The Photography of Karel Plicka
This page is dedicated to Karel Plicka - a once-famous virtuoso of black-and-white photography, an early 20th century Czech artist, the "Ansel Adams" of Czechoslovakia.
Born in 1894
During his career, Plicka published several photography collections.
Among them are:
His urban photography shows Prague in an unparalleled and extraordinary
view. His work is an incarnation of medieval, renaissance, baroque,
neo-classical, empire, art nouveau and cubist motifs. In his
work Prague speaks a language of ancient mystique, stunning
expression and captivating realism.
During his lifelong career Plicka published several major works.
The photographs on this page are examples of
his urban works taken from the 1940 edition of "Prague."
This work is a collection of black-and-white photographs from
the first half of the 20th century. Among the seemingly
inexhaustible wealth of sights this ancient city offers, in Plicka's
"Prague." one will find unique sights discovered only by his keen eye,
as well as touristy ones that nonetheless seem quite unique through
the lens of his camera. Last not least, notice the extraordinary
lighting he achieves in his pictures.
Esthetically, every one of his pictures speaks of the special
attention the artist paid to avoid those structures and sights
he considered debased or showing Prague's moral devastation
during the Nazi occupation of WWII. Plicka's work thus becomes
more than a documentary of reality of the 1930s and 40s. His
photography is a testament of his artistic soul, its tremendous
strive to protect and purify what is uniquely embodied in the
atmosphere of this ancient city. Even a native inhabitanmt of Prague would not recognize many of the views shown here. They are like a mirage shrouded in a supernatural legend, a web of dreams. Beside such lyric phrases, though, one cannot help but wonder about more practical
matters: about all the winding alleys, hidden alcoves and narrow
walkways Plicka tumbles upon during his quest
for that perfect shot; from what ledges or dark corners does he
aim his lens. Because of all this, the artist manages to instill an aura
of immortality to the mundane, and spiritual uniqueness to the ephemeral,
albeit stone, beauty. One wonders about the fleeting moments
during which he invents the enchanting charm so typical of his
work. Adopted from sleeve text in the 1940 edition of Prague in Pictures: Czech Graphics Union A.S. in Prague.
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