A Solid Maple Table with Veneered Edge and a Cabinet:


Veneered Dining Table


This is a solid, curly maple dining table with quarter sawn Sapele edge veneer. The race-track top is 48"x84", and is made up from 4 pieces of curly, hard, 4/4 maple. The boards used for the top are consecutive pieces from a full flitch and they look fabulous. (The whole bole was available, but I didn't get to it first. As luck would have it, the famous figured wood collector, Robert Pelzar, bought it and sold me half the flitch)

A quick comment on machinery. I used an 8" PM jointer on this project, but I would have done almost anything for a 12" to 16". Without the big jointer, a special effort was necessary to get the 12"x7' rough sawn boards thru the planer. If anyone wants to sell me an old, wide, Oliver or Porter jointer, my email is at the bottom!

The final flattening of the top was subcontracted out to a service with a +50" (seventy horse power), three head, wide belt sander. It can do 80 grit, 120 grit and 150 grit all in one pass. This is the most efficient and accurate method of surfacing and thicknessing a table top. The curl of the maple necessitated wide belt sanding rather than planing if tear out was to be avoided.

There are some spots on the underside of the top that were left rough sawn because I wanted to keep as much thickness as possible (about 0.9"). All to often, I see students making tens of passes on the jointer and then planing the living daylights out of a set of boards -- only to end up with a 1/2" thick panel from what started out as very nice 4/4 rough sawn stock. You don't always have to joint and plane your boards till they're 100% clean on both sides before gluing up. This is silly. You're going to have to plane or WBsand after you glue up anyway (well, most of the time), so leaving a little scruff on a board is no big deal. The advantage of leaving that scruff there, for newbies that have a hard time gluing up panels with less than 1/32" misalignment, is that you end up with more thickness (after planing) than you would otherwise. Besides, if anyone is foolhardy enough to bend over and examine the underside of that top, a swift boot in the behind will cure them of their curiosity.

The base (see next picture) is also solid curly maple, with the exception of the frame that keeps the top flat.

The finish is straight lacquer, 9 coats. No grain filler was used on the Sapele. Just lots of sanding and spraying. The result is subtly different from wood that's been treated with a paste filler. The open grain of the Sapele retains it's open appearance while the top is still a level, mirror-gloss surface. I prefer this method of filing wood pore if the piece justifies the effort.

Dining Table 1

Close up of the veneered edging

I really like the ribbon figure of quartered Sapele. It's an inexpensive and easy to work with wood. It works very much like mahogany, in my opinion. At the time, it was available in a 1/28" thickness, which was a pleasure to work with compared to the paper thin stuff I sometimes find. I'm also really partial to bookmatching curly maple. With other species, a slip match can really be attractive but with curly maple . . .

Edge Detail

The Base

The leg stock was actually substantially more curly and consistent than the bookmatched top stock. However, there wasn't quite enough to makeup a top so it ended up in the columns. Cest la vie.

The top secures to the base by means of 4 sliding dovetails (pins attached to the table top and tail mortises in the top of the base. You just line everything up and slide the top into place (harder than it sounds though). In the background, you can see the automotive grinder/polisher with wool bonnet -- used to buff out the lacquer top.

Table Base


"Cabinet from Hell"

A 89 door monstrosity of a pool cue cabinet made for the university's pool hall. The case was an existing piece, and we only make the front portion carrying the doors. Believe it or not, the doors are quarter sawn and arranged for a good grain match (dark stain was customer request - yuck). The hinges and lock clasps and strikes were fabricated entirely from scratch using steel and brass stock. Only the knobs were purchased. I have to admit, master craftsman K. Vosburgh make the doors and figured out the way to make the hinges and clasps. I just inhaled a lot of flux fumes did a lot of the metal work (silver brazing). Warren Beattie lookalike, JP Tyman (a local high end wwker and film maker extraordinare) supervised fitting the hinge/lock assembly to the old cabinet.

The only thing better than doing fine woodworking is doing it with a bunch of guys that are twice as good as yourself.

Foot Note to Keith and Bob, this is proof that I work on practical, stained, low brow projects on occassion. So, I'm not all that high faluting snooty as I sometimes come across.

Cabinet from Hell

Email me at bfeng@ibm.net in the meantime.
Please come back soon and visit me.

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