puppeteer. |
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Produced, directed and shot by Roman Baska. |
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1983 |
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SLICKIE'S WET DREAM |
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Surfing fantasy, experimental. 16mm. 10 mins |
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Written, Produced and Directed by John McGlynn. |
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Co-wrote, performed and recorded all music with Mark Gove and Alan Wright. |
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Roadshowed throughout Victoria and NSW coastal cinema centres, summer of |
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1983-1984 as support to Nat Young?s A History of Australian Surf |
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1983 |
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THE INCREDIBLE DRINKING STRAW |
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Animated. Colour Super 8mm. 7 mins |
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Sound designer for this short. Produced, composed and recorded all Music and SFX. |
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Exhibited at Media Fest Melbourne |
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1982 |
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THE TROUBLED FAMILY |
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Drama, Colour, 12 mins. U-Matic |
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Sound designer for this production which was originally a short play. |
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Exhibited at the Geelong Sprockets and Flares Media Festival. |
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