jay luneau - 12/09/99 21:24:42
My Email:jluneau@speedgate.com
Specify Artist: linda luneau

Comments:
i love your work. do you have relatives in louisiana?

Rick LePoidevin - 09/25/99 12:20:46
My Email:monty2@bconnex.net
Specify Artist: Linda Luneau

Comments:
This lady needs to be discovered big time

tony smith - 06/29/99 10:16:44
My Email:tony@roytony.demon.co.uk

Comments:


Jenni - 03/31/99 10:28:26
My Email:channel333@hotmail.com
Specify Artist: Linda Luneau

Comments:
hi just looking in from Sydney, I must admit, i love your use of colour, you have a huge future........just keep on doing what you do best, very fresh and devine!!! Go in peace and i wish you all the best..... jenni

Yustas Kotz-Gottlieb - 03/31/99 01:22:55
My Email:Yustas61@aol.com
Specify Artist: Jaisini

Comments:
Marble Lady. In his art, Jaisini insists on overcoming of the dehumanization, the suppression of sensuality. In every historical period there are ideas and problems which are expressed and will not come to pass. Jaisini seeks to identify this idea in the present, excavate it from the past, and invent it in a new way for the future. In the murky, anxious world of ours, in the midst of the soul's confusions and the multiplying moral losses, the artist seeks and always finds some big and small islands of "eternal truths," and asserts the indestructible age-long parables that reveal the e truths in the new light, in his own system of sign-images. I realized that the more you look at "Gleitzeit" works and think, the more you see, feel, and understand, but never completely, as given work always has too many aspects. There is always some kind of "space" in the painting, on which the observer feels free, without a persistent prompting of the artist, to use his own system of perception. To me, "Marble Lady" seems as a late modern modification of the Greek myth of the sculptor Pygmalion, who used his illusionist skill to satisfy a private fantasy of the ideal woman. Disappointed by the imperfections of the opposite sex, he created Galatea out of marble and during a festival in honor of Venus, Pygmalion prayed for a woman as perfect as his statue. Venus answered his prayer by bringing his statue to life and eliminated the boundary between reality and illusion. In Jaisini's "Marble Lady," the object of the intense desire remains alluring, yet perpetually distant. Desire of the others is often imagined in terms of a fetish. The so-called civilized man can be considered in his delight of female form. In "Marble Lady," we find the two types of spectatorship: the masculine and the non-masculine. Therefore, an image of the woman is defined through the desire of both spectators, the unmanly poet and the savage who may well be a subscriber to "Penis Power uarterly." The statue of Galatea was and still is the symbol of fictional perfection, a result of the search for ideal woman that parallels the artist's own creative urge. A post-feminist culture has found out a way to reinvent the woman as she once was: eager to ap ear physically attractive, the man-made woman. The "Marble Lady" enables male domination by being unreachable and desirable. The construction of such a female identity fiction can inspire both high and low natures. In all of his works, Jaisini unites the igh and low principles, integrating art into the material life, breaking out of art's ivory tower. "Marble Lady" is a compact, pyramidal composition of the "trio." As in all of his works, Jaisini subdues the figures to the articulation of line and its rhythmic connection between forms in space, a sort of analytical process, based on the line swinging w ich starts up ideas, shapes, and colors. The line arabesques are these highly individual textures of Jaisini's art. A decorative role of the painting's color is to create the temperature contrast of the heated environment with the marble-cold statue. In modern and postmodern times, there are increasingly fewer outlets for sensual urges and desires which lay at the origin of human society that imposes restrictions. Sexuality remained beyond the scope f most art history. Interaction between male and fem le is still responsible for the continued functioning of the universe. Thank you for reading

Noel Luneau - 01/16/99 00:04:38
My URL:http://www.luneau.nu
My Email:nluneau@home.com
Specify Artist: Linda Luneau

Comments:
Wow - My Mother can really Paint. Nice Web site. Some of these paintings I've never seen. Keep on painting, we Love your work!!!

Deborah Bell - 09/29/98 16:41:37
My URL:http://www.earthimpressions.com
My Email:randd@worldnet.att.net
Specify Artist: garry

Comments:
I like all of Y'all's work and your site. If you are interested in linking to my site, let me know.

donna woolsey - 08/28/98 22:05:10

Comments:


david - 01/26/98 00:04:21
My Email:milkd@usa.net
Specify Artist: linda

Comments:
beautifull website impressive artwork, Dave

nebfan - 01/06/98 23:02:57
My URL:www.geocities.com/SoHo/Gallery/9875
My Email:nifty.d.ude@usa.net

Comments:


Yves LArocque - 12/16/97 20:16:12
My URL:http://www.cyberus.ca/~icscis
My Email:icscis@cyberus.ca
Specify Artist: Anne

Comments:
Saw the site and your works. Merci Yves

David and Anna - 12/11/97 22:42:55
My Email:daparker@sprint.ca
Specify Artist: who?where?when?whaaaaat?

Comments:
Hey guys! that is one good looking page. who is the funky dude in the glasses. He looks like a 90's hells angel. Dressed to kill, aren't ya' Garry.

Wayne - 12/10/97 00:12:12
My URL:http://www.geocities.com/SoHo/Gallery/9874
My Email:north@cyberus.ca
Specify Artist: All!

Comments:
Guestbook test!