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SOUNDS LIKE A MELODY!

November 2003

 

IVAN FILLETTI - EP
Filletti’s new material transcends the blues he has become renowned for.


OK, first things first! The title of this article by no means implies that Filletti’s earlier material was not melodic. In fact as frontman for Filletti & Friends, Ivan developed his vocal technique quite candidly, with a strong blues imprint adding to his style.What his new material uncovers primarily is a singer willing to venture beyond familiar terrain into pastures new. Some may call it starting over, and to an extent it is, for Ivan even had to endure some tasking vocal coaching for this solo project.

There had already been signs of a shift in Filletti’s musical plans – for example his performance at last year’s Teatru Unplugged completely overlooked the blues in favour of a more laidback Latin flavour. Also, Ivan’s recently acquired taste to investigate music by ’new’ artists was a further catalyst in his bid to diversify. Teaming up with multi-talented musician Boris Cezek, who many will recall from his days in The Flying Alligators, The Refugees, Quicksand and more recently his work with Kristina Casolani, Ivan found the support to take his rough song sketches one step further – into the studio. Here, an essential role was taken on by producer Howard Keith of Farmhouse Studios, and the group effort actually rendered very positive results, as many of you will understand better once the handful of songs hit the airwaves, which should be any day now!

The special preview session at Farmhouse Studios was cosy to say the least. The intimacy of the studio provided an ideal setting - I was after all, about to hear songs that up to that day had been strictly personal. Sharing them with those present was like letting us sneak a look into Ivan’s diary and indeed, the songs all possess a warmth that runs parallel to their diverse musical textures. Cold Heart for example will probably go down well for its catchiness. Apart from not sounding like the Ivan we know, both in direction and vocal style, this uncomplicated rock tune, lightly sprinkled with some blues touches for good measure, is a classic example of the pop rock fusion that is making waves on the contemporary music scene, both locally and abroad.

In contrast, the second track, 20 Minutes, seems to shy away from instant mainstream appeal, although I have to admit it is more my kind of song – melodic but with a melancholic twist and rounded off with some pronounced Jagger-isms reflecting Ivan’s passion for retro rock. The third and last track we listened to was Me - lyrically revealing a sense of vulnerability but musically embracing poignancy while unveiling strength in character. The three songs - diverse in stride and mood yet all connected by Filletti’s leap into new territory – all point to a positive outcome in Ivan’s self-imposed musical repositioning, and you can certainly expect to hear more of this solo venture!
 

Recommended weblink: fillettiandfriends.tripod.com

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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