henfenadsm
jh_gear
JHmonterey
jimihead1

Royal purple vinyl
Cane grille
Tall straight cabinet
Side mounted handles (2) on lower cabinet
Top mounted handles (2) on angled cabinet
Leather handle straps on head and cabinets
Plexi panels front and rear
Gold-look metal top vent
100 watt, 16-ohm mono cabinets
Removable casters
Four input jacks: two 2 bright and 2 normal
100 watts RMS (conservative)
EL34 Power Tubes
Sets each assigned limited edition serial number
2 speaker cords, 1 AC mains cord supplied with set

Jstack1
fuzzface
Voxwha1 univibe
Henfen

For fuzz, Hendrix was partial to the Arbiter Fuzz Face, a distortion stomp box housed in a round metal case.
Jim Dunlop has recently reissued the Fuzz Face, complete with authentic housing and germanium transistors
like those found in the original units

OCTAVIA
Hendrix's Octavia unit, which was custom-made for him by electronics wiz Roger Mayer, was
the secret weapon in his effects rig.

UNI-VIBE

The Uni-Vibe appeared in Hendrix's setup in August, 1969, and remained in his rig until he died a year later.
The pedal approximates the sound of a rotating speaker, similar to the sound produced by the bulky Leslie cabinets
that were part of Hendrix's live setup in 1968. He used the pedal frequently, and it can be heard on many
of his most influential live recordings, including Woodstock and Band of Gypsys.

WAH-WAH

Jimi remained a faithful user of the Vox wah-wah since he started using the unit in 1967 to record "The Stars That
Play With Laughing Sam's Dice." Soon afterwards, wah-wah became a crucial part of Hendrix's sound, heard on
songs like "All Along the Watchtower" and "Voodoo Child."

The original Vox V846 wah-wah used by Hendrix, featuring a distinctive chrome rocker pedal, was discontinued in the early Seventies.
Noticing the excessive prices that original units were selling for on the vintage market during the early Nineties, Vox decided to
release the V847 Wah-Wah pedal, an accurate reproduction of the unit favored by Hendrix.

hendrixguit2
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