Articles About Maltese Music by Mike Bugeja   

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EXQUISITE BREAKS IN DARK PLACES!

July 2004

 

Spooky Monkey – Scaremongering Project
Despite any preconceptions that the words spooky and scare may conjure, this project actually has nothing to do with horror flicks of any sort. Instead it is inspired by a series of short stories by Maltese writer Anton Bonnici. That said, this project is also quite different to the jovial, upbeat and funky grooves that Spooky Monkey is renowned for, as anyone who has seen them perform live can attest. Taking its cue from Bonnici’s surreal-meets-black humor literary twist, Scaremongering Project is probably best described as a soundtrack of sorts, more so because it  provided the aural landscape at the Scaremongering Exhibition #2: Merely a Stain, which was held at Bar Karoo in Valletta.

The album opens with an interlude that is essentially a spin-off from Bonnici’s opening story, slipping into an upbeat infectious tune (Jolly Good Day) which, despite sounding odd vis-à-vis the story’s introduction, captures the ambience of where the storyline starts and will eventually end. If this sounds confusing, it’s probably because it is – think of it as a story within a story with many spin-offs along the way, yet all leading back to the main theme. In similar fashion, Spooky Monkey’s sonic translation evolves through various genres, including triphop, breakbeat and dub, applying recycled musical elements and samples to maintain a common thread throughout the nine tracks on offer.

Fans of leftfield electronica should find plenty to rave about here, not only because of the several hybrid genres invoked, but also because of the project’s tangential diversity, which stretches as far as a stripped down interpretation of the main theme (Once Upon A Theme); a three-part composition that fuses ambient with ethnic inflections and a breakbeat groove (Tri Capita); a captivating tune featuring Marie Claire that is simply to die for (Distant), and last but not least, a lingering yet vital end track (A.E.I.O.U.) that relies on layers of guitar harmonics and a pulsating rhythm to accentuate the ‘full circle’ concept of the album, as it edges ever closer to the mood of the opening number.

Recommended weblink: www.spookymonkey.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 All content on The Lib66 Homepage © Michael Bugeja (unless otherwise stated)


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